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A short essay about john milton
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John Milton's On the Morning of Christ's Nativity
John Milton was born in 1608 and died in died in 1674. He was by far the most learned man of his time. He influenced men from the Romantic poets to the American Puritans. Moreover, he relied heavily on the historic Christian doctrine of Calvinism. In the first four stanzas of On the Morning of Christ's Nativity Milton paints a beautiful picture of man's redemption in Christ.
First, the first four stanzas of Milton's poem have a distinct rhyme scheme. The rhyme scheme is an adaptation of the rhyme scheme in Spenser's The Faerie Queen. In Spenser's poem the stanza rhyme scheme is ababbcbcc. In Milton's poem the rhyme scheme is ababbcc. The two poems have similar rhyme schemes except Spenser's poem has an extra cb.
Second, the most common feature of the first four stanzas is the striking allusion. In the stanza, Milton speaks of the "son of Heaven's eternal King" born of a "virgin mother" bringing "redemption from above." The "King of Heaven" is the Christian God. This is a quote from Daniel 4. The virgin mother is Mary, mother of Jesus. This is a prophecy of the birth of Christ from Isaiah 7 fulfilled in Luke 2. The "redemption from above" is the redemption written of in Romans 3:27. The "holy sages once did sing (they prophesied)" about Christ's releasing the elect of death from the Fall (Genesis 3). These prophecies are in Isaiah 9 and 40, among other places. They were fulfilled in Christ's death and resurrection, and God now works a "perpetual peace" in His elect.
The second stanza is much like the first, with allusion as the main feature. The "glorious form" and "light insufferable" are symbolic of God. Exodus 33:20 says no man shall see the face of God and live. Here Milton specifically writes about the Son, Jesus Christ. Milton says He sat in "Trinal Unity" at "Heaven's high council-table." "Trinal Unity" refers to the Christian doctrine of the Trinity. All three are separate and distinct Persons of one God. They are in perfect unity. Finally, Milton says Christ forsook His glory and came "here with us." This is a reference to Philippians 2 where Christ "humbles Himself" and makes Himself in "the form of a servant." Finally, Milton says He chose "a darksome house of mortal clay." This alludes to 1 Corinthians 4:7 where Paul calls men "jars of clay.
One of the main reasons Europeans colonized Africa was for their useful resources. There are countless assets in the African landscape that were wanted by other nations. The European countries had access to some of the worlds most needed resources such as cotton, oils, coal, gold, and diamonds because they controlled Africa. This is shown on a chart of African colonies and their exports. ("Selected African Colonies and Their Exports" 269). This shows how the European countries carefully selected the land they did, to get certain resources they needed or wanted to use to benefit from. Another chart from a book by Trevor Lloyd, (Lloyd, The British Empire), displays the large jump of exports to Africa from 1854 to 1900. What that means is once Great Britain established complete control of South Saharan Africa, they began to export the resources they found that they could use. These charts are proof of how the European's wanted resources, and that is one of the main reasons for the imperialization of Africa. Not only did the European nations want the continent's resources, but they had an equal hunger for power.
Africa is a land of riches like no other, so as expected, European countries would have some sort of desire to conquer properties in whatever way they did. As stated in African Colonies and their Exports Chart, countless of natural resources are found in different areas in Africa. Not only does the data show plenty of resources, but also a variety (Doc D). This confirms that Africa is a wealthy land that Europeans grew fond of and hoped to take over. Specified in Imports and Exports Graph, following the 1900’s, after the conference to divide up Africa was held, Britain decided to use Africa’s natural resources and specialize in many industries. The imports doubled from 4 million pounds, while the exports boosted from 2.5 million all the way to 21 million pounds (Doc. E). With this lucrative increase in trading and selling, it is fair to conclude that not only were resources a factor of beginning imperialism in Africa, but also a successful result.
Europe, in the late 1800’s, was starting for a land grab in the African continent. Around 1878, most of Africa was unexplored, but by 1914, most of Africa, with the lucky exception of Liberia and Ethiopia, was carved up between European powers. There were countless motivations that spurred the European powers to carve Africa, like economical, political, and socio–cultural, and there were countless attitudes towards this expansion into Africa, some of approval and some of condemnation.
Milton begins at the middle of his epic with an appeal to music, a universal and fulfilling language, “Restore us, and regain the blissful seat, Sing Heavenly Muse” (I.5-6).He immediately places us after the fall and takes us beyond sentience with an invocation to a muse, only this muse is beyond all muses and this epic is above all epics:
Throughout the late nineteenth century and early twentieth century, almost every country in Africa was imperialized by other countries in Europe. To imperialize is to conquer another country, whether it be in the means of politics, economics and/or culture, and control that land. The aftermath for the imperialized country was either beneficial or harmful. The amount of African countries that a European country imperialized varied. Great Britain imperialized fifteen countries in Africa, including Egypt in 1882, Sierra Leone in 1808, and the Union of South Africa in 1910. Although Great Britain’s reasons to imperialize were selfish, Britain helped each country progress afterwards.
Milton’s theodicy is shown as a way to explain why if God is all loving, why he lets bad things happen to us. His basic concept is that because Eve partook of the forbidden fruit, many consequences came after. For example children dying of cancer. Many times in our lives things happen that we don’t think are good necessarily, but good things come from bad things. The choices we make have consequences and, but sometimes we are given trial for, what we believe, is no particular reason. This has been the question from the beginning. Milton decided to write this because it is on everyone 's mind, and he wanted to challenge Homer’s The Iliad and The Odyssey. Milton was successful, in that, his book is well known, but The Iliad and The Odyssey are still the basis of human thought. Everyone in their lifetimes wants to accomplish something that will help them to be more successful than they are now. This was Milton’s thought process. Who wouldn’t want to write a book and have it be considered the basis of human thought and maybe even the book people associate with our nation? Most people would, this is why Milton tried and somewhat had a success. The
The theological aspects that arise in the excerpt are original sin, grace, atonement, and the resurrection of Christ. Lines 203 through 209 speak about man’s wrong doing to God. “But yet all is not done; Man disobeying, Disloyal breaks his fealty, and sins Against the high Supremacy of Heav’n,…” Milton puts emphasis on the fact that all men must die “He with his whole posterity must die.” These lines introduce the concept of original sin in the excerpt. The doctrine of original sin is that because of Adam’s fall in the garden and their disobedience to God in eating the forbidden fruit, men are held accountable for their sin because of Adam’s disobedience men take on a sin nature.
Milton prompts the reader to understand God’s grace as the most almighty and powerful aspect within the first twenty-six lines. God is a powerful ruler who bestows blessings if his policies are followed and eternal damnation if not. The first two books of Paradise Lost portray Satan as a confused, resentful man who feels the need to rebel against God. Since Satan rebelled against God, he was banished from heaven and summoned into an eternal hell. While in hell, Satan gathered his fallen angels for a pep talk and exclaimed to them, “Farewell, happy fields, where joy forever dwell; in my choice to reign is worth ambition though in Hell” (Book 1, Line 1). In this exclamation Satan bids adieu to the pleasure and blissful surroundings of paradise and greets the gloom and dreadfulness that now surround him with open arms. The reader can conclude that Milton relays Satan’s speech as remorseful and full of regret at the penalty of his rebellious actions, but accepts what he has done and is ready to rule the underworld. The reader can also note one difference between Satan and God in this passage because unlike God, Satan chose to speak to all who follow him and wanted their feedback for his rebellious plans. Satan continues his speech by adding, “Receive thy new possessor. Not to be changed by place or time” (Book 1, Line 1). Satan is regulating his mental perception as he greets Hell. He portrays himself as equipped and ready for Hell to receive him as the leader. Like God, Satan brought his autonomous mentality, free of time or location, to Hell. As the new supreme leader of the underworld, with his independent mind, Satan boldly compares himself to God through the element of
New Imperialism began in the last quarter of the nineteenth century and was a time when European powers began to pursue a structured (more formal) political control over other areas. Yet it is important to keep in mind that informal empires tend to have an expiration date. As time progresses, history shows us that one of the parties involved will start pushing for change, whether that change is for power or independence is based on the side that provoked the change. In this case, the party that pushed for change was the superior one. The push for power was motivated by greed and an overwhelming desire to control every aspect of valuable foreign areas. One of the biggest moments in the history of colonization was the ‘Scramble for Africa’, as historians (and Professor Hopkins) refer to it as. As slaves were the biggest resource of the time, the banning of slave trade in Africa in the early nineteenth century caused European disinterest in continent that they were once heavily dependent on. Although there were localized replacements, like ivory trading, they were not as effective in keeping Europe’s interest. As a result, Africa was desperate to be relevant again, their economy depended on it. Because of the ban on the slave trade, there was a sudden demographic collapse of middle aged persons, which was also counterproductive to the growth of the continent. Before the scramble, Africa was naturally
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In Paradise Lost, Milton uses many conventions of the classic epic, including an invocation of the Muse, love, wa, a solitary voyage, heroism, the supernatural and mythical allusion. Milton writes, "Sing, Heavenly Muse, that on the secret top of Oreb, or of Sinai, didst inspire that shepard who first taught the chosen seed in the beginning how the heavens and earth rose out of Chaos." Here he invokes the traditional muse of the epic, yet in the same sentence he identifies the muse as a Christian being and asks him to sing of Christian tales.
He did, though, follow a standard pattern in verses 1 through 8. This was done by rhyming the first and last word of verse 1 and 4; he rhymed the words arms and harms. Verse 5 and 8 rhymed the words charms and warms. Verse 2 and 3 rhymed the words sease and please whereas these and seas rhymed in verses 6 and 7. This follows the pattern abba and abba. In verses 9 through 14 a different pattern was used a as resoluti...
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
Reichert, John. Milton's Wisdom: Nature and Scripture in Paradise Lost. Ann Arbor, The University of Michigan Press. 1992