Review #1: New Generation Detroit
I went to visit this art exhibit on Friday September 7th, the opening night. I had never been to the Meadowbrook Art Gallery so I had no idea what to expect. It was a smaller gallery than I thought it would be, but it didn’t matter when I took a look at the pieces that were on display.
This exhibit was definitely edgy and not really what I’m used to seeing. I could tell that these are new artists that are beginning to start a new trend in today’s modern art world. Each artist had a completely different style than the next. I mostly saw very surreal paintings that intrigued me and made me try to uncover why the artist had put the images together in such a way. Another very key point that sticks out in my mind is the broad use of color. I loved how much this display had! The images came to life for me because of the bright colors that were seen throughout the paintings. Some of them just wouldn’t have worked or been as eye pleasing without color and the right colors.
As I walked around the gallery, I noticed that accompanying most of the artists’ works were their rough sketches that showed the different stages of the work being pieced together. This really showed the viewer just how much went into each piece and the artists’ train of thought as they developed their work.
One of the first artists that I noticed was Matt Gordon. Even though I could barely make heads or tails of half of his work, I couldn’t stop st...
My second gallery review is on the work of Philip Denker. I analyzed the art work at his exhibit; OVER + UNDER”. I saw his exhibit Friday November 15, 2013 at 11:00 am at Trifecta gallery inside the arts factory. When I walked into the room I loved that the room was illuminated with the light of the light bulbs, as well, with the natural illumination of the sun coming through the glass windows and door. When I got inside the room I also noticed it was spacious, and the pieces were very well ordered. The pieces were hung vertically or horizontally, and I liked this because it got my attention.
In 1745, Olaudah Equiano was born in a small village in Isseke,Nigeria. His father was one of the chiefs in the village. At age eleven Equiano and his sister were kidnapped by two men and a woman never to see his home or parents again. After being kidnapped he was hiked across part of Africa untill he arrived at the coast where he was loaded onto a slave ship. While crossing the Atlantic to Barbados onboard the slave ship he and his countrymen were subject to horrors you could hardly imagine. Equiano tells about the horrors and torture slaves face not only on the slave ship but also on plantations and many other aspects of a slave's life. Equiano experienced almost all parts of a slave's existence. He was a slave throughout Africa, England, and the New World. Equiano is bought and sold several times. Religion also played a huge role in Equiano's life and I think that it helped him get through some really hard times. He is bought by a British Naval officer and serves in the British Navy during the Seven Years' War. He is then sold to Robert King where he begins trading goods between islands and eventually makes enough money to buy his freedom. Equiano tells of the joy he feels when he becomes a free man. The rest of his life is devoted to helping slaves and to the cause of abolishing slavery.
Okonkwo was deeply grieved. And it was not just a personal grief. He mourned for the clan, which he saw breaking up and falling apart, and he mourned for the warlike men of Umofia, Who had so unaccountably become soft like women.
DeWitte, Debra J. et al. Gateways To Art. New York City, NY: Thames & Hudson, 2012. Print.
I believe the gallery presented the works in the best possible way. They are in the room on the first floor. T...
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
In comparison to other slaves that are discussed over time, Olaudah Equiano truly does lead an ‘interesting’ life. While his time as a slave was very poor there are certainly other slaves that he mentions that received far more damaging treatment than he did. In turn this inspires him to fight for the abolishment of slavery. By pointing out both negative and positive events that occurred, the treatment he received from all of his masters, the impact that religion had on his life and how abolishing slavery could benefit the future of everyone as a whole; Equiano develops a compelling argument that does help aid the battle against slavery. For Olaudah Equiano’s life journey expressed an array of cruelties that came with living the life of an
Slavery was a practice throughout the American colonies in the 17th and 18th centuries, and through slavery, African-American slaves helped build the economic foundation of which America stands upon today, but this development only occurred with the sacrifice of the blood, sweat, and tears from the slaves that had been pushed into exhaustion by the slave masters. A narrative noting a lifetime of this history was the book The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African written by Olaudah Equiano. Equiano was a prominent African involved in the British movement for the abolition of the slave trade. He was captured and enslaved as a child in his home town of Essaka in what is now known as south eastern Nigeria, later he was shipped to the West Indies, he then moved to England, and eventually purchased his freedom (Equiano). Olaudah Equiano, with many other millions of slaves, faced many hardships and was treated with inconceivable injustices by white slave masters and because of the severity of these cruel and barbarous occurrences, history will never forget these events.
The show’s organizers, Teresa A. Carbone (the museum’s curator of American art) and Kellie Jones, did an exceptional job of strategically placing the artwork in relevance and relating topics to one another. When I arrived, the exhibit was empty and I actually had the opportunity to meet Ms. Carbone, who was on hand at the museum’s entrance.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
On my trip to the Metropolitan Museum of Art, I decided to take my mother with me. While being in the museum, I decided to focus on “The American Wing”. In “The American Wing”, there are amazing pieces of art, jewelry, and antique silver. I was amazed on how each piece of artwork and item was carefully designed. They had an amazing design that you do not see now in days.
Published in 1789, “The Interesting Narrative of the Life of Olaudah Equiano” tells the captivating life story of none other than Olaudah Equiano himself. Not only did this story contribute to British’s abolitionist movement but it also depicts the Trans-Atlantic slave trade. The narrative, written by Equiano, told about his experience as a slave. For the majority of Equiano’s life he went by the name of Gustavus Vassa, which one of his masters Henry Pascal gave to him. Equiano goes through his memories as a child, in Eboe, better known today as Nigeria. Equiano was born in 1745 in a region named Essaka. At a young age the British kidnapped, sold, and separated both his sister and himself. Eventually, a slave trade bought Equiano. Equiano describes his journey from the Middle Passage to the West Indies on to Virginia. In Virginia, Henry Pascal, the Captain of a British trading vessel bought Equiano. Before King, a slave owner in Montserrat, bought him, Equiano spent many years at sea. In Montserrat, Equiano continually traveled the sea on trade routes. Along the way of the trade routes Equiano traded his own goods. Through doing this he earned enough money to buy his freedom back. King only made Equiano pay him 40 pounds for his freedom, which was the same amount he had bought Equiano for. Equiano then was able to live the life of a free man and later returned to England. Through Equiano’s life he experienced many different events that changed his views of race.
The first art that interested me was the art of Indonesia which in this exhibit depicted the culture, history and art of Indonesian people. For instance, Bali a small island in the Indonesia valued most of its art based on the rich resources they occupied such as most art was composed of gold, diamond and sapphires which people of Bali believed that it will resemble their higher standards in the society. Art of Bali amazed me the most when it came to their “King’s crown” and “Queen’s crown” which was completely “fashioned in pure gold with diamonds, rubies, and sapphires” (Bali). The king’s crown was much simpler compare to queen’s crown which contained many varied of gold decorative that looked like gold flowers, and all of its designs such as rubies or sapphires were perfectly horizontally lined to each other that sort of depicted as a shiny necklace. The Bali’s art that I observed was very interesting know about the society they lived in those centuries with representation of their upscale society (Bali).
"The Life of Olaudah Equiano” is a captivating story in which Equiano, the author, reflects on his life from becoming a slave to a freeman during the 19th century. Through his experiences and writing, Equiano paints a vivid picture of the atrocities and cruelties of European slavery. Ultimately through his narrative, Equiano intends to persuade his audience, the British government, to abolish the Atlantic slave trade as well as alert them of the harsh treatment of slaves. He successfully accomplishes his goal by subtly making arguments through the use of character, action, and setting.
“As I stare through the floor of an unknown vessel into an everlasting sea of clouds I ponder on what I had did to be in this situation or would I ever reunite with my family or will the gentleman beside me make it through the night.” The realization that slavery caused many families, lives, and individuals to be destroyed is gruesome. Through the memoir of Olaudah Equiano, the first-person accounts of the treatment of enslaved and free Africans is revealed, which helps him in the battle against African enslavement.