Seurat And Monet Analysis

1081 Words3 Pages
bulb-icon

Recommended: What were the influences for the impressionist era

Social reformer, Henry Ward Beecher, once said “Every artist dips his brush in his own soul, and paints his own nature into his pictures.” This quote is perfect because it shows how no two artists can ever be the same, like my two artists for example, Georges-Pierre Seurat (1859-1891) and Claude Monet (1840-1926). Both Seurat and Monet were impressionist European painters however they’re style and technique were very different. One painting Seurat is known for is A Sunday on La Grande Jatte (1884-1886). Monet on the other hand is known for many different works of art, but La Grenouillere (1869) is one of his bests. Georges Seurat was born in Paris, France on December 2, 1859. He lived with his mother, Ernestine Faivre, and his two older siblings. His interest in art started in his early childhood and he eventually was encouraged by his uncle, an amateur painter and textile dealer, who gave him his first art lessons. Then in 1875, Seurat entered an art school where he started receiving professional lessons from sculptor Justin Lequiene. About three years later, he entered Ecole des Beaux Arts School and began sketching from plaster casts and live models. On his free time he would visit libraries and art museums in Paris and seek instruction from other well known artists. Michel-Eugene Chevreul was one of the artists who introduced Seurat to color theory. “Chevreul's discovery that by juxtaposing complementary colors one could produce the impression of another color became one of the bases for Seurat's Divisionist technique” (Remer). Seurat served in the Brest military for one year then returned to Paris and immediately continued with art. His first major painting was Bathers at Asnieres which was rejected by the jury ... ... middle of paper ... ...ed in a way to show the patterns of light and human figures. He was also rough with the brushstrokes in this painting to give the painting a more natural texture rather then smooth brushstrokes which create an illusion of texture. Monet stayed away from the color black in this painting which allowed a sense of natural light to show through the trees and reflect onto the water. Because impressionist art is mainly focused around the beauty of light and nature, the island itself and the bathers are not the main subject in this painting which is why they are blurred out and don't have so much emphasis. In conclusion, art comes in different forms. One artist may be able to show thing in ways other artists can’t. Both Seurat and Monet grew up in Paris, France, served in the military, made impressionist art, but yet they’re works are so different from each other.

Show More
Related

  • Claude Monet Research Paper

    1371 Words  | 3 Pages

    Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet

    Read More

  • Van Gogh Influences

    614 Words  | 2 Pages

    During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...

    Read More

  • Swallow Barn and Incidents in the Life of a Slave Girl

    1737 Words  | 4 Pages

    are depicted with the same degree of variation. To understand such a diverse set of paintings –

    Read More

  • Jean Michel Basquiat Essay

    693 Words  | 2 Pages

    “A picture is a poem without words” – Horace, the purpose of art is to reveal the sensations of life but also allows humans to express their emotions and views on certain aspects. Jean-Michel Basquiat was a Neo-Expressionist painter throughout the 1980’s who was known for his style. He was African American artist and musician that was part of the SAMO. The SAMO was a graffiti group that wrote epigrams. While growing up, one of Basquiat inspirations that encouraged him to paint was his diverse cultural heritage. Basquiat was a creative self-taught artist who thought outside of the box when it came to painting. Most of the pieces he made were a collaboration of different ideas and constructed them together into a collage. During the 1980’s Basquiat’s art used the human figure to portray Minimalism and Conceptualism. His target market that were in many of his pieces was on suggestive dichotomies that focused on the lower class versus the higher class. Even though Basquiat work was remarkable, he was criticized and faced some challenges among his journey because of the symbols and words that were used his paintings. Despite the criticism,

    Read More

  • Analysis Of Claude-Oscar Monet's Mouth Of The Seine At Hofleur

    1403 Words  | 3 Pages

    I visited Norton Simon Museum in Pasadena, California for the first time hoping to learn more about the European artworks this place has to offer. Norton Simon Museum holds the remarkable amounts of artwork by world-renowned artists: Vincent Van Gogh, Rembrandt van Rijin, Caravaggio, Raphael, and Pablo Picasso just to name a few. I observed many European paintings in the 18th to 19th century; I chose to discuss the artwork by the incredible Claude-Oscar Monet. Claude-Oscar Monet’s Mouth of the Seine at Honfleur, 1865 is an oil painting of a seascape on a canvas. The Parisian artist is considered one of the most influential artists in the late nineteenth to early twentieth century.

    Read More

  • Georges Seurat - Hi Painting

    1600 Words  | 4 Pages

    Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this painting, preparing it woth at least twenty drawings and forty color sketched. In these preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important worth mentioning is the way Seurat used and created the figures in the painting.

    Read More

  • A Sunday Afternoon on the Island of La Grande Jatte

    1183 Words  | 3 Pages

    Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...

    Read More

  • Art Analysis Of Claude Monet: The Art Of Art

    849 Words  | 2 Pages

    We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the

    Read More

  • Monet Vs. Degas: Impressionist Aesthetics

    1022 Words  | 3 Pages

    Although from the same artist group, these Impressionists originated from backgrounds that seemed worlds apart. Claude Monet, known as the “Master Impressionist” varied the themes in his artwork more than any other artist did. Monet’s work “Impression Sunrise”, of which the term “Impressionist” originates also gives rise to the title “Master Impressionist”. Edgar Degas started his career as an artist with nothing in common with Monet but the era in which they lived. From themes to brushstrokes and choices of colours, Monet and Degas started their relationship as Impressionist artists on opposite ends of the earth. However, towards the climax of their lives as artists, Monet aided Degas in adopting Impressionist Aesthetic qualities.

    Read More

  • Starry Night, A Sunday Afternoon on the Island, Still Life with Basket of Apples

    559 Words  | 2 Pages

    Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.

    Read More

  • Picasso versus Watteau: Entertainment

    1749 Words  | 4 Pages

    In conclusion we can see that even worlds apart artists can still find inspiration from unlikely subject matter. Watteau’s from the theater. Picasso’s from the street. Both artists not only showed their era in their art but also themselves and others. Even when it comes to entertainment it seems that not artist can escape the idea of shaping their own worlds into their piece of art. As well, both also showed not only the similarities but also differences of their era and how art was viewed.

    Read More

  • A Comparison of Impressionism and Post-Impressionism

    2196 Words  | 5 Pages

    Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.

    Read More

  • Georges-Pierre Seurat Essay

    1261 Words  | 3 Pages

    George-Pierre Seurat was born in France in 1859. Seurat began his career by studying at the “Ecole des Beaux-Arts in Paris under artist Henri Lehmann” ("Georges Seurat," n.d.), before adventuring out on his own. George Seurat was for the most part self-taught, only attending Ecole des Beaux-Arts for one year. He often visited museums, read about new techniques and studied the works of others. Seurat admired the works of Claude Monet and Camille Pissarro these artists and their techniques, particularly their use

    Read More

  • Compare And Contrast The Portrait Of A Lady And Mona Lisa

    729 Words  | 2 Pages

    In history, there were two paintings that were very similar yet different. One was called the “Mona Lisa” which was painted by one of the most famous artists of the renaissance, Leonardo da Vinci. The other painting was called “Portrait of a Lady” by the flemish artist, Van der Weyden. They both were a huge influence in the art world during their lifetimes. And even after their deaths, their lives and works continue to inspire the minds and hearts of each generation.

    Read More

  • Gerard Sekoto's Song of the Pick

    1604 Words  | 4 Pages

    This discontent also had a big influence on artists, and they reacted differently as a result of it. Courbet painted pictures of labourers and everyday scenes, which was revolutionary for his time. Seurat developed his individual...

    Read More

More about Seurat And Monet Analysis

Open Document