As a whole humankind has fought for deliverance from an inevitable fate. The man has an insatiable appetite for domination over the ineluctable: death. Over the notable history of mankind’s power struggle, short stories, records, journals, and novels have been written to tell the ill-omened stories of those brave or foolish enough to quarrel with death. Such tales often include characters running from and fighting their predestined paths, often believing that they are knowledgeable, gallant, cunning, or doughty enough to outwit their ultimate demise. Throughout “The Masque of the Red Death”, the outcome encompassed within its plot unveils Poe’s expatiated meaning of the denial of fate through Prince Prospero’s struggle to gain power and …show more content…
Prince Prospero is modeled after Shakespeare’s Prospero from “The Tempest”. Shakespeare’s Prospero can create and illuminate life with the power contained in his mind; similarly, Prince Prospero believes, in his heart, that he is preserving the life around him. “ When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys” (Poe, par. 2). Prospero believes that as he delves into a “sagacious” isolation that he can preserve and save the lives of his friends and self. As Poe continues, “They resolved to leave means neither of ingress nor egress to the sudden impulses of despair or frenzy from within. The abbey was amply provisioned” (Poe, par. 2). The Prince and his courtiers have no intention to return to the world left behind. While this might seem like a justified path of action, to leave a death-ridden society, Poe suggests that under the abbey’s roof it was “folly to grieve, or to think” (Poe, par. 2) Is then Prospero not saving the people but having them run with him? He continues to ignore the very problem ‘plaguing’ his responsibility. Poe uses their continuous unacknowledgement of the “Red Death” as a semblance of mankind's run from fate. “Prince Prospero's supposed pride is best seen as a protective mask, a mask of indifference with which …show more content…
“There were many individuals in the crowd who had found leisure to become aware of the presence of masked figure which had arrested the attention of no single person before” (Poe, par. 8). As ‘fate’ makes his appearance in the abbey, the suppressed, or rather masked, angst amongst the courtiers and Prospero is resurfaced and ignited by the thought that there is no escape. The abbey was designed so that none could get in or out, for the sole purpose of keeping death in the exterior; however, the master plan leaves no room for escape. As Prospero's grasp on authority begins to slip, he issues several commands for his masqueraders to “seize him and unmask him” so that he can regain power by having the Mummer “hang, at sunrise, from the battlements” (Poe, par. 11). As “there were found non who put forth hand to seize him” (Poe, par. 13), the Prince, in desperation, took action to stop the Mummer. “Like the untried soldier first meeting the enemy, he feels an overwhelming fear which no amount of preparation could forestall. The battle is already on its way to being lost as the Prince next grows red with anger” (Wheat). Prospero, seeking normalcy, grabs a dagger and heads to attack the fate that he now realizes was never separate himself. “There was a sharp cry --and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero” (Poe, par.
All people wish to avoid suffering, and those with wealth usually take too long to realize that they cannot avert it. In the short story, “The Masque of the Red Death”, Edgar Allan Poe tells the readers of death, and how the upper class deals with it. In this story, Prince Prospero and his wealthy friends hide away in a castle to evade death. This obviously does not work, as death is inevitable, but of course, they attempt to save themselves anyways. In “The Masque of the Red Death”, Poe uses the courtiers, Prince Prospero, and the stranger to symbolize the members of the influential upper class and their habit of using their power to postpone their own impending doom.
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
But first let me tell of the rooms in which it was held. These were seven—an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different, as might have been expected from the duke’s love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose colour varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example in blue—and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange—the fifth with white—the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the
Poe continues to develop his point that no one escapes death through the setting. Not only does he use the exterior and how it was constructed to tell what precautions P...
Initially, Poe reveals Prospero’s unusual character by introducing and describing the black room. In the beginning of the story, Poe is introducing the rooms and begins to describe the black room. When describing the room Poe states “But in the western or black chamber the effect of the firelight that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme…” (5). The Red Death brought a lot of blood and redness to those who suffered from it; even though the color made the people weary, Prospero still chose to color
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
In the beginning, the general situation is explained and the broad location of the story is established. While a dreadful disease ravages the countryside, Prince Prospero and his friends lock themselves up to escape and forget the fate of their neighbors. Their plan is easily identifiable, and the audience can certainly relate to their wish to leave the world behind them and exist in a processed utopia. The description of an isolated and hidden abbey reflects the prince's wish for concealment and his indifference to his responsibilities to the commoners. Poe stresses the magnificent height of the fortress walls and the welded iron gates to enforce an image of strength and protection. He also includes the entrapmen...
In the short story, “The Masque of the Red Death”, by Edgar Allan Poe, Poe always has some sort of symbolism for each main element. He is never straight to the point and typically extends one short sentence into a whole paragraph. Almost everything in this story has a significant meaning such as the title itself, Prince Prospero,the rooms, and the mysterious figure. Not only does this story include all these elements, but it also has a lesson at the end of this which is that it does not matter what type of person one is; one can never escape death.
The clock serves as more than just a decorative element, it “is the relentlessly paralyzing reminder of ‘the Time that flies…’” (Freedman 238). Poe’s repeated mention of the clock and its chimes creates a level of anticipation and anxiety that must mirror what the partygoers are feeling as they are left unable to ignore the fact that time is passing and death is growing nearer. No matter how much wealth or luck these people may have had, they are not above dying. While the partygoers may try to “avoid the black and blood-tinted chamber, the echoes of the clock resound throughout the abbey” and leave each of them with a feeling of uneasiness as they are pulled back to reality (Freedman 238). While the prospect of people dying beyond the walls seemed not to weigh heavily among the party guests, “the chimes of the clock” made even the “giddiest [grow] pale” (Poe 439). The inclusion and repetition of such details as the partygoers’ reactions towards each of the clock’s hourly chimes show that they are finally, though unwillingly, beginning to acknowledge the finality of the death that awaits them. However, whenever the clock’s “sound fades, [the partygoers]
... to power may have been Poe’s ideals in Hop-Frog and The Purloined Letter, but the reality of the situation was that monetary wealth was the single most useful means of gaining power, at least in the publishing industry. The Masque of the Red Death was a poignant social commentary on this uneven field of play and Poe’s point of view concerning the wealthy capitalists. Nonetheless, the possibility of altering the rules on the field of play lay not in the hands of the mentally acute and those who possessed information, but completely with those who possessed capital.
In the story, “Masque of the Red Death” it covers six months during the Red Death.It takes place in a castle which has seven different colored rooms.In the beginning of the story it describes the main character prince Prospero as happy,fearless and wise. Towards the end of the story a new guest appears to the party and everyone is scared and Prospero goes from being happy to mad and in the end the new guest kills Prospero and everyone dies because he was the Red Death. The message in this analogy ,”The Masque of the Red Death “ by Poe is life passes by so quick that you don't realize what's going on until it's your time to die.
To be able to answer this question we must first understand why Prospero can be seen as good or evil. It is fair to say that Prospero is a main protagonist to the plot of Shakespeare’s Tempest. It is due to Prospero's role as a key figure in the play that has put him under so much scrutiny. Many different Shakespearean critics have their own view of Prospero and those that read or see the play also have their own opinion of the way in which Prospero may be seen.
In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires. He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect.
Prospero’s magic and the manner in which he uses his powers unethically reveals his willingness to go to any lengths to achieve his goals. He uses physical and psychological manipulation to achieve his goal of regaining his dukedom, disregarding the possible effects of his actions on those he manipulates. Prospero abuses his power over his servants so they can perform the tasks needed to execute his plan. Prospero also benefits from the manipulation of his own daughter. His influence in Miranda and Ferdinand’s relationships is to his advantage in furthering his scheme for vengeance.
Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.