Creon in Sophocles' and Anouilh's "Antigone" In both plays, Creon sees himself as a passive agent rather than a villain, only acting out a predetermined set of instructions based upon certain laws and edicts. Creon tries to give the impression that he is not really in control; if it were up to him, as an individual, things would be different. Sophocles' Creon tries to wash his hands of Antigone's death by leaving her in a sealed cave. The gods will determine her fate, so he thinks. Anouilh's
Oedipus and Creon in Sophocles' Oedipus the King At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses
Source of Conflict between Antigone and Creon in Sophocles’ “Antigone” In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is
Creon’s Demise Sophocles’ Antigonê picks up some years after Oedipus. It follows the story of Oedipus’s daughter, Antigonê and her death. In the story there are two characters who can be referred to as tragic heroes. One is the title character, Antigonê, and the other is her uncle, Creon. Both characters follow their own tragic paths, however, many people argue about who the true tragic hero is. Even though Antigonê is a pitiable character, Creon is more deserving of the title because he has a clear
wise is a theme everyone could follow. In the beginning of Antigone, Creon created a law to not bury the corpse of his nephew, Polyneices, and leave him out to rot. Although he is not following the social belief, the religion says that all corpses should be respected and buried to move on to the afterlife. Polyneices was considered a “traitor” because he was fighting against his homeland by his brother, Eteocles, for royalty. Creon find Eteocles died with dignity and give him the respect. Antigone
“Antigone” is a play in which Sophocles, the author, explains the story of a prosperous character with a fatal flaw. Creon, the main character, saves the city of Thebes and is admired by many, but his obstinacy gets the best of him and his life starts to collapse. His actions leads to the suicide of Antigone, the protagonist, this sets off a chain reaction and his entire family ends up dead. A part of that death was Creon’s son, Haemon, whose death strikes Creon intensely. Haemon exposes Creon’s
Creon as the Hero of Antigone The dilemma of identifying the true hero, or heroine, of Sophocles’ Antigone has tortured students for years. It is indeed a difficult decision to make. The basis for this decision is what the reader perceives to be Sophocles’ dramatic issue in this play. The dramatic issue of the play is twofold: Antigone is a fanatic who is driven by her religious fever to bury the body of her criminal brother, Polyneices, against the edict of Creon. In the second part, Sophocles
what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
Justification of Creon in Antigone by Sophocles Antigone is a tragic play written by Sophocles in about 441b.c. The play is a continuation of the curse put upon the household of Oedipus Rex. Sophocles actually wrote this play before he wrote Oedipus, but it follows Oedipus in chronological order. The story of Antigone begins after the departure of Oedipus, the king of Thebes, into self-exile. Oedipus’ two sons, Eteocles and Polyneices, were left to rule over Thebes. An argument over rights
Creon and Antigone Antigone Sophocles When a dictator dies, his image and fame dies with him, but when a self-sacrificing individual dies, their legacy begins. This statement is true because oppressed citizens do not fondly mention a mean ruler, such as Creon from Antigone, after he passes away. Yet a martyr, such as Antigone, also from the story Antigone, is remembered for her self-sacrificing deeds. Creon will not be remembered because he did not allow Antigone to bury her dead brother
upstander dares to confront the conformity of society and the law itself. Antigone, a woman with a familial curse raised in a misogynistic culture, discovers her life purpose in the aftermath of the tragic double suicide of her two brothers. When Creon, her newly-appointed King and additionally her uncle, passes a decree that only one brother may be honored with traditional customs, Antigone feels it is her sisterly obligation to avenge his death. By putting her morals at a greater importance than
introduction of King Creon creates a rift in the relationship between sisters Antigone and Ismene, and serves as a source of conflict for Antigone. The latter effect is caused by his edict preventing Thebans from properly burying the traitorous son of Oedipus, Polyneices, which challenges the sisters’ relationships with their recently deceased brothers, who perished on opposing sides on the battlefield by their own hand. And yet, as the newly installed king of Thebes, Creon begins his reign with
Creon As Tragic Hero of Sophocles’ Antigone Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem
Antigone was a short play about a girl who was unafraid to carry out an honorable act despite the harsh punishments that would occur for doing so. Sophocles, the author of Antigone, wrote this tragedy. Antigone was the protagonist who went against the law that her cruel uncle, Creon, enforced. This law stated that nobody was allowed to touch Antigone’s dead brother, Polyneices’, body. Creon’s horrid decisions, paranoia, and pride are directly responsible for the state of the city at the end of Antigone
Creon As The Tragic Hero Of Antigone by Sophocles Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone. Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad;
Creon as the Tragic Hero in Antigone This essay will compare two of the characters in “Antigone”, Antigone and Creon, in an effort to determine the identity of the tragic hero in this tale. To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal
Creon is the Tragic Hero of Antigone When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear that
In the play, Antigone by Sophocles, at first glance readers assume that Antigone is the tragic hero. However, this is not the case. Although Antigone does display some characteristics of a tragic hero, I believe that Creon is the true tragic hero. For many readers, it may be a challenge to see Creon as the tragic hero; however, when you take a second look at the play, you can see that Creon displays every quality of a tragic hero. Creon’s power and pride as well as going against the gods all lead
types of heros in society, some with happy endings and some have tragic endings. A tragic hero is a literary character who makes a judgment error that inevitably leads to his/her own destruction. In reading Antigone by Sophocles there is one hero that is truly tragic in nature, Creon. Creon’s flaw was that he had been too prideful. In the book Antigone, on page 1060 it states“I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched has come to nothing
Creon The Tragic Hero of Sophocles Antigone Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance. As King of Thebes, Creon is forced to make difficult decisions. As a new ruler, he feels