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Introduction to the history of english literature
Similarities between beowulf and hrolf saga
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Beowulf and The Saga of King Hrolf Kraki
There are so many similarities between the hero of the poem Beowulf and The Saga of King Hrolf Kraki, an Iceland saga representing 1000 years of oral traditions prior to the 1300’s when it was written, that these similarities cannot be attributed solely to coincidence.
The Cambridge History of English and American Literature states that the hero of the poem, Beowulf himself, may be the same person as Bodvar Biarki, the chief of Hrolfr Kraki’s knights (v1, ch3, s3, n13). George Clark in “The Hero and the Theme” mentions: “The form of Beowulf taken as a whole suggests both the ‘Bear’s Son’ folktale type (especially as we find it in Scandinavia) and the ‘combat myth’. . . .” (286). In The Saga of King Hrolf Kraki, Bodvar is the grandson of a king (Hring); in Beowulf the hero is the grandson of a king (Hrethel). Bodvar’s father has been expelled from his country, Gautland; Beowulf’s father Ecgtheow has been expelled from Geatland. Bodvar’s father is dead; Beowulf’s father is dead (Hrothgar says,”his father, now dead, was named Ecgtheow”) (373). Bodvar as a boy was so strong that he was not permitted to take part in the king’s games past the age of twelve because he injured too many of his opponents; Beowulf as a young man was so strong that “he was the strongest of all living men” (196). Bodvar was huge; Beowulf was “noble and huge” (198). Bodvar was more noble than the people around him; Beowulf refused to accept the kingship from Queen Hygd upon Hygelac’s death, risked his life various times for the benefit of others, put his own welfare last instead of first, and distributed his wealth generously when it was warranted. “Though Beowulf is careful to collect his winnings, ...
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...en and the gentlest, the kindest to his people” (3181).
The Iceland saga, The Saga of King Hrolf Kraki, written in the 1300’s, represents about 1000 years of oral traditions. The remarkable similarities between this saga’s main character and Beowulf’s main character are just too astounding to dismiss as mere coincidences.
BIBLIOGRAPHY
Chickering, Howell D.. Beowulf A dual-Language Edition. New York: Anchor Books, 1977.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
The Saga of King Hrolf Kraki, translated by Jesse L. Byock. New York: Penguin Books, 1998.
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Beowulf is an Anglo-Saxon narrative poem whose oral traditions date back to the sixth century (Ward v1,ch3,s3,n11). Beowulf opens with a short account of the victorious Danish king Scyld Scefing, whose pagan ship-burial is described. His body was carried on board a ship, piled up with arms and treasures: the ship passed out to sea, whence Scyld had arrived to the Danes as an abandoned child – a likely indication of a charmed, magical life. In The Saga of King Hrolf Kraki we meet Yrsa (also found in Beowulf), who is an impoverished child of uncertain birth (Byock xi); she later becomes queen – another charmed life. But re,markably she grows into one of the few women in the saga who do not employ magic. In Beowulf the reigns of Scyld’s son and grandson, Beowulf and Healfdene, are mentioned, and we then meet Hrothgar, the son of Healfdene. In The Saga of King Hrolf Kraki we also meet a Hrothgar, but his name is abbreviated into Hroar. He and his brother Helgi saw their father, King Halfdan, killed by King Frodi, who would have killed the two sons except for the magic of the commoner Vifil with whom they were hiding. King Frodi, in his attempt to kill them, “sought the aid of seeresses and soothsayers,” and when that failed, of “sorcerers” (2). But the magic of Vifil was so strong that it obscured the supernatural vision of the women (witches?); Vifil knew that “powerful spirits have visited the island [where he lived] (3) and thus saved Helgi and Hroar. Later Hroar is a notable figure, just as in Beowulf, ruling over the northern English kingdom of Northumberland until forced into a disastrous conflict. Meanwhile, as kids, Hroar and Helgi’s sister, Signy, manifests an uncanny poetic ability of speaking in beautiful verses when Jarl Saevil is escorting a group to King Frodi’s celebration; to me this seems magical. At Frodi’s feast a seeres named Heid is placed high up on a trance platform and asked to reveal any information about Hroar and Helgi.
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
Beowulf is believed to be the Christian Savior while Grendel is the pagan monster. Grendel is described to be a terrorist of Herot Castle. There are several pagan references that are used in correlation to Grendel. The word's "devil", “evil" and "hell"(Beowulf, 5) are all examples from
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
"Beowulf." U*X*L Encyclopedia of World Mythology. Vol. 1. Detroit: UXL, 2009. 177-182. Gale World History In Context. Web. 27 Sep. 2011.
Beowulf. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 34-100.
Grendel, his mother, and every monster just like them were “spawned in that slime, [c]onceived by a pair of those monsters born [o]f Cain, murderous creatures banished [b]y God, punished forever for the crime [o]f Abel’s death” (Beowulf 6). Anglo Saxon culture centers around the slaying of monsters in the pursuit of gold and glory, however this obvious allusion to the Bible allows the author to incorporate some Christianity to explain the origin of these creatures. Both Grendel and Cain share the same evil nature about them, bringing horror and grief to the people they came in contact with, and they pose as enormous threats to their kingdom. Since they do not live like good Christians, God banishes Cain and Grendel from their respective kingdoms and dooms the two to a horrible afterlife. Of course, God had banished Cain on his own, removing him from Eden and sending him down to Earth; however, God banishes Grendel with the help of Beowulf. This infusion between the will of Beowulf to banish the threat of Grendel from Herot and the fate set by God for not being a good Christian foreshadows what eventually happens to any unfaithful Christian. The author makes it abundantly clear that “all non-Christians, no matter how virtuous or heroic, were damned” (Brown 2). This served to not only convert the Anglo Saxon audience but reminds them to stay faithful to Christianity’s pillars or they would be doomed to an eternity of
Wright, David. “The Digressions in Beowulf.” In Readings on Beowulf, edited by Stephen P. Thompson. San Diego: Greenhaven Press,1998.
Beowulf is one of those stories that make the reader think. Although the unknown author of Beowulf develops the main protagonist to represent both paganism and Christianity, the ideals conflict and create a unique epic poem. Throughout the story, the reader sees a mix of Christian and pagan ideals telling a story of an epic hero. Because the reader cannot decipher whether he is pagan or Christian, it is only logical to assume he represents both. The author develops Beowulf to speak as if the two religions work together to create one. Although it is hard for the reader to understand, Beowulf seems to understand exactly what he believes in. The author clearly knew what he was doing when he wrote Beowulf into life. Beowulf's beliefs made him into the great epic hero that he is.
“Beowulf.” Trans. Suzanne Akbari. The Norton Anthology of World Literature. 3rd ed. Vol. B. New York: W.W. Norton, 2012. 112-82. Print.
The early church was planted in a diverse cultural setting. Before Jesus ascended into heaven, he instructed his
Many of the characters and episodes and material artifacts mentioned poetically in Beowulf are likewise presented to us from archaeological sources and from various written sources, especially Scandinavian records, thus adding credibility to the historicity of the poem. But it is obvious that Beowulf, Grendel and the Dragon clearly belong to the classification of “myth.”
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam's Sons, 1907-21; New York: Bartleby.com, 2000 http://www.bartleby.com/215/0816.html