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Tempest: Is Prospero Good or Evil?
To be able to answer this question we must first understand why Prospero can be seen as good or evil. It is fair to say that Prospero is a main protagonist to the plot of Shakespeare’s Tempest. It is due to Prospero's role as a key figure in the play that has put him under so much scrutiny. Many different Shakespearean critics have their own view of Prospero and those that read or see the play also have their own opinion of the way in which Prospero may be seen.
To be able to support either argument there must be evidence that backs-up each of the analysis of Prospero's character and why he is seen in such a way.
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
Prospero having been trapped on the Island with his daughter has bring her up alone. He tries to do this in as fair a way as he sees possible teaching her right from wrong and educating her in the ways of the world,
however Prospero does not inform Miranda of their past until Miranda, he feels is old enough to understand.
'Thy father was Duke of Milan and a Prince of power' (A1 Sc2 Ln57)
But with Prospero informing Miranda of this at such a late stage in her life is this Prospero as a control freak only allowing his daughter Miranda to know the truth when he feels it is time or is it Prospero being caring keeping this information from Miranda until she is of an age when she can fully understand who she is and where she came from?, again it is not clear to see if Prospero's intentions are for his own good or the good of his daughter.
Solzhenitsyn uses many techniques and skills in his book to portray an accurate representation of “anyman.” The first of these is Shukov’s meager means of endurance. In the book there are many prisoners and workers in the camp and they are all connected by one thing: the need for survival. Of course, there is no one way to survive and as the people in the camp live out their days in prison they must each figure out how they will endure.
In the comedic, yet thrilling play, The Tempest, William Shakespeare uses characters such as Caliban, Alonso, and Ariel to show Prospero’s immense cruelness and pure monstrosity. Moreover, these Shakespearean characters are also used to highlight Prospero’s change in character into a kinder and more forgiving person. Prospero starts the play out as a vengeful monster, after an illuminating moment however, his persona transforms into his true identity of a compassionate man.
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
The arguments for Nuclear Power are very believable and can lead to economy growth. For example, Nuclear Power is not likely to cause global warming. Global warming is a very popular and sad thing that is happening today in the world. For example in Antarctica all the species including Polar Bears, Penguins, white wolfs, and other land animals. Nuclear Power does not cause Global warming which can save many animal lives.
The Relationship Between Miranda and Prospero in The Tempest Works Cited Missing Act one scene two opens with Miranda and Prospero standing on an island, after having just witnessed a shipwreck. Right from the first line we can establish the relationship between Miranda and Prospero. "My dearest father" (line 1). As the scene commences, we begin to learn a great deal about the two roles. Miranda opens the scene as she questions her father about the huge storm.
The military is what protects our country which usually mean weapons are involved defending our country. The military isn’t all about war and combat, there are other careers that people can pursue rather than fighting. Jobs that don’t involve combat are usually really similar to typical civilian jobs. The military is a great career to pursue because there will always be a need for it. Before enlisting into the military it is good to know what the military does, how much money a service member makes, the education and training required, and the job out outlook.
Shakespeare’s play, The Tempest is set on a mysterious island surrounded by the ocean. Here the magician Prospero is ruler of the isle with his two servants Caliban and Ariel. Caliban is the abrasive, foul-mouthed son of the evil witch Sycorax. When Prospero was shipwrecked on the island Prospero treated him kindly but their relationship changed when Caliban tried to rape Prospero's daughter, Miranda. Caliban then became Prospero's unwilling servant. Caliban serves his master out of fear Prospero's wrath. Prospero's other servant Ariel is a graceful spirit who has courtesy and charm. Ariel has put her services at Prospero's disposal out of gratitude for his kind actions towards her. Prospero saved Ariel from the confinement of Sycorax who held her prisoner.
This time however, Prospero used his daughter as bait in order to draw Ferdinand closer in the hopes of getting them married. He wants to regain his title as the Duke of Milan. Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.
Eventually, after one more argument, Higgins is again in control of the situation, and he tells Eliza that he thinks she will come back. He feels rather satisfied, thinking he won the bet and she would not leave. In his opinion, the fact that he was right stands proof of how good of a teacher he is.
Samuel Beckett, the recipient of the Nobel Prize in Literature 1969 , was the Irish playwright of the well-known absurdist play, Waiting for Godot. This tragicomedy, being one of the most popular written in the 20th century, was translated from French to English by Beckett himself and has only two acts. As the title insinuates, this stupendous piece of work is based on two friends’ endless wait for someone named Godot. Beckett’s portrayal of one mute and three dynamic characters, out of six, restricts a ground for foreshadowing to some extent and makes it even more difficult for the audience to make sense of the plot, wherein the characters’ lives seem to be meaningless. Additionally, the protagonists, Vladimir and Estragon repeatedly talk of and question each other about parting one another but never do and to be more specific, Estragon shows a greater dependency towards Vladimir. His choice to go back and remain with Vladimir is what adds meaning to his life because on his own, he could literally end up dying so this choice of his is what creates a purpose to his life in the absurd and meaningless world and this choice leads to the whole ‘wait’ for Godot in this drama.
Waiting for Godot is a play, exploring man’s necessity to depend on a superior being. The two main characters, Vladimir and Estragon do many wild things while they pass the time and ‘wait for Godot’. They are two comic tramps who resemble Charlie Chaplin playing ‘The Tramp’. There are many themes including death, hope and the issue of absurdity which is the main theme. Estragon and Vladimir flirt with the idea of death but they are; meaning they exist and live. Waiting for Godot is an absurdist play providing that there is no meaning to life hence trying to formulate meaning is inadequate, yet that is all you can do. So this is why Estragon and Vladimir play, talk, joke, argue, make-up, eat, sleep, philosophize, think of killing themselves and do all the other thing...
Literature is one of the forms of art that has had a major impact on the development of society. It is a direct reflection of our society because it portrays great depth of humanism and existentialism. It shows us something we haven’t experienced before and the lives of other people at different places and times. We discover and gain opportunities to deepen our understanding of individual lives and the human condition as we interpret our own emotions and thoughts into the literature work. One of literature works that deals with the same concerns about human condition is Samuel Beckett’s play, Waiting for Godot. The play was first premiered more than sixty years ago but is still being performed today because it is relevant to our modern society.
"Waiting for Godot" represents one of Samuel Beckett's most popular pieces of work. It was firstly published in French in 1948, but after that Beckett translated it into English. It is a tragicomedy in two acts, illustrating the following characters: Vladimir, Estragon, Pozzo and Lucky, representative characters for the human behaviour, Godot, the divine power, and the Boy, Godot's servant. This play pictures in symbolic terms the human condition and help the reader understand the sequence of events of his life and suggests the fact that human life is determined by chance.
Prospero’s trust is broken with Caliban because he tried to rape Miranda. There is no evidence of rape, however Miranda was the only female on the island practically supports the idea. Caliban being a natural creature he would not know the different in societies rule against sexual engagement. Prospero learns from his second betrayal, apparently tyrannical state is revealed in verbal abuse ...