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Mao Zedong and the Cultural Revolution
Analysis of the wild swans at coole
Analysis of the wild swans at coole
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Recommended: Mao Zedong and the Cultural Revolution
In the novel Wild Swans author Jung Chang gives the reader a glimpse of China’s history through the eyes of her family throughout the span of three generations. She guides the reader by giving insight to the history of China through her grandmother, continuing with the mother and ending with hers experiences . Although these three women lived through different generations in China, they all felt and experienced pain and it is captured in their stories. These three women sought to move ahead in life and to follow their hearts. Jung Chang guides us through the difficult times that took place before the leadership of Mao and throughout his regime a time when China left behind its traditional values and was forced to take on a new way of life.
In the beginning of Wild Swans, Chang gives us a glimpse of what life was like for her grandmother Yu-fang’s generation. We can conclude that life in China was very challenging through the pain and suffering that her grandmother experienced. However, Yu-fang was able to rise above her conditions and surroundings; she was able to show bravery and courage. At a young age Chang’s grandmother had to mature faster than normal and tend to her ‘duties’. “At the age of fifteen my grandmother became the concubine of a warlord general, the police chief of a tenuous national government of China (pg. 1).” This meant that her grandmother was considered to be a possession rather than a human because of her status as a concubine. As a concubine she was used only for pleasurable activities and could be “discarded” whenever her captors felt the need to do so. During this time period, China was controlled by aggressive warlords; this along with no legal system made life even more challenging.
In Chin...
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... leadership. I feel that portion of China was lost during this time period. However, while I empathize with the fact that these people lost their identities, in some ways I feel that it may have been for the best.
The main area that really impacted me surrounded the aspect of the foot binding that the young girls would have to go through in China. I have seen documentaries on this process and I feel that this sort of mutilation needed to be changed regardless of the traditions that it represented. I feel that women’s rights needed to be addressed as well from the traditional ways of thinking. I could never imagine having to give up my daughter to lead the life of a concubine because it was socially expected and forced. China did change in a great many ways, while some aspects were positive others were negative, however they changed the Chinese for generations.
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
Freedom for a Chinese woman was about being independent and to be considered equally important as a man in the Chinese society. The women in traditional China were seen as child-bearers and that was basically considered their main role in their marriages. The women must give birth to a male in order for the family name and traditions can be carried on. If the child was a female, then she’d be of no use to the family and would be married off to another family. It was very difficult for the women since they weren’t able to live life their way due to the old Chinese traditions that were established long ago.
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
Liberation in China means two different things for a man and a woman because of the gender differences that are prevalent. In traditional China women are treated unequally and are simply seen as a piece of property to their husband. They must abide by his demands and remain a slave to his family and traditions. As Yu-I told her niece, "You must remember this. In China, a woman is nothing." For a Chinese man, liberation means becoming stronger, more powerful, and of higher prestige. While with a Chinese woman, liberation means being equal to that of a man and being able to live a life on her own terms rather than that of her husband's.
When Lu Xun was born, Chinese society had been following the same traditions for generations. A pillar of these traditions, strict social hierarchies particularly oppressed women. Instead of having a say in their lives, they were subject to their father, their husbands, their husband’s family, and then even to their sons. Marriages were arranged, and in the event of the death of a husband, the woman would be expected to remain chaste even to the extent of choosing suicide over remarriage. Social hierarchies also restricted the intermingling of classes with strict social rituals separating the elite from the common. During Lu Xun’s early years, however, society had begun to get restless, and many pushed for change. At the forefront of the changing tides in Chinese society, Lu Xun advocated for change in the ancient social hierarchies that had directed Chinese society for generations in his stories “My Old Home” and “New Year’s Sacrifice” which specifically responded to the injustices of the traditional system against women and the arbitrariness of the separation between classes that the hierarchical system imposed.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
In a village left behind as the rest of the China is progressing, the fate of women remains in the hands of men. Old customs and traditions reign supreme, not because it is believed such ways of life are best, but rather because they have worked for many years despite harsh conditions. In response to Brother Gu’s suggestion of joining communist South China’s progress, Cuiqiao’s widower father put it best: “Farmer’s have their own rules.”
Zhu Ying was a member of the military’s theatre troupe, and about to be a member of the party, until she refused to sleep with party members. After that, they transferred and then imprisoned her. While her role in the military could have made Zhu Ying an androgynous figure, an emblem of communist gender equality, the party’s expectation that she have sex with party members makes her a sexual object, which is its own form of feminization. Zhu Ying is allowed to retain her femininity only if she consents to being a sexual object; when she does not, she is sent to be a laborer, and later imprisoned. Moreover, by being separated from her boyfriend, her chance at domestic happiness is taken away. After imprisonment, she has no opportunity to fill the traditional female role of marriage and children (which she may or may not have desired). Thus, the party halts the “natural” order of marriage and
There is no denying that the leadership of the Chinese Communist Party under Chairman Mao Zedong changed the course of the history of China and shaped the China the world sees today. The amount of lives, cultural traditions, and differing intellectual thoughts that were lost and destroyed as he strove to meet his goals for the country can never be recovered or replaced. However, it had been asserted that one of the more positive effects of Chairman Mao on the people of China was his somewhat radical opinion of woman. Prior to the Communist Revolution, women’s role in Chinese society was almost completely limited to life within the home and focused on supporting their family and being submissive to their fathers and husbands. Chairman Mao realized that women were one of the oppressed groups in China that could be utilized to increase his control over the country. While women’s rights still have a long way to go, it can definitely be said some of Mao’s polices advanced Chinese women in ways that would have been unimaginable before his rise to leadership. The more relevant questions are regarding Chairman Mao’s intent behind these polices and if they were destined to fail from the start due to the cultural and political climate in 20th century China.
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
Literature’s a best friend that is always at your side. It gives you a sense of belonging, guides you, and provides an escape from all your troubles and worries. Snow Falling in Spring, a memoir by Moying Li, takes readers into her rocky past as she endures some of China’s most tempestuous times. Throughout these turbulent times, literature remains a haven for Moying Li and guides her on the path to becoming the influential woman she is today. Moying Li loses the innocence of her childhood when the draconian claws of Chairman Mao and the Red Guard wrench it away.