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Cinderella analysis and why its a fairy tale
Analysis of story cinderella
Cinderella analysis and why its a fairy tale
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Yeh-Shen, A Cinderella Story from China Characters: Stepmother of Yeh-Shen Yeh-Shen Stepsister Fish Elderly Man Narrator Act 1 Scene 1 Time: Ancient China (A.D. 618-907). Setting: At the dinner table in a tiny cave home. Stepmother: (wonders) Where did Yeh-Shen go? I’ve fed her enough but she just gets skinnier and skinnier! Where’s all that food going? Stepsister: I’ve seen her feed this fish. It has gotten really big! Stepmother: (in shock) I’ll have to do something about that fish! (Stepmother runs down to pond and looks for fish. Fish does not appear.) Scene 2 Time: A week later. Setting: A small cave home. At Curtain Rise: In the background, as Yeh-Shen sweeps the floor, her stepsister rolls around the places Yeh-Shen sweeped. …show more content…
The neighbors might see you, so leave your muddy coat here! (Yeh-Shen sighs as she does as told) She’s gone! (Stepmother grabs the coat and examines it as she cautiously puts it on as she walks through the door.) (saying to herself) Why does she wear these things---gross. Scene 3 Time: The same day, later. Setting: A pure blue pond surrounded by different plants and insects. At Curtain Rise: Stepmother walks towards the pond in Yeh-Shen’s filthy coat with a dagger in her sleeve. Stepmother: (Stepmother unnaturally showing her coat to the pond) Come out, come out wherever you are! (The fish heaves itself onto the bank, thinking that it will receive food from Yeh-Shen.) (as she stabs the fish) Go away you useless blob of meat! (Stepmother exits with fish wrapped in her garments as Yeh-Shen walks towards the pond, not seeing each other.) Yeh-Shen: (sweetly and thoughtfully) Come out! I have food for you! (realizing the fish is gone, Yeh-Shen sobs on the bank as elderly man appears in coarse clothes with hair that flows down over his shoulders) Elderly Man: (delicately) What is wrong poor child? Yeh-Shen: (as she stops crying, confuzed) Who may you be? Elderly Man: (kindly and softly) That does not matter, for I have been sent to tell you the mystical, magical powers of your …show more content…
She managed to live because of the food from the fish, but Yeh-Shen always knew that if her stepmother figured out about the spirits, she would take that away from Yeh-Shen too. Then came spring time, which meant festivals. Yeh-Shen had no time to rest because it was one of the busiest times and Yeh-Shen was forced to do all the work. Yeh-Shen: (to herself) I wish I could go to the festival. Stepmother: Yeh-Shen! You are not going to the festival! Just stay home and sweep the floor until it is shiny! Narrator: Yeh-Shenś stepmother wanted to find a husband for her own daughter and did not want any man to see the beautiful Yeh-Shen, but as soon as her stepmother and sister left the house, Yeh-Shen begged the bones to give her clothes fit to wear to the feast. After a glimmer of light, Yeh-Shen was dressed in a gown of azure blue and a cloak of kingfisher feathers. To finish it off, there were golden slippers that were woven of sparkly golden threads that fit her tiny feet. Fish: (the spirits whisper) Make sure you do not lose your golden
One day an old man comes to join the family for supper-- he new Poh-Poh from Old China... the man is odd looking and Liang thinks him to be "the Monkey Man" from the ghost stories her grams is always telling. Regardless Liang and this man she comes to call Wong-Suk become great friends. They go to the movies together and get jeered at (I'm not sure if this is beacause 'Beauty and the Beast' or because they are Chinese); he tells her stories; and she dances for him.
The transition from childhood to adulthood can be challenging. There are many things to learn and let go. Sometime teenagers can dramatize certain events to make themselves seem defenseless. Amy Tan, Chinese-American author, makes her Chinese Christmas seem insufferable. In Tan’s passage “Fish Cheeks”, Tan uses diction and details to exemplify the indignity caused by her Chinese culture.
In Yeh-Shen, the cultural aspects, such as her name, the theme of fish on her shoes, along with her attire help represent the Asian aspects of this version. Similarly, the father in the story has two wives, showing us that China’s laws about marriage are much different than the United States’ laws. In addition, Yeh-Shen shows themes of love, dead advising the living, and good versus evil. The archetypes in this version help convey the traditional story of love and a happy ending by the hero or heroine.
The main idea of this story Fish Cheeks was understanding and appreciation and having pride in one own unique culture. Tan mother invites the minsters family who happens to be her crush at the time who is Robert the minister’s son. Tan felt despaired during the entire evening, feeling ashamed of her family and non- American ways at dinner. At the end of the evening Tan’s mother tells her that she understands that she wants to like all the other American girls and handed a gift. Tan’s mother points out to her that she must not be ashamed of her difference, however, embrace these differences that she has found shame in. Overall the main idea was the differences that we are often ashamed of are the differences we should take pride in, because
She talks about how she felt ashamed about her culture and the food. In Amy Tan's essay, she had a crush on boy from the minister's family named Robert. They were invited to have Christmas Eve's dinner at Tan's place. Tan was curious about how the minister's family would react when they saw Chinese food instead of traditional turkey and mashed potatoes. She was thinking to herself that what Robert will think about the evening. The minister's family arrived and started digging in on the appetizers. Tan was embarrassed to sit with them at the table because the minister's family was surprised. But as the evening prolonged, Tan's father said “Tan, your favorite" as he served the fish cheeks to her (Tan
Throughout the story, “Fish Cheeks,” by Amy Tan, the author speaks of her “worst” Christmas dinner when her family invited Amy’s crush and his family for christmas dinner. Overall, the story was actually telling of her best Christmas dinner ever where her parents taught her to respect her culture and not be afraid to be who she was. The author and narrator, Amy Tan, used tone to convey this message to the audience in a few different ways in the story.
They have no power to choose for themselves and are considered to have a lack of ability to be independant, forcing the need to rely on men in their lives like fathers, husbands, brothers, and sons. As a representing character, Stepmother did not control her life. Bandits killed most of her family when she was young, but she survived by hiding between two trunks of clothes. Then she was taken away from a Mission House and “reclaimed by the village clan, eventually being sold to her Father’s Canton merchant family” (Choy 6). So clearly, Stepmother has no right to choose for herself like an individual; she is just an article that belongs to others and a good that can be sold. In addition, in this family, Stepmother has a very low position even though she gave birth to two kids. Stepmother is Jook Liang and Sek Lung’s birth mother, but she can only be called “Stepmother”. Third Uncle explained, “Stepmother” was a ranking much more respectable than a “family servant,” more honourable than “concubine,” but never equal in honour or respect to the title of First Wife or Mother, Stepmother remained silent (Choy 147). This illustrates Old Chinese Seniority Rules; no matter what a female dedicates to the family, if she is not the first wife, she will never get the respect that she deserves to have. Normally, in Old China, women cannot get fair treatments. They must follow the rules without any doubt, even if they are unequal. Also, Stepmother
Step Mother (second wife of fathers and mother to the youngest children) was only a young girl when her parents were killed. After a series of unfortunate events she was bought from a village clan and sold to become someone’s “companion”. None of this was her choice. “She was taken to a mission house, then taken away again, reclaimed by the village clan, and eventually sold into fathers canton merchant family” (13). Objectified and forced to be what someone else wants, stepmother is told to be exactly how the father wants her. She is forced to be submissive, and acts as a mother to the children, a wife to the husband, and a servant to the grandmother, or Poh-Poh. Throughout the novel her life is not hers to live, and her children are taught to treat her differently because of it. She is father’s second wife and not his first and because of this the children-even those who are biological- are expected to call her stepmother: “Poh-oh insisted we simplify our kinship terms in Canada, so my mother became “step mother.”… What the sons called my mother, my mother became… Father did not protest. Nor did the slim, pretty woman that was my mother seem to protest, though she must have cast a glance at the old one and decided to buy her time” (15). Stepmother is forced to be a third party in the raising of her children. She is only able to step out of
A maiden aunt never marries because a river prawn bites her calf and, due to minimal treatment by her physician, nestles there to grow. She devotes her life to her nieces, making for them life-sized dolls on their birthdays and wedding days. When only the youngest niece is left at home, the doctor comes to see his patient and brings his son, also a physician. When the son realizes the father could have cured the leg, the doctor says, "I wanted you to see the prawn that has paid for your education these twenty years."
Both concrete similarities between the characters of the stepmother and Meroe and metaphors in the story of the stepmother that are meant to represent the magical elements in the story of the witch connect the two stories. Initially, there are several concrete similarities between the stepmother and Meroe. The first likeness the stepmother bears to the witch is her position of power. After she decides to kill her stepson, she enlists “the aid of a villainous slave, part of her dowry” (174). The fact that she has resources of her own makes her powerful and all the more dangerous. Her possession of a slave and her ability to procure poison, though also metaphors of the deadly spells Meroe casts upon Socrates, are most prominently concrete representations of her status of power. A second similarity is that the stepmother and Meroe are both notably older than the younger men they prey upon. This detail helps to accentuate the i...
Immediately after moving into their new Shanghai house, Niang adopts an even more domineering, superior tone than ever before, not even bothering to disguise her biased feelings against her stepchildren, Ye Ye and Aunt Baba. This is elucidated in the Chapter 5, where she informs her stepchildren about the new living arrangements. It is visible to the reader how unfairly Niang treats her stepchildren, Ye Ye and Aunt Baba, having given separate rooms t...
Setting the tale in Nazi Germany creates an atmosphere of fear and anxiety, and establishes a set of circumstances in which it is possible for people to act in ways that would be unacceptable under other circumstances. The stepmother is a good example of this. She is the force in the family – it is she who decides that everyone in the family will have a better chance of survival, if they split up – the children going off alone together and the parents going in another direction. Unlike the portrayal of the stepmother in the Grimm fairy tale, this stepmother is not wicked. She is strong willed and determined, but not evil, although she is protecting herself and her husband by abandoning the children.
¨Then her mother gave her a knife and said, ´Cut off your toe. When you are queen you will no longer have to go on foot´¨(Grimm par. 49). In the Grimm Brothers version of “Cinderella”, in an attempt to fit their feet into the slipper in which the Prince uses to decide his wife, the Stepsisters of Cinderella cut of parts of their heel and toes. Along with losing parts of their feet, at the end of the story, both Stepsisters have both of their eyes pecked out by pigeons. All of the misfortune the Stepsisters exhibit at the end of the story help develop the morals of this story; revenge. The Stepsisters deserve the revenge they receive for all the adversity they bring to Cinderella's life. The Stepsisters bring Cinderella misery in all three versions,
Disputes are almost unavoidable between people when there are disagreements or misunderstandings. In the construction industry, contractual relationships could lead to dispute. To resolve disputes, construction disputes are most likely encouraged to use Alternative Dispute Resolutions such as arbitration, mediation, and mini-trials to resolve their disputes faster and keep the dispute confidential and at lower cost (Ray, 2000). The construction case presented in this paper first resorted to negotiation; however, it could not give the parties a resolution which led to a mini-trial.
The narrator says this to further the idea that the character of Cinderella evolves during the entire tale. She begins being this beautiful girl to this bottom-feeder only bossed around by her own family. This is significant when the stepmother takes “her beautiful clothes away” and dresses Cinderella “in an old gray smock” with “wooden shoes” (Grimm 1). This change makes the character more vulnerable in which it can make the other characters push her around more. The taking away of beauty can also show the true colors of the other characters because it shows that they are insecure. They are scared of Cinderella and by changing a simple look, it can give them the confidence to rule over her. Another personality trait that Cinderella has is the “damsel in distress” princess. This was very common in older princesses like The Little Mermaid, Snow White, Sleeping Beauty, and Rapunzel. All of these characters engulf this idea that princesses are passive, naive, innocent, easy targets, and always wanting to be rescued. For example, Cinderella never speaks up to her stepmother. Many older princesses were commonly known for doing nothing and letting stuff happen around them. As a result, the quote illustrates certain personality traits that are common in