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Good and evil in literature
Good and evil in literature
Good versus evil in literature
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There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Grendel’s emergence is sudden and immediately the reader is presented with the image of a ‘fiend out of hell’ who has been provoked by the construction of Heorot. Indeed, the poet notes that the monster had long ‘nursed a hard grievance’, forced to listen to the clatter and din emitting from the mead hall. Heorot itself is given a sense of foreboding, in spite of being ‘meant to be a wonder of the world forever’, the poet admits that it was simply ‘awaiting a barbarous burning’ (Heaney 69, 82). Is the poet subtly suggesting that the construction of Heorot is not a symbol of marvel but rather a re...
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...dants of Cain. Therefore, what they represent is the amalgamation of monster and human, reflecting the monstrous characteristics within society. It is Grendel who is provoked, it is his mother who is wronged, and yet Beowulf is the one who sees it as his right to defend against the ‘swamp hag’ and her son. The poet is most subtly teasing out the flaws of this society, commenting on the social structure and gender confinements that are upheld. In fighting the monsters, Beowulf displays the immoral elements of his world and of humanity. The role of the creatures within the text is to show how the fighters of monsters themselves can become monsters in their own right. The poet is ultimately demonstrating that humans and heroes are not free from flaws just because they are not monsters. Indeed, this presumptive manner often brings out the monstrous method of our heroes.
The philosophies expressed in the Beowulf epic complement the exploration of existentialism throughout the modern work, Grendel, by John Gardner. Both works portray different perspectives of the same story, involving the same characters; Beowulf, the ancient Anglo-Saxon hero who destroys Grendel, and Grendel, the monster who terrorizes Hrothgar’s hall. Beowulf and Grendel act as archetypes that explore humanity’s perception of the world. In the Anglo-Saxon epic, Beowulf and his companions represent good, and the monsters, including Grendel, represent evil. When Beowulf kills Grendel, the world is less evil, but since Beowulf’s companions die in the struggle, the world is also less good. Ultimately, the two forces of good and evil will destroy each other, but the story maintains that God will interfere and save mankind from destruction. In Gardner’s story, the progression of society begins when mankind creates a monster and then creates a hero to fight the monster. Once the greater power of the hero had been established, once the conflict’s resolution strengthened society’s power, than a greater monster developed ...
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Grendel, written by John Gardner, is a novel based off the early epic poem, Beowulf. Gardner tells the tale in the perspective of the monster, Grendel, who is struggling to understand the purpose of life and his place in the world. In Gardner’s novel, Grendel terrorizes the kingdom of Hrothgar for 12 years, killing men in the night relentlessly. With the descriptions of battles and heroic deeds, Gardener conveys to the reader, the ideals of Anglo-Saxon heroes as courageous, self-righteous, humble, and loyal beings that are humanly flawless. The book Grendel tears down all these fundamental ideologies of Anglo-Saxon heroism by giving Grendel the monster a nihilist perspective that makes heroism sound stupid and meaningless.
Our first character, Grendel, is an exceptionally diverse character. It is implied that in both book and poem, Grendel is a blood-thirsty monster. All Grendel does is go through meadhalls and kill the drunk, often asleep people. But when narrated through the eyes of Grendel, the true nature of this beast is discovered. The author of Grendel entails that Grendel is a depressed and misunderstood monster, restrained to the confinements of his own underwater cave. He is a lot like the monster in the book Frankenstein. Both Grendel and Frankenstein are born with no real purpose to life, going off of what they hear other people say and taking it as the truth. Both monsters, knowing that everyone detests them for being unattractive and different, retaliate by way of murder and mayhem. From the perspective of the people in the stories itself, Grendel is exactly how the narrator in the poem Beowulf makes him out to be. The people, or the thanes, of Hrothgar’s kingdom see Grendel as a demon from hell, representing all that’s evil in the world. He’s a supernatural creature and in this time period anything supernatural that wasn’t human was considered a spirit, a god, evil or, in Grendel...
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
The author creates a realistic picture during the battle between Beowulf and Grendel. Throughout the scene, light and dark portray events according to their corresponding characters. Beowulf, the hero, symbolizes light and goodness while Grendel symbolizes darkness and wickedness. The poem describes him as demonic, “While a baleful light, flame more than light, flared from his eyes” (726-27). Beowulf continues to represent
...owards Grendel. Gardner’s retelling of Beowulf reinforces the universal idea that there are two, if not more, sides to every story. It is prudent to remember that what is monstrous to some may be perfectly normal to others and recognizing all viewpoints can help bring about a truth: good and evil are not always clear-cut.
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
Grendal is known as a monster and portrays one of the many villains in the poem. He is referred to as the "guardian of his sins". Grendal depicts a heathen the physical image of man estranged from God. Basically, Grendal reflects a physical monster, an ogre who is hostile to humanity. Grendal’s constant visits to Hrothgar’s mead hall for bloody feasts made him feel powerful over God’s humanity. Unfortunately, the night Beowulf lies in wait for him, he assumes that his bloody feasts will continue and Grendal gives no attention to his method of attack. Grendal is then killed.
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes they commit. While it is undeniably wrong to commit any kind of crime and I do not wish to condone murder or theft in any way, there may also be an ulterior explanation for why these modern “monsters” cause harm to society. In comparing and contrasting the monsters of Germanic epic with criminals of today, perhaps we can gain some insight into the motivation of both.
The imagery involved in this small portion of Beowulf, helps to install a frightful ambience and forming a sense of dread. The poet develops a daunting atmosphere through the use of vivid imagery and the alliteration involved in the passage. The description of the creatures and other wild things hiding on the cliffs and roaming around, helps establish the danger of Beowulf’s quest. Furthermore, the use of alliteration especially in lines 1426, 1427, and 1429 further establish the harshness of the environment. The large amount of alliteration in the small passage calls for the reader’s attention to the hazardous surrounding. Finally the poet’s use of diction creates a dreadful type of tone. The usage of words such as “sea-dragons,” “monsters
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.