In Sophocles’ Antigone, the death of a woman, Antigone, due to civil disobedience is used to explore the tensions between societal expectations and internal values. When Antigone’s brother, Polyneices, is ruled a traitor after challenging his home state in battle, Creon, king of Thebes, demonstrates the general opinion of the expected compliance of women and forbids any person from burying Polyneices, and, therefore, prevents him from entry into the underworld. Antigone is met with the moral dilemma to which there is no answer that she could live with: bury her brother and be sentenced to death, or abandon her brother and disobey the laws of the Gods. Antigone’s death represents the challenge of following internal values, especially when they …show more content…
conflict with those of society; however, Creon represents the necessity to do so. Sophocles uses language to display a literal representation of the conflict of the internal versus the external forces.
This is displayed in the homophonic way in which Sophocles uses the word ‘law’. Creon follows the law as defined by a declaration by state, he says, “You will give no support to whoever breaks this law” (198). He believes that any declaration he makes is a law accepted by all, neglecting to acknowledge individuality, and differences in regard to religion, gender, etc. These laws conflict directly with the laws that we, as people, feel an internal obligation to, also known as morals, as well as the believed laws of a worshiped deity. It is these laws, beliefs in faith, that Antigone has sworn her allegiance to, which she communicates, “apparently the laws of the gods mean nothing to you” (4). Antigone’s idea of law is a direct contrast to that of Creon. Through this exchange, Sophocles very clearly exemplifies that a seemingly simple concept, such as law, is entire relative due to the humanity inside of each …show more content…
individual. Antigone was able to die an honorable death in the company of a loved one, despite defying state law, due to the judiciousness of her internal values.
Honor is one of the few qualities that held unanimous importance in Theban society. Both Creon and Antigone express an aspiration to achieve the quality of honor. Antigone displays her complete devotion to an honorable life when she says, “I am not afraid of the danger; if it means death, it will not be the worst of deaths- death without honor” (193). Here, Antigone expresses the common belief of the present society. Sophocles, knowing this, ordains Antigone with the virtue of honor in order to utilize her as a mechanism to communicate the overall meaning of the tragedy. Antigone’s attainment of honor is expressed when the chorus says, “Yet not unpraised, not without a kind of honor, you walk at last into the underworld; untouched by sickness broken by no sword” (225). Consequently, Antigone’s acquisition of honor makes her trustworthy by the audience, and appoints her conduct an objective to aim
for. The constant emphasis of confining societal expectations and prioritizing of oppressive public judgement over personal truth is what left Creon without virtue. Creon is the opposing position to Antigone’s displayed virtue; he is portrayed as cold-hearted and alone. Sophocles conveys the importance of following internal values through his emphasis on submitting to values of faith. Haemon says, “do not be unchangeable. Do not believe that you alone can be right. A man like that… turns out empty. Learn from those who can teach” (219). Personal ethics are obtained through individual life experiences and make up each individual’s character. These experiences are lessons that are learned from others, a moral code cannot be formed without the influence of others; Sophocles is asserting that we must be willing to learn these lessons from others. He presses this notion further by presenting a punishment for failure to do so, the threat of living an ‘empty’ life, alone and without virtue. Following internal values, though more challenging, is of more benefit to society. A person’s internal values are accumulated as a sum of their experiences, as well as the experiences from which they have learned, such as parents. It can be simpler and easier to follow laws prescribed by others, ranging all the way from governmental courts to elementary school rules, due to the lack of blame associated with making a decision when it is not your moral code that is being held accountable. However, believing in external laws and a neglect to acknowledge the ethics that we value internally would result in a colder and more isolated society. Often, compassion and true humanity are displayed in the behaviors that we partake in as a result of each individual’s internal values, not formal law. For example, forgiveness is one of the most valuable and humane virtues. However, there are many ways in which we are shown that our government, and society as a whole, are not forgiving, such as the continued use of capital punishment. It is the generous forgiveness that individual give because it is their belief that it is the right thing to do that lead to progress. Forgiveness promotes sincere human interaction and the cultivation of personal relationships, which result in happier, fuller lives. Nonetheless, official law remains important, for an orderly and organized society, but we cannot lose what makes us human to order. What makes us human are our internal values and our impulse to follow them.
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Exploration of Civil Disobedience in Sophocles' Antigone, King's Letter from Birmingham Jail, and Plato's From Crito
Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
Civil disobedience is the purposeful violation of a law to show that it is unconstitutional or morally defective. In the plays, Antigone and Trifles, the female main characters commit an act of civil disobedience. The plays are respectively written by Sophocles and Susan Glaspell. Antigone, the main character of Antigone, protects her dead brother's honor as she disobeys the laws of King Creon. Mrs. Hale, the main character of Trifles prevents a neighbor from being charged with homicide as she breaks the law in front of two lawmen-The Sheriff and the County Attorney. Both characters' crimes are similar; however, their differences lie in how they handle their violations. Antigone boldly and proudly breaks the law, does not care if she is caught, and loudly admits to the crime in front of her fellow Theban citizens. On the other hand, Mrs. Hale performs her crime artfully and quietly, does not want to be caught, and has no intentions of exposing her crime. Both characters accomplish their tasks, but Mrs. Hale's actions are carried out more effectively. She saves her neighbor and herself from imprisonment.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.