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Stereotypes and society
Attitudes towards stereotypes
Attitudes towards stereotypes
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I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
Throughout the film, viewers witness Gru’s self-concept drastically changing. This is very important to recognize because self-concept influences the “roles we play, social identities we form, the comparisons we make with others, and our successes and failures” (Meyers, 40). In the beginning, Gru collectively characterizes himself as a villain, and as a result, forms a social identity as an evil individual. He does not compare himself to a layperson, such as his next-door neighbor, but rather to other villains and their criminal accomplishments. His self-concept influences the role he plays in society, and hence his behavior and actions. Gru’s behavior can be described as selfish, as he is solely concerned of his own gains and benefits, and very aggressive. He shapes his behavior to emphasize his social role of a villain. For example, in the beginning of the film, when Gru sees a young boy crying because he dropped his ice cream, he makes a balloon animal for him. When the boy begins to smile, Gru then proceeds to pull out a pin and pop the balloon. When he encounters a long time...
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...ic motives with his goals. This is boldly highlighted towards the end of the film, where Gru realizes that his desire to be with his three daughters and become a good father, an intrinsically motivated goal, outweighs his desire to be recognized as the world’s greatest villain.
Works Cited
Brewer, M.B., & Gardener, W. (1996). Who is this “We”? Levels of Collective Identity and Self
Representations. Journal of Personality and Social Psychology: Vol 71, No. 1, 83-93.
Mikulincer, M., & Shaver, P.R., (2005). Attachment Security, Compassion, and Altruism.
American Psychological Society: Current Directions in Psychological Science: Vol 14,
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Croll, W.L., & Smith, R.M. (1984). The effects of extrinsic reward timing on intrinsic motivation. Bulletin of Psychonomic Society: 415-417.
Myers, D. G. (2010). Social psychology (10th ed.). New York: McGraw Hill.
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
...his antagonist proves to be their own inner character which determines the trajectory of their decisions. As they all become aware, the consequences of their decisions prove to have an extensive impact on themselves and those around them.
Higher Learning - Film Analysis Exposition: The Establishing Shot of the film is a full screen American Flag, the camera zooms out and points down, revealing a large crowd of people in a rally, being very patriotic. As the camera zooms off the flag we come across a statue of Columbus- indicating it to be Columbus University. The speaker on the stage gives us another indication of the setting by Shouting'Columbus University'. They are in front of a stage with Band music playing and chants rising out. Whilst this continues in the background three characters are established:
Dear Zachary is a heart-wrenching documentary made by filmmaker Kurt Kuenne. Originally intended as a tribute for the deceased Andrew Bagby’s unborn son, Zachary, the purpose changes drastically when Shirley Turner, Andrew’s ex-girlfriend and killer (and Zachary’s mother), kills Zachary in a tragic murder-suicide. Believing that Shirley Turner should never have had custody of Zachary and that poorly made bail laws led to Zachary’s death, Kuenne alters his documentary to have a more argumentative message. Kurt Kuenne’s argument in his documentary Dear Zachary is that bail laws for those charged with a serious crime need to be reformed in order to protect people – especially any children – who may fall under the custody of the accused criminal.
Presently, Disney known for its mass media entertainment and amusement parks technically bring warm feelings to many children and some adults. Personally, Disney elicits magical fantasies that children enjoy and further encourages imagination and creativity. For decades Disney has exist as an unavoidable entity with its famous global sensation and reach. Furthermore, Disney is a multibillion dollar empire with an unlimited grasp on individuals and territories. An empire per se, since they own many media outlets, markets, shops, etc., you name it they got it. However, the film Mickey Mouse Monopoly presents an entirely new perspective on the presumed innocence projected in Disney films. This film exposes certain traits Disney employs and exclusively portrays through its media productions, specifically cartoons for directing and nurturing influence beginning with children. Mickey Mouse Monopoly points out camouflaged messages of class, race, and gender issues in Disney films that occur behind the scenes intended to sway viewers towards adopting Disney values.
Snow, David. “Collective Identity and Expressive Forms.” University of California, Irvine eScholarship Repository 26.7 (2009) . Print.
Which later acts as a plot device to give characters the motivation to distrust, and eventually overthrow,
The Three Here’s for Cooking The romantic comedy, Today’s Special, expressed the worries of Indian parents becoming at ease. Also, expressed the struggles a parent faces in search of a better life, the passion and dedication going unnoticed in the work field, and the connection between friends, a lover, and family. However, the film centered its attention more on the development of Samir’s “cold” cooking within the Indian food, with the help of Akbar. In addition, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry.
Dear Zachary directed by Kurt Kunene, is a documentary about a man named Andrew Bagby and the life he led before his ex-girlfriend Shirley Turner murdered him. It was reveled that shrilly was pregnant with Andrews’s child. She gave birth to a boy named Zachary. The documentary follows Bagbys parent’s battle for custody and the progress of Shirley’s conditions. Andrew made the documentary in hope that one day he would be able to show it to Zachary and show him the type of man his father was.
Patel, R. (2010, November 3). Children and the Media: The Effects of Movies on Children. Retrieved March 23, 2014, from Loving Your Child: http://www.lovingyourchild.com/2010/11/children-media-exposure-effects-movies-children/
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
Critics have warned the public audience about Disney programming’s affect on the “invasion and control of children’s imagination” (Ross 5). These movies express the typical gender roles “such as males being physically strong, assertive, and athletic, and females being prone to overt emotion, inc...
There’s something magical about animated movies that can’t quite be captured with a single sentiment. Whether it’s the bright colors of the characters or the mise en scène, the punny humor with the few sly jokes just for adults, or the ability to present complex social topics to a younger audience in an accessible way, you’re suddenly transported to a world that isn’t limited by real life locations or the physical capabilities of actors. This is especially relevant for the movie Zootopia (2016), which – while falling into the category of “just another kid’s movie” – not only displays a modernized look into the animal kingdom but speaks strongly about stereotypes, racial prejudices, and power dynamics between differing social groups.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?
Researches from vagaries universities have come to a point in which all their work has led to a conclusion that cartoons triggers a violent increase in child’s behavior. A child generally watches about 18,000 hours of television from the start of school to graduation, which effects the mental and psychological of a child. The fact that television itself has a strong hold on everybody’s life and the children of families are very vulnerable to the ill effects of the fake world cartoons bring. (C.J.Choma, Stevie Hosster, Rober Lue, Divia Nelson, Shawnte Ray, Ben Wilcox, Brandon Ybarra, and Dr.Louisa, 2004). The absent of death and harm in the world of make believe can lead up to children being confused on what is real and what is fake because through their eyes the character and world in the pre...