Social reformer, Henry Ward Beecher, once said “Every artist dips his brush in his own soul, and paints his own nature into his pictures.” This quote is perfect because it shows how no two artists can ever be the same, like my two artists for example, Georges-Pierre Seurat (1859-1891) and Claude Monet (1840-1926). Both Seurat and Monet were impressionist European painters however they’re style and technique were very different. One painting Seurat is known for is A Sunday on La Grande Jatte (1884-1886)
Observation of Social Behavior in the National Gallery of Art The National Gallery of Art (NGA) houses some of the most prolific art in the world. Around four million people visit the NGA each year to gaze upon the collection of close to 130,000 items on display making it the sixth most popular art museum in the world (Lowe, 2013). The amount of foot traffic experienced by the museum provides the ideal setting to observe people as they move about the museum. The purpose of this paper is to observe
treasure. A treasure chest in the back of one’s head that can be opened, and reveal one’s entire life of beautiful and untouched memories. The question is just, if it is always such a good idea, to dwell at the memories. The short story; “In the National Gallery” by Doris Lessing, is processing the three ages in ones live; past, future and presence, through the eyes of an first person narrator. Through the narrators experience we discover, that living in the past can have great consequences. As one once
succeed on this paper. The museum that I decided to go to was the National Gallery of Art in Washington D.C. In the following paper I will discuss what the museum looked like, the tour that I went on. What I thought of the tour, the pieces of art in the tour. How I felt while I was in the museum and the discovery that I found out about myself about the type of art that catches my attention. When I arrived at the National Gallery of Art, the outside structure of the building took my breath away
the strengths and weaknesses of the Singapore History Gallery in the National Museum of Singapore. Analysis in this paper will be done by examining the intersecting of memory, heritage and history in the museum’s representation of Singapore’s past, the relationship established by the museum between Singapore’s past and present, as well as the representational strategy of the museum by which meanings are conveyed. While the Singapore History Gallery does have educational value, and provides a seemingly
tragedy and dreams. The heart of Yerevan of the city is Republic Square. In the centre of the square towering over it stands a magnificent building. It houses the Museum of History of Armenia and the National Art Gallery. They are all built in the style of national architecture. In front of the National Gallery there is a beautiful fountain where the townspeople like to walk in hot summer evenings. This fountain is continued by a series of fountains in the park across the square. Also, Republic Square
Peter Voulkos Ceramist The exhibition of recent stoneware vessels by Peter Voulkos at Frank Lloyd Gallery featured the sort of work on which the artist established reputation in the 1950s. The work was greeted with stunned amazement. However now it is too, but it's amazement of a different order -- the kind that comes from being in the presence of effortless artistic mastery. These astonishing vessels are truly amaising. Every ceramic artist knows that what goes into a kiln looks very different
The Tech Museum of Innovation "An abiding curiosity and an insatiable desire to learn how and why things work are the hallmarks of innovation . . . Creativity is nurtured by being receptive and encouraging" (Hewlett, 1998, p. 8). The innovation of computers and technologies are being developed enormously in order to serve the needs of mankind. The more people around the world that are eager to learn how to use new computers and technologies, the more I am proud that I am one who lives in
Ieoh Ming Pei Ieoh Ming Pei is a brilliant, Chinese-American architect. He combines learned skill with his gift of knowing what works both functionally and aesthetically. Early Life He was born in Canton, China, on April 26, 1917. Art and commerce were both ingrained in Pei's upbringing. His family had lived for more than 600 years in Suzhou (formerly Soochow), a city in the Yangtze basin northwest of Shanghai. The history of Suzhou goes back some 2,500 years,, but it became prominent
something that I might like to pursue as a career, I started taking it more seriously. The Chase's art department encouraged me very well and helped me develop my art skills. I am currently studying Art at A-level and have had my work exhibited in a gallery and in local industry buildings as part of the 'Art in the Workplace' scheme which is organized by my college. The piece of my artwork which was displayed, and used in a business's workplace was a painting inspired by an Art Department trip to Italy
Emerges My father beyond resting seated A cat slumbers purrs on his shoulder A pen in his hand he touches white page Reflects light reflects Together Creating When I saw Vermeer's Girl with a Pearl Earring about five years ago at the National Gallery in Washington, D.C., I felt something about the painting that I had never felt before when looking at artwork. I felt as if this girl, this young woman in the painting was real, hiding in the museum behind this canvas. She was in the flesh. Her
successful and rational solutions to a variety of design problems. They are responsible for many of the largest pubic and private construction projects in the second half of this century. Some of these projects include the East Building of the National Gallery of Art in Washington D.C., the John F. Kennedy Memorial Library in Boston, and the Rock and Roll Hall of Fame in Cleveland. When French President Francois Mitterand “personally selected Mr. Pei in 1983 to design the Grand Louvre to give air,
Ieoh Ming Pei, a Chinese American architect, is perhaps one of the greatest architects of the 20th century. He has designed some of the most beautiful interiors and exteriors in not only the United States but all around the world. Pei has traveled extensively all around the world in an effort to explore and expand his knowledge in architecture. Unlike most architects he does not limit himself to and one specific aspect of architecture its self, but has done everything from libraries and museums
Day The first thing that strikes me is the size of the work. About seven feet tall and nine feet wide, this painting dominates its gallery and overwhelms the viewer. The couple in the foreground of the painting is nearly life size, and with the man poised to take another step it seems he might climb right over the frame and walk right into the gallery. The bold perspective thrusts the scene outward, and with details such as the sharply receding roofline of the main building and the acute
The Sistine Madonna in the Royal Gallery at Dresden, Saxony The most beautiful picture in the world is the Sistine Madonna in the Royal Gallery at Dresden, Saxony. It was painted by Raphael as an altar-piece for a church in Piacenza, Italy. In a far corner of the great Palace of Art it is now placed, probably to remain until the colors shall fade. It is the only picture in the room. The figures are of life size. When that room is entered all voices are hushed, and all merriment silenced
Alfred Stieglitz and Gallery 291 A Modern Art Revolution Before the Armory Show “Quite a few years ago…there got to be—a place…. The place grew—the place shifted…the place was where this man was…. —Shift—is something that cannot be tied—cannot be pigeonholed. It jumps—it bounds—it glides —it SHIFTS— it must have freedom…. It seems those who do that worth the doing are possessed of good eyes—alive eyes—warm eyes— it seems they radiate a fire within outward. The places they inhabit
Review #1: New Generation Detroit I went to visit this art exhibit on Friday September 7th, the opening night. I had never been to the Meadowbrook Art Gallery so I had no idea what to expect. It was a smaller gallery than I thought it would be, but it didn’t matter when I took a look at the pieces that were on display. This exhibit was definitely edgy and not really what I’m used to seeing. I could tell that these are new artists that are beginning to start a new trend in today’s modern art world
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number of important sculpture exhibitions in New York galleries and museums, including the Museum of Modern Art's Tony Smith retrospective, Dia's presentation of Richard Serra's Torqued Ellipses, and a group of David Smith's late painted-steel works at Gagosian Gallery. For me, however, the most impressive and thought-provoking sculpture show of the year was a concise survey of George Sugarman's work presented by Hunter College at the galleries in its Fine Arts Building on Manhattan's West 41st Street
drawings were shown in 1865 at his Picadilly Exhibition, and Brown wrote the captions that appear below the drawings for the exhibition catalog. The sixteen sketches with captions are owned by the Whitworth Gallery in Manchester, and the two without captions are in the City Museum and Art Gallery of Birmingham. The drawings are done in pen and sepia ink over pencil on paper; they are approximately 11 x 14 inches in size. The idea of a series such as this was not original with Brown; the German artist