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Symbolism in the epic story Beowulf
Beowulf and the dragon
Symbolism in the epic story Beowulf
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Dragons in Beowulf and in Edmund Spenser’s The Faerie Queene
When one usually thinks of a dragon, one thinks of dragon-slayers, adventure, damsels in
distress, and cheap fantasy novels. Dragons in literature have not always been used for such meaningless
entertainment. There are many precedents for dragons in medieval literature, two of the most prominent
being in the Old English poem Beowulf and in Edmund Spenser’s The Faerie Queene. In both of these
epic poems, dragons play major antagonistic roles. The foe of Beowulf and the two dragons in The
Faerie Queene serve as important symbolic parts of the story and as reflectors that bring out the good, or
bad, qualities of the hero. Although each dragon represents specific things in its particular context, all
three are used in the same manner to effect a meaning from their symbolic existence. The three dragons
serve to point out the negative aspects of humanity, or those that plague humanity, and thus function as
critical turning points in each story.
In these two poems dragons are featured as negative creatures and are associated with the evil
side of the good vs. evil battle. In both Beowulf and The Faerie Queene, all three dragons are shown
with images of fire surrounding them constantly. This is evocative of evilness, hell, and thus, of Satan.
By using the fiery imagery, the dragons automatically become evil and threatening to the heroes of the
various plot-lines. In Beowulf, our hero is called upon to defend his helpless people from a dragon that
has been awoken by a thoughtless peasant’s theft of a golden cup. The dragon is then enraged with greed
and goes on a rampage, destroying village a...
... middle of paper ...
...s present in both epic works..
Works Cited
“Beowulf”. The Longman Anthology of British Literature 2nd Edition. David Damrosch, ed. New
York: Addison-Wesley Pearson Education, 2003.
Brent, Jandi. “Redcrosse Knight vs. The Dragon”. 6 November 2004.
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Hale, John K. “Spenser’s Faerie Queene, 1. 11. 52 and 53". Explicator. 53.1 (1994): 6-8.
Rauer, Christine. Beowulf and the Dragon: Parallels and Analogues. Rochester, NY: D.S.
Brewer, 2000.
Spenser, Edmund. “The Faerie Queene: Book One”. The Longman Anthology of British
Literature 2nd Edition. David Damrosch, ed. New York: Addison-Wesley Pearson
Education, 2003.
Tanke, John. “Beowulf, Gold-Luck, and God’s Will”. Studies in Philology. 99.4 (2004): 356-80.
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
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When the dragon awakes after three hundred years of sleep, he discovers that his cup has been stolen. The dragon, also known as the worm, fills with anger and rage. Even though he is so angry, he does like the idea of battle: “Yet he took joy in the thought of war, in the work of fighting” (Donaldson 40). The dragon cannot wait to ravage the land of the people where one man has stolen from him: “The hoard-guard waited restless until evening came; then the barrow-keeper was in rage: he would requite that precious drinking cup with vengeful fire” (Donaldson 40). The dragon destroys the land and kills everyone around. The dragon even destroys Beowulf’s home.
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Ancient, timeless, and very, very hard to read, Beowulf has plagued well-meaning college students for centuries with its cryptic passages and vague metaphors. Yet at the root it resonates with a sort of clear allegorical criticism aimed at Scandinavian warrior society. In the story of Beowulf, the unnatural fiends in the poem were each symbols for the political strife in the system. They formed the basic constructs in an allegory against the flawed nature of the warrior society at the time.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
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The story of Beowulf shows the effect of the spread of Christianity in the early Danish paganistic society that values heroic deeds and bravery above all else. The mythical creatures that Beowulf kills with his supernatural strength make the story into an epic celebrating the life of a great hero. However, blending in among Beowulf's triumphs against the three key creatures, we also see Christian virtues being instilled upon the listeners. The good qualities of loyalty, humility, sacrifice for the good of others, and sympathy for those less fortunate are seen woven into the text as well as the negative consequences from greed and pride. The characters of Grendel, his mother, and the dragon are tools used by the author to teach values, but also to rejoice in the legendary success of Beowulf.
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Man has always had some level of fear at the thought of death, and some type of interest in the idea of the afterlife. Western dragons represent man’s fear of death and hell, while Eastern dragons represent man’s fascination with heaven. In the West, dragons are frequently used to represent the devil, while in the East, dragons are frequently used to represent the gods. In the legend of St. George, the dragon St. George slays is meant as a representation of Satan (Mooney 32). In fact, it was quite common for dragons to represent the devil in Western cultures (33). The idea of the dragon representing death and hell is what lead to the idea of noble knights slaying the evil beasts. The knight would slay the dragon, and, in a sense, prove himself brave and noble enough for
The Beast with a grin glared at her, “Breath child for are you frightened? You should be, let me show you what will happen if you do not conform to my will.” He snarled, rolling his lips and showing his discussing rotting teeth.