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Was Beowulf a hero or a villain
Was Beowulf a hero or a villain
Was Beowulf a hero or a villain
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The Significance of Villains in Beowulf
Ancient, timeless, and very, very hard to read, Beowulf has plagued well-meaning college students for centuries with its cryptic passages and vague metaphors. Yet at the root it resonates with a sort of clear allegorical criticism aimed at Scandinavian warrior society. In the story of Beowulf, the unnatural fiends in the poem were each symbols for the political strife in the system. They formed the basic constructs in an allegory against the flawed nature of the warrior society at the time.
Grendel, the first monster, makes his appearance directly after the poet references the men in their mead-hall. Yet he is not simply referred to in a natural segue between themes: he is actually introduced directly after speaking of future strife among the family in that hall. Note in the following passage where the poet breaks off what began as a paragraph about the merry-making which went on in the hall known as Heorot.
The hall stood tall, high and wide-gabled: it would wait for the fierce flames of vengeful fire; the time was not yet at hand for sword-hate between son-in-law and father-in-law to awaken after murderous rage.
Then the fierce spirit painfully endured hardship for a time, he who dwelt in the darkness....
The form it takes can essentially be described as "They celebrated, but all was not well in the future of the hall. Also, Grendel waited outside...." The close proximity of the description of familial betrayal and Grendel's introduction leads to the conclusion that the two are related.
As I interpret it, the demon Grendel is a symbol for the terrible problem of succession that the Danes suffered time and again. The unstable nature of the court and th...
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...m. New York: Chelsea House Publishers, 1987.
Shippey, Thomas A.. “Structure and Unity.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Sisam, Kenneth. “The Structure of Beowulf.” In Beowulf: The Donaldson Translation, edited by Joseph F. Tuso. New York, W.W.Norton and Co.: 1975.
Tharaud, Barry. “Anglo-Saxon Language and Traditions in Beowulf.” In Readings on Beowulf, edited by Stephen P. Thompson. San Diego: Greenhaven Press,1998.
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Montag throughout the novel faces situations and meets people who opens his eyes about society Montag is a fireman in the society; however, the job fireman takes on an entirely different meaning. Instead of stopping fires, Montag starts them. In the society literature is outlawed and it’s his job to burn the book along with the houses that held them.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Ergotism, a condition resulting from the consumption of ergot germ infested rye, was the cause of the symptoms exhibited by the victims of witchcraft in 1692. From June to September of 1692, two young girls, Abigail Williams and Elizabeth Parris came down with a perplexing illness, one that the local doctor eventually diagnosed as bewitchment. [6] Linda Caporael asserts ...
...want revenge. I just want the truth" (). Truth is exactly what Spitzer received the court case ended in a settlement, but the truth that Germany was at fault was reviled.
Donaldson, E. Talbot, trans. Beowulf The Donaldson Translation, edited by Joseph Tuso. New York, W.W.Norton and Co., 1975.
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
Abrams, M.H., ed. Beowulf: The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 2001.
Ray Bradbury was trying to explain how watch television can bring out the unconscious thoughts. On the NATIONAL BUREAU of ECONOMIC RESEARCH, there research states that, “With the recent explosion in television programming and videos aime...
Epilepsy is an ailment that expresses itself by an attack. An attack occurs because of an abrupt, temporary bother of the electric stimulus in the brains. That means that something goes wrong in the brains, a kind of short circuit. An attack can express itself in several ways. The most well known insult is the tonic-clonic one. Most of the time the person who experiences a tonic-clonic insult, falls down on the ground with arms and legs showing spasm. All muscles relax, so the bladder as well. That can be very embarrassing for the person after the attack. Besides that, epilepsy is different for every person. Usually after an attack, people don’t know that they had one. Yet, some people feel an attack coming. That is called an aura.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
The following flowchart shows the data relation and algotithm for estimate the position of user. The first step for GPS positioning is using the position of satellite and pseudorange from GPS receiver data to estimate the position of user. The simulation results for GPS satellite position are shown in T...