Biography of Edmund Spenser I. Edmund Spenser (1552-1599) the Great English Poet. A. Edmund Spenser began, intentionally and calculatingly, to become the master English poet of his age. B. Unlike such poets as Wyatt, Surrey, and Sidney, born to advantage and upper-social class, Spenser was born of moderate means and class, in London, possibly in 1552. C. He received a notable education, first at the Merchant Taylor’s School, then at Pembroke College, Cambridge, where he was registered as
James Chambers English 12H Period 3 Mrs. Chappell 5/16/14 Background: Edmund Spenser was a poet who is most famous for his work “The Faerie Queen”. Unfortunately his ma¬¬-ster piece went unfinished. Spenser also held minor offices in Ireland. He owned and lived in the castle Kilcolman in county Cork until 1598 when the Tyrone rebellion burned his castle down because he was a tyrant who tortured and prosecuted the Irish people. He even suggested he favored the annihilation of the Irish people in
Edmund Spenser was a well-known poet during the 1500s, who greatly influenced the way poetry was written. There is not a lot to know about Spenser’s childhood life, but many people have heard of him because of his unique writing style. During the 1500s many poems were written in Petrarchan or Shakespearean sonnet form, but Spenser chose a different form to use. Spenser used a very creative style known as the Spenserian sonnet; Spenser’s poems were based on romance since his wife, Elizabeth Boyle
While perhaps not as well known as the great William Shakespeare, the English Renaissance author, Edmund Spenser, was influential in more ways than one. The Renaissance was a time of discovery and economic and artistic blossoming. After a challenging time, England was finally beginning to thrive. However, the creative influence of the Renaissance did not seem to reach them. While other countries, such as Italy, were growing artistically, England lacked the motivation and creative minds necessary
From the works of William Shakespeare and Edmund Spenser it is clear that some similarities are apparent, however the two poets encompass different writing styles, as well as different topics that relate to each other in their own unique ways. In Shakespeare’s “Sonnet 18” and Spenser’s “Sonnet 75”, both poets speak of love in terms of feelings and actions by using different expressive views, allowing the similar topics to contain clear distinctions. Although Edmund Spenser’s “Sonnet 75” and William
virtuous life. To oppose the truth in Una, Spenser creates Duessa a juxtaposition to Una’s personality. The Red Crosse encounters trouble when he is deceived by the wicked Duessa who represents duplicity, falsehood and deceitfulness. Duessa, like Una appears to be very beautiful but her looks, like her personality is deceiving. Unlike Una, Duessa’s beauty is only skin-deep, a detail that the Red Cross Knight learns the hard way. Throughout the epic romance, Spenser depicts the representation of the women
Edmund Spenser (c. 1552 in London , † January 13 1599 ) was an English poet , elder contemporary and one of the models of William Shakespeare . • He was born in 1552 or 1553, the son of the tailor John Spenser and his wife Elizabeth, from Lincolnshire had come to London. Edmund attended Merchant Taylor's School , where the schoolmaster Richard Mulcaster tested a new educational idea. Mulcaster saw not only the Latin culture, but also the native language ie English, Education, to be important. Spenser
Edmund Spenser vs Virgil and Ariosto Some scholars believe Spenser did not have sufficient education to compose a work with as much complexity as The Faerie Queene, while others are still “extolling him as one of the most learned men of his time”. Scholar Douglas Bush agrees, “scholars now speak less certainly that they once did of his familiarity with ancient literature”. In contrast, Meritt Hughes “finds no evidence that Spenser derived any element of his poetry from any Greek Romance”. Several
Poetry is continously seen as a way of leaving a mark in various poems, especially those of Sonnet 18 by William Shakespeare, as well as Sonnet 75 by Edmund Spenser. Spenser states to his love, that his “verse your virtues rare shall eternize,” basically declaring that through his poetry she will live forever (Spenser 11). It seems vain of the speaker to say that his poems will live forever, since he seems to regard himself in such a high standard. Shakespeare was also confident of his skills, as
Queene Edmund Spenser in his epic romance, The Faerie Queene, invents and depicts a wide array of female figures. Some of these women, such as Una and Caelia, are generally shown as faithful, virtuous and overall lovely creatures. Other feminine characters, such as Errour, Pride, and Duessa are false, lecherous and evil. This might seem to be the end of Spenser's categorization of women; that they are either good or bad. Yet upon closer examination one finds that Spenser seems to be struggling
Shakespeare's Sonnet 18 has the same theme as Sonnet 75 by Spenser: the poet makes his beloved immortal by means of his poetry. This theme is a conventional one in Elizabethan sonnets. But Shakespeare and Spenser treat it in an original and individual manner. Spenser starts from a concrete situation and uses dialogue to make his point. Shakespeare writes a monologue in the form of an address. It contains a carefully reasoned argument which, as in many of Shakespeare's sonnets, moves in a series of
Prior to describing individual rooms within the Castle of Alma, it is useful to briefly discuss how the idea of the castle functions within the Book. Spenser compares the towers of the structure with towers at Thebes and Troy, which stand as monuments to individual According to Berger, Alma's Castle functions as an 'archetype of human temperance'; Spenser specifically describes the building in terms of the human body, relating it to Christian teachings; in the first canto, he states: Of all Gods
Defense of Her Majesty and the Church of England in The Faerie Queene In The Faerie Queene, Spenser presents an eloquent and captivating representation of the Roman Catholic Church, her hierarchy, and patrons as the malevolent forces pitted against England in her exploits as Epic Hero. A discussion of this layer of the allegory for the work in its entirety would be a book in and of itself, so, for the purposes of this exercise, the focus will be confined to Book I, Canto 1, through the vanquishing
Shakespeare’s poems are the monument of a remarkable genius but they are also the monuments of a remarkable age. The greatness of Shakespeare’s achievement was largely made possible by the work of his immediate predecessors, Sidney and Spenser. Shakespeare’s sonnets are intensely personal and are records of his hopes and fears, love and friendships, infatuations and disillusions that in turn acquire a universal quality through their intensity. The vogue of the sonnet in the Elizabethan age was
praise. Though Shakespeare’s Sonnet 18 and Spenser’s Sonnet 75 from Amoretti both offer lovers this immortality through verse, only Spenser pairs this immortality with respect and partnership, while Shakespeare promises the subject of the sonnet immortality by unusual compliments and the assurance that she will live on as long as the sonnet continues to be read. Spenser debates with his lover, treating her as his equal, and leaves his opinion open for interpretation as an example of poetic indirection
problem. Elizabethan conceptions of ideal justice politicize their representations in order to justify the prevailing monarchy. Spenser and Shakespeare offer their own version of the nature of justice through female characters, Mercilla in Book V of The Faerie Queen and Portia in The Merchant of Venice. However the textualization of these categories works differently. For Spenser, justice relates itself to a divine ordering of the world, which connects his work with Elizabeth I, God's instrument on Earth
John Milton's On the Morning of Christ's Nativity John Milton was born in 1608 and died in died in 1674. He was by far the most learned man of his time. He influenced men from the Romantic poets to the American Puritans. Moreover, he relied heavily on the historic Christian doctrine of Calvinism. In the first four stanzas of On the Morning of Christ's Nativity Milton paints a beautiful picture of man's redemption in Christ. First, the first four stanzas of Milton's poem have a distinct rhyme
Death in Young Gal’s Blues, One Day I Wrote Her Name, and Song on The End of the World Death is inevitable. It can inspire, it can cause sadness, and it can cause grief. The poets Langston Hughes, Edmund Spenser and Czelsaw Milosz are able to describe death so beautifully that the reader is consumed by each poem and almost forgets the dark nature of each poem, which is death. The poems by these three poets explore different aspects of death and how it makes one feel. Hughes’ “Young Gal’s
Knight vs. The Dragon”. 6 November 2004. . Hale, John K. “Spenser’s Faerie Queene, 1. 11. 52 and 53". Explicator. 53.1 (1994): 6-8. Rauer, Christine. Beowulf and the Dragon: Parallels and Analogues. Rochester, NY: D.S. Brewer, 2000. Spenser, Edmund. “The Faerie Queene: Book One”. The Longman Anthology of British Literature 2nd Edition. David Damrosch, ed. New York: Addison-Wesley Pearson Education, 2003. Tanke, John. “Beowulf, Gold-Luck, and God’s Will”. Studies in Philology
from Amoretti both offer immortality through verse, only Spenser combines this immortality with respect and partnership, while Shakespeare promises himself immortality as long as the sonnet continues to be read. Spenser debates with his lover, treating her as his equal as Shakespeare takes an egotistical approach to the topic and praises himself. However, both Shakespeare and Spenser treat the subject in an original and individual manner. Spenser starts from an average situation and uses dialogue to