Oedipus and Creon in Sophocles' Oedipus the King At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other play, “Antigone”, however, he undergoes a drastic personality change. He becomes more and more like Oedipus. Creon commits acts of hubris, kills and humiliates people for no reason whatsoever. Once he realizes the folly of his ways, he punishes himself for going against the gods and destroying all that he loved, This is strikingly similar to the story of Oedipus. At first Oedipus and Creon seem like entirely different people. But through the course of events, they share almost identical personalities and even fates. In “Oedipus the King”, Oedipus is a brash and arrogant ruler while Creon is his patient, thoughtful right hand man. After Oedipus and his sons all die and Creon becomes king of Thebes, he begins to grow wilder and even more out of control than Oedipus was. In “Oedipus the King” Oedipus accused Creon of bribing Tiresias, the blind prophet, to make a prediction that will doom Oedipus. He accuses Creon of “plotting to kill the king” (189). He does this without any concrete evidence or proof. Oedipus rationalizes that because Creon induced him to “send for that sanctimonious prophet [Tiresias]” (190), he is responsible for the prophecy. Oedipus assumes that “if the two of you [Creon and Tiresias] had never put heads together, we would never have heard” (192) the prophecy. Creon even calls Oedipus a man is full of “crude, mindless stubbornness” (190). Oedipus lashed out at Creon for “betraying a kinsman” (192). He did so without any evidence or proof. He just did accused Creon without thinking about the consequences. Although Creon stands against rashness and unthinking now, he soon becomes another Oedipus. ... ... middle of paper ... ...e world that you can name” (237) Creon receives a very similar punishment. He too, loses all he deems valuable in the world. Creon will not allow Haemon to marry Antigone. He condemns their marriage and greatly distresses his son, Haemon. As a result of Creon’s actions, Haemon commits suicide, “his blood spilled by his very hand” (120). Eurydice, Creons’s wife, also kills herself. She is so wracked with anguish by Haemon’s suicide, that she “stabbed herself at the altar” (126). Creon “murdered… his son… and his wife.” (127). He has nowhere to “lean to for support” (127) and no-one to “look to” (127). The chorus sums up his and Oedipus’s fate when they say “ The mighty words of the proud are paid in full with mighty blows of fate, and at long last those blows will teach us wisdom” (128) Creon and Oedipus were obviously very similar people. They both rose through chance and circumstance and they both fell because of their brashness and hubris. Creon started off as a very different person to Oedipus. But once he became king, he immediately became an almost identical person to Oedipus. He was rash, unthinking and uncaring. This resulted in his downfall just as it caused Oedipus’.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
Oedipus’ anger causes him to kill the father he never knew and all the men in the entourage. Oedipus’ cannot control his temper and this personality flaw leads him to his fate. Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438).
Creon was seen in a different context in Oedipus compared to his character in Antigone.
In OC, Creon still retains some respect for divine prophecies. These have after all motivated his desire to return Oedipus to Thebes. Antigone reveals the ultimate extent to which Creon's character deteriorates. His transformation completes itself; he has become an unreasonable tyrant. Creon can no longer be called a king. He has become a despot.
In the opening of the play, we learn that Creon has been proclaimed king. We expect Creon to be the same rational man as we saw him to be in Oedipus the King who stood up for justice and defended the right deeds. However, later on we can clearly see that this is not the same Creon. Creon, the King, has been corrupted by the power bestowed upon him.
... for his mistakes in the denouement. Devastated by Antigone’s death, Haimon ends up committing suicide. Creon then realizes how wrong he was, however it is too late. This is not the only karma that Creon receives though. Creon’s beloved wife, Eurydice, also met her death when she was told the fate of her son. Creon finally realizes how blinded he was, and how he was continuously making foolish decisions. Two losses in one day- Creon is filled with great remorse and regret. Like the ‘Sun King’, all the sunlight in Creon’s life has faded. The world no longer revolves around Creon, as all his valued things in life have vanished. If you attain power, use it wisely. Otherwise you will end up heartbroken and repentant, just like Creon.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
Oedipus actually listened to his people and made sure of their well being. Creon on the other hand, did not listen to his people and in the end, realized his mistake, but it was too late to go back and fix it. Oedipus and Creon also had the similar type of blindness, Oedipus was blind in cursing the murder of King Laius, when he was actually the murderer. Creon was blind when refusing to reconsider letting go of Antigone, and therefore completing his fate of being alone. They also shared the same flaw of falsely accusing people. Like Oedipus falsely accusing Tiresias of killing Laius, to Creon also falsely accusing the guard of taking money to bury Polyneices. From these plays, one can see that sometimes it’s always best to listen to the people around you and take their opinions into consideration, even though you think they are wrong. It can also be concluded that when a person is prideful, they can be blind to the
When Oedipus wishes to be put into exile, Creon says that they first have to consult the gods, “By all means. And this time, I assume, even you will obey the god’s decrees” (1581-1582). Oedipus readily agrees to listen to the gods which illustrates a development in his attitude and his narcissistic ways. Oedipus understands that his downfall is his pride and is changing for the better. Once Oedipus begins to listen to the advice of Creon as well as the gods, events begin to happen more in his favor. Oedipus wants to be put into exile and after he begins to listen to Creon, Oedipus is because he has overcome his pride. Sophocles wants to implicate the theme of Oedipus having hubris and wishes to express the transformation in Oedipus throughout the book. The lesson gives the audience a sense of why Oedipus is not as great as everyone regards him to
Tiresias acts as a father-like figure in the play to Oedipus and the town of Thebes, and as such, Oedipus shows hostility and aggressiveness towards him, accusing him of being bribed by Creon, and disparaging his visions when he states “QUOTE” (book, page); showing his animosity towards people in authoritative positions. The main reason for Oedipus accusing Creon of bribery is the fact that he is the one who urged for Oedipus to call on Tiresias for assistance. As well as "Creon and Teiresias will shortly be suspected of having plotted against him; the lateness of these two men, at this particular time of crisis," (Lattimore 1). Tiresias' paternal role, and Oedipus' aggression towards him, and other characters that play a similar role, is an important theme in the play. Oedipus being raised by a Foster family, even without his knowledge, has created a deep seeded hostility and resentment towards authority and father figures. His detestation is so g...
Oedipus loses all trust for Creon and thinks that he is plotting to kill him and steal the thrown. This, however, is not true at all. Creon even says that he would rather not be king. He is equal in all decision making with Oedipus and Jocasta. So why would he want the extra hassle of actually having to be the king. Oedipus doesn’t listen and wants to have Creon banished or killed.