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Symbolism used in the masque of the red death
Edgar Allan Poe short stories
Edgar Allan Poe and his works
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Edgar Allen Poe, in the short story “The Masque of the Red Death”, shows how people may try to outsmart death and surpass it, but in the end they will die since death is inevitable. He reveals this in the book by showing all the people closed up in the abbey that belongs to Prince Prospero. They are trying to escape the “Red Death” and think that they can escape the death by hiding away in the abbey. They manage to stay safe for six months but in the end they all die after the stroke of midnight during the masquerade ball Prince Prospero puts on from the Red Death itself which appears after midnight and leaves no survivors in the end. Poe develops the theme of how no one can escape death through the use of the point of view, the setting, and symbolism.
Poe develops his theme that no one can escape death through the narration or in general the narrator. We do not know nor do we learn who tells the story even at the end when all the people are stated to have died. There are many ways to look at this to see if we can get some hint to who is the narrator. Is the narrator a person that was there in the abbey which is hard to see because we read at the end that all of the people die but as David Dudley states in his article, “He reveals himself overtly only three time. . .” which shows that he had to be in the abbey . It also can be told by “…one of Prospero’s dying guests…last sentence could be read as the equivalent of Hamlet’s…” which could also have been possible (Dudley). Either way, when death comes at the end no one can escape it unless it is death itself.
Poe continues to develop his point that no one escapes death through the setting. Not only does he use the exterior and how it was constructed to tell what precautions P...
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...Plessis, Eric H. du. “Deliberate Chaos: Poe’s Use of Colors in ‘The Masque of the Red Death’.” Poe Studies/Dark Romanticism 34.1-2 (June-December 2001): p40-42. Literature Resource Center. Web. 8 April 2012.
Poe, Edgar Allan. “The Masque of the Red Death” Literature An Introduction to Reading and Writing. ED. Edgar V Roberts and Robert Zweig. Boston, Longman: 2012. 516-519.
Roth, Martin. “Inside ‘The Masque of the Red Death’.” SubStance 13.2 (1984): p50-53. Literature Resource Center. Web. 19 March 2012.
Zapf, Hubert. “Entropic Imagination in Poe’s ‘The Masque of the Red Death’.” College Literature 16.3 (Fall 1989): p211-218. Literature Resource Center. Web. 19 March 2012.
Zimmerman, Brett. “Allegoria and Clock Architecture in Poe’s ‘The Masque of the Red Death’.” Essaysin Arts and Sciences 29 (Oct. 2000): P 1-16. Literature Resource Center. Web. 8 April 2012.
Authors use various styles to tell their stories in order to appeal to the masses exceptionally well and pass the message across. These messages can be communicated through short stories, novels, poems, songs and other forms of literature. Through The Masque of the Red Death and The Raven, it is incredibly easy to get an understanding of Edgar Allen Poe as an author. Both works describe events that are melodramatic, evil and strange. It is also pertinent to appreciate the fact that strange plots and eerie atmospheres are considerably evident in the author’s writings. This paper compares and contrasts The Masque of the Red Death and The Raven and proves that the fear of uncertainty and death informs Edgar Allen Poe’s writings in the two works
In “The Masque of the Red Death,” Edgar Allan Poe uses imagery, sensory detail and symbolism not only to build suspense, but also to convey the idea that an individual can not hide or run away from death which becomes closer as time passes on. Throughout the story Poe uses imagery details to create suspense in the story. For example when the author is describing the disease that has taken many lives he describes the unfortunate event as, “ Blood was its Avator and its seal- the redness and the horror of blood. One can understand that in the story the tragic death of someone might occur as tragically as the disease is described. Accordingly, as the story progresses the deep shade of the color red is evident in many areas to represent symbolism.
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
In “The Masque of Red Death” and “The cask of Amontillado”, Edgar Allan Poe warns the reader that overconfidence and pride will often lead to death. To convey this idea Poe has used similar setting and Characters.
In the beginning, the general situation is explained and the broad location of the story is established. While a dreadful disease ravages the countryside, Prince Prospero and his friends lock themselves up to escape and forget the fate of their neighbors. Their plan is easily identifiable, and the audience can certainly relate to their wish to leave the world behind them and exist in a processed utopia. The description of an isolated and hidden abbey reflects the prince's wish for concealment and his indifference to his responsibilities to the commoners. Poe stresses the magnificent height of the fortress walls and the welded iron gates to enforce an image of strength and protection. He also includes the entrapmen...
Edgar Allen Poe's The Masque of the Red Death is an elaborate allegory that combines
Vanderbilt says that a month previous to the publication of "The Masque of the Red Death" Edgar Allan Poe was looking into competition between artists and limits given to them due to morality. With his story, Poe was trying to exceed the limits in a new way, using his imagination to see show us the beauty beyond the grave.
Poe,Edgar Allen. “The Masque of Red Death” Literature: An Introduction to Reading and Writing, 4th edition, Edgar V. Roberts. Upper Saddle River, New Jersey: Pearson Education, 2008. 234-237.Print.
I feel that “The Masque of the Red Death” and its dark and ominous tone reflects the tragic events that took place in Edgar Allan Poe’s life, for the reason that throughout his life he was surrounded by misfortune. In the story Prince Prospero decorated the rooms of his house in single colors (cite). The first room was decorated in blue, with blue stained glass windows, followed by the next rooms being: purple, green, orange, white, and violet, “These windows were of stained glass whose color varied in accordance with the prevailing hue of the
Edgar Allen Poe wrote the story The Masque Of The Red Death over the Bubonic Plague, with a spice of life. Edgar used bucket fulls of symbolism in the story to reflect on the theme of life These symbols range from rooms, individual characters, to clocks, and even social events. Through all of this symbolism, there are many notes to be taken of and lessons to be learned, especially from all the incorrect things done within the story. Though after reading the story, the reader can connect that a lot of issues with present problems in life.
In the story we infer that Prince Prospero does not like for his authority to be overridden, just as a king doesn’t like for his authority and rule to be in vain. “‘Who dares’--he demanded hoarsely of the courtiers who stood near him--’ who dares insult us with this blasphemous mockery? Seize him and unmask him--that we may know whom we have to hang, at sunrise, from the battlements” (Poe 8). Prospero has identified the ghastly figure that has seemed to enter into his castled abbey. He becomes angered because he thinks someone from within had did it as a conscious joke, but it only angers Prospero and makes him want to persecute and kill the one responsible for the “blasphemous mockery”. The inevitable will happen, it cannot be escaped. The chronological sequence of events that occur in our lives will happen when it is destined to happen. Not only does Prospero and Death have power, but the narrator gains power over death. He served as a witness to the whole captivation, but somehow he obtained power over death. “The importance of the narrator’s ambivalent exterior/interior status is that it allows him to deviously to “overlook” the fact that he should have died at the end of the story” (Dudley 2). While reading the Literary Analysis from which the source came from, we read upon the unknown of the stories. We learn about the overlooked interior details in the story. With this information, we learn that the narrator was freed from the hands of death, yet we don’t know how. According to the sources given, we can conclude that power can be in vain some cases, but power, inevitable power, will continue to live within the world that we live in. No one can escape the inevitable. Death will knock on the door. Time waits for no
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
The tone that Poe achieves in The Masque of the Red Death is terror, alarm, and overall, horror. Poe wanted his reader to leave the piece not being able to stop thinking about it, to walk away with fear in their mind, bones, and heart. Poe achieves this through the words he uses and how he uses them. Poe’s structural style is very ridged, he does this in order to keep the flow of his writing very strong and smooth. In The Masque of the Red Death he makes each of his paragraphs about one topic, by doing this he is able to choose extremely specific language to coincide with each idea. The other aspect of Poe’s writing that assists in his success is the words he uses, or the colour of his writing. One cannot argue the fact that Poe does not have a sheer talent in the choosing of the words, not a single word is written that does not donate to the over atmosphere of the writing. Poe depends on the vividness and dramatic quality of each of the words he chooses. The way he describes the Red Death as “scarlet stains” which appeared upon the face of the victim to the “scarlet” window pane which illuminated the black of the seven coloured room. Poe’s explicit word choice adds to not only the success of his composition but also adds to the feeling of the
Poe, Edgar. "The Masque of the Red Death." Literature: An Introduction to Reading and Writing. Upper Saddle River: Pearson College Div, 2011. 234-237.
Edgar Allan Poe is known for his masterful writing on all aspects of mortality, but his famous short story “The Masque of the Red Death” proves to be more than a simple story about death. While it is about death, Poe’s short story can be read and applied as a cautionary tale whose purpose is to illustrate a worthy way to live and die by portraying the opposite of both. This interpretation comes about when the story is viewed through the lens of New Criticism. This viewpoint shows how the story uses its formal elements converge to create one complex theme. Poe’s short story develops its theme through the use of paradox, tension, irony and ambiguity, all of which come together to identify