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Summary of antigone by sophocles
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Sophocles’s acclaimed play, Antigone, is at its heart the tale of the events that ensue when an upstander dares to confront the conformity of society and the law itself. Antigone, a woman with a familial curse raised in a misogynistic culture, discovers her life purpose in the aftermath of the tragic double suicide of her two brothers. When Creon, her newly-appointed King and additionally her uncle, passes a decree that only one brother may be honored with traditional customs, Antigone feels it is her sisterly obligation to avenge his death. By putting her morals at a greater importance than the law, she creates a divisive conflict that centers around each character’s personal insecurities and beliefs. Haemon’s advice is offered as a wise proverb …show more content…
The first decree announced to the people is one he believes to be fairly agreeable for all, and is utterly shocked to discover that of all who would dare disobey, his niece Antigone would be the first to denounce his leadership. While he shows compassion for this young woman, he is in a dreadful position, for he must carry out his promise of death in order to establish true authority. Tracing her foolish actions back to the path laid out for her by her incestious birth, Creon will not yield to one who dares to believe her morals are superior to the law laid down by the king himself. As he states, “But this is worst of all: to be convicted and then to glorify the crime as virtue.” This quote demonstrates his unwillingness to hear her stance on the matter, denying her a chance to explain the relevance of the burial to her. Yet, his opinion would rival with Haemon’s, who argues “The man Who thinks that he alone is wise, that he Is best in speech or counsel, such a man Brought to the proof is found but emptiness.” This is essentially denouncing Creon’s biased, know-it-all view of Antigone by arguing that because Creon believes his opinion is superior, he is actually full of ignorance on the matter. As a result of Creon’s personality, he would ultimately reject this …show more content…
Antigone represents a woman who desires to have her beliefs recognized by a conformist society; an individual who strives to change the rigid culture of the time. And although her bravery stands for an important cause, she chooses to ignore the fact that because Creon is King, her disobedience and disrespect can not only kill her, but kill her vision. In public, she blatantly claims that she has been “accused of folly by the fool,” therefore calling the king an idiot in front of the people he is so desperately trying to impress. Her emotional reactivity and spur-of-the-moment actions will lead her to failure, according to Haemon, who urges one to think before they act. “Those that resist, are torn out, root and branch. So too, the captain of a ship; let him Refuse to shorten the sail, despite the storm--He’ll end his voyage bottom uppermost.” This metaphor reflects upon the fact that by completely disregarding Creon’s command, Antigone is at risk of “ending her voyage bottom uppermost,” or a total shipwreck of her mission. In addition, this idea of a “storm” can be applied to the whirlwind of conflict Antigone has generated amongst the city as a direct result of her behavior. She, as the captain navigating this turmoil, must heed to the laws of nature, or in her
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
In conclusion, Antigone uses developed persuasive skill to support her argument when facing Creon and the people of Thebes. Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
In the tragic play, Antigone, Sophocles warns his audience against defying the will of the gods. As a result of a clash between the laws of the state of Thebes and the unwritten laws of the gods, main characters Antigone and Creon experience downfalls characteristic of the Aristotelian tragic hero. Antigone meets her demise because of her decision to bury her brother and hold herself accountable for her actions. While her defiant actions may be characteristic of an ambitious tragic hero, Creon’s unwavering pride and series of offenses towards the gods lead him to an arguably more tragic downfall of his own. Through careful consideration of his personality, his actions, and the circumstances surrounding his downfall, Creon shows that he is
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
In Antigone, one of the most renowned Greek tragedies, Sophocles constructs a conflict that questions the very definition of justice. Considering a play based almost entirely on the acts of a single individual in clear defiance of a king’s decree, questions of right and wrong necessarily persist. It is difficult, however, for one to understand justice in deciphering the opinions of the two conflicting parties, Creon and Antigone, as these two clearly have opposing biased perspectives. It becomes prudent to examine the concept of justice in the eyes of the chorus, who has the necessary perspective to provide unbiased commentary in Antigone. Throughout Antigone, the chorus constructs a judicial hierarchy in which the subjects of the polis must submit to the laws of their king, and the king must fulfill his obligations according to the universal law established by the gods.
As king, he passed a law stating that the fallen late king, Eteocles will receive a royal burial while Polyneices won’t be buried at all because he was a traitor to the kingdom. Creon encountered problems as soon as the decree spread to the people of Thebes. His niece, Antigone, disobeyed his law and went against him by burying Polyneices. Creon was furious that his own flesh and blood would defy him. When he captures Antigone, he accuses her of treason. As Antigone continues to defy him and disrespect him, Creon’s hubris or excessive pride takes over him. “Listen, if she’s not punished for taking the upper hand, then I am not a man. She would be a man! I don't care if she is my sister’s child --- or closer yet at my household shrine for Zeus --- she and her sister must pay the full price and die for their crime.” (484-489) Creon believes he is doing what is right for his kingdom. Creon, just like Antigone, is a stubborn person who can never acknowledge when he is wrong. He needs to show the people he is the leader of Thebes and they need to follow his every order. However, Antigone refuses to serve under him any longer. Creon was afraid that others would side with Antigone and turn against him as well. Therefore, Creon put her in a tomb so she can be forgotten. Nevertheless, people, like Teiresia and Haemon, still warned Creon how his actions will set the path for the prophecy. Creon doesn’t
Antigone adheres to laws made by an eternal authority whom she honors as a vital part of her religion, as does the rest of her city. Despite Creon’s threats as king, Antigone knows the gods would punish her and the entire city much worse for her disobedience. Antigone therefore favors her own welfare and her city’s welfare over the avoidance of any punishment created by Creon, whose only goal is to preserve his pride and image. Further in the interrogation, Antigone is not intimidated by Creon’s threat to kill her because she believes there is no better way that she could “‘gain greater glory / than setting [her] own brother in his grave’” (570-571).
Antigone was a religious person who tried her best to live the way her religion taught. She honored the gods the way she was taught by her parents by giving them sacrifices and worshiping them. One way she honored them was by defending them from be overruled by Creon. Even though Creon was the king Thebes and was able to make laws, Antigone knew he had no right to make divine laws. She expressed this by saying, “I did not believe your proclamation had such power to enable one who will someday die to override God's ordinances, unwritten and secure.
Antigone directs herself and challenges these stereotypes and creates challenges for the men around her. Antigone was proud of her decisions to go against Creon’s law, to not bury her brother, and that was her crime against society. Antigone denied Creon’s authority over her. “But this proud girl, in insolence well-schooled, first overstepped the established law, and then […] She boasts and glories in her wickedness.” (Line 480-493).
Antigone is a play that shows the reader the consequences of actions on not only the ones that made the actions, but also the consequences on bystanders. Due to certain actions made by Creon and Antigone, other characters in the play face an array of tragedies. Most of Creon's actions are driven from his paranoia and pride, viewing himself as the ultimate ruler of Thebes, equal to the Gods, however, Antigone's actions are driven from her devotion to her family and to the Gods and not some "mere mortal" (Creon). Wherever Creon views Antigone as a threat, Antigone views Creon as equal to her.
In Sophocles’ Antigone, the death of a woman, Antigone, due to civil disobedience is used to explore the tensions between societal expectations and internal values. When Antigone’s brother, Polyneices, is ruled a traitor after challenging his home state in battle, Creon, king of Thebes, demonstrates the general opinion of the expected compliance of women and forbids any person from burying Polyneices, and, therefore, prevents him from entry into the underworld. Antigone is met with the moral dilemma to which there is no answer that she could live with: bury her brother and be sentenced to death, or abandon her brother and disobey the laws of the Gods. Antigone’s death represents the challenge of following internal values, especially when they
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
“The Law is the Law is the Law is the Law.” This is a saying often used by many to justify the situation of someone who has done something that they feel is right, but the law says is wrong. Within the Sophocles classic “Antigone”, such a situation is presented when Antigone buries her brother against the will of her uncle: King Creon. The author of the play (Sophocles) uses morals, ethics, and the concept of age v. youth to examine the thought of “Why Creon puts his law above all else?” This over-ethical complex shows in Creon multiple times throughout the play. In instances such as: the discussions with the Choragos, the conviction of his own niece, and his quarrel between him and the young Haimon. What could be considered the worst demonstration of Creon’s haughtiness towards the law would be when he is informed of the public’s distaste of his decisions and still doesn't change his thinking……at least he didn't for the time being.