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The “Red Death” had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal—the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour. But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and But first let me tell of the rooms in which it was held. These were seven—an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different, as might have been expected from the duke’s love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose colour varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example in blue—and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange—the fifth with white—the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to harken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused revery or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as
The book jumps to a distressing story about Peter Los in 1970 in West Germany who became ill due to smallpox. After ten days he was hospitalized but medical staff did not realize he had smallpox, which is highly contagious. Preston gives vivid descriptions of the disease and how it ravages the body. Los survived his illness, but caused an epidemic that killed many others that had become exposed to him. “Today, the people who plan for a smallpox emergency can’t get the image of the Meschede hospital out of their minds.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Topic/Thesis: The main idea of this essay is to recall the events and horrors of the Black Death. This is the plague that ravaged the world from 1347 to 1352 (History.com Staff). Tuchman describes the journey of the pestilence and how it affects each country and their individual cities. Tuchman also specifically gives the death tolls of major cities and different groups that were affected. She demonstrates how the plague that struck Europe and other parts of the world resulted in filth, fear and chaos. This essay discusses and reports various personal accounts to the disaster of the Black Death. Tuchman clearly defines what forms the plague came in and how it affected different areas. She also describes the emotional and social consequences. She lays out the facts about the plague and the effects it had on the world as well as individual families and people. Tuchman also points out victims that belonged to the upper class during that time such as Queen Jeanne and historian Giovanni Villanni (296-297). In this she shows how the plague killed people of all kinds to distress the brutality of the plague.
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
Roth, Martin. “Inside ‘The Masque of the Red Death’.” SubStance 13.2 (1984): p50-53. Literature Resource Center. Web. 19 March 2012.
Despite all, their love was not strong enough to fight against the plague. They had prayed every night for help for Alice, but shortly they all fell ill. Together they experienced nausea and violently vomited. They began to swell; hard, painful, burning lumps on their neck, arms and thighs then appeared. Their bumps had turned black, split open and began to ooze yellow, thick puss and blood. They were decaying on the inside; anything that would come out of their bodies would contain blood and soon puddles of blood formed under their skin. They slowing withered away together. The home became repulsing; the flowers in their yard could no longer mask the smells of their rotting bodies and revolting bodily fluids. Alice was the first to leave, then John, Mama, and Papa followed. Together they all fell victim to the Black Plague.
The exposition of the story clearly states that the prince thinks that the “external world could take care of itself” (Poe, para 2). As a ruler of an entire country, he seems to not care about all of its tenants. When the Poe explains that the prince took in a thousand of his friends, it gives off the illusion that the prince is unselfish. After reading the first few paragraphs, it is noticeable that the prince included “buffoons… improvisatori… ballet-dancers… musicians… [and] Beauty” (Poe, para. 2), but he did not include his peasants. The prince included a thousand of his, so called, friends who were hand picked. He made the invitations into his castle exclusive because he cared about himself and those he deemed important. Prince Prospero rules a country, he does not just rule one thousand people, therefore, he gives the illusion of unselfishness but he is just another example of a selfish
Zimmerman, Brett A. "The Puzzle of the Color Symbolism in "The Masque of the Red Death":
The characters in this story are the Prince Prospero and his guests, invited by him in his palace to try to escape the disease ; protagonist but perhaps the greater the mask of the red death . "The Red Death had long devastated the country . No pestilence had ever been so fatal , or so hideous . Blood was ITS Avatar and Its seal "
...; Clock without Hands. New York: Literary Classics of the United States, 2001. 397-458. Print. Primary text used in this study
It makes me think of English places [with] a delicious garden! I never saw such a garden -large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them” (Gilman 394-395). Along with the exterior of the house, Charlotte described the room she would be staying at in the uppermost part of the house by contrasting it with one of the beautiful rooms on the lower floors. With this technique, the author allows the reader to become well-adjusted to the setting and the source of the narrator’s hysteria, the yellow wallpaper.
Poe who wrote the “ The Masque of the Red Death" 200 years ago could have been talking about the modern day disease of Ebola. Although the Ebola disease you do bleed out of you body almost kinda what the story said was you bleed out your pours. Poe was talking about the Ebola disaster that hit Africa. Based on the story you bleed out your nose your eyes and the Red Death was very similar to the Ebola the way the story’s had explained it. The story about “The Masque Of the Red Death” was made up by Poe; it’s not a real thing. The symptoms are the same there were sharp pains sudden dizziness, and bleeding out your pours in both illnesses.
The plague took the life of a boy, who had just began to live life. But this boy had done nothing wrong, and the plague had no way of knowing this, it only followed what it had known to do, which was infect and kill. It has no sense of caring who it kills, for even the man who helped to try and fight the plague, Tarrou, had contracted the plague himself and died, “And thus, when the end came, the tears that blinded Rieux’s were of impotence; and he did not see Tarrou roll over, face to the wall, and die with a short, hollow groan as if somewhere within him an essential chord had snapped” (289). The plague had the power to kill anyone, and so it took any chance it had to display its ability to kill. When the sanitary squad was formed, this team sought to fight the plague and in a sense demonstrated higher standing than the regular citizens, “Next Day Tarrou set to work and enrolled a first team of workers, soon to be followed by many others” (131).
The carriage soon came to a stop before the entrance of the palace itself. It resembled a fortress more than the luxurious image one would normally associate with the home of royalty, but that’s to be expected considering the warring history of the empire. Jumping out with excitement bubbling up in my stomach, I quickly walked into the building. Ignoring the attendants who rushed to offer assistance, I walked down into the banquet hall and hastily mingled into the crowd.
...undending sense of time “the slow clock ticking” she conscious of the unusual slowness of time. The poem ends by Mariana addressing God 'Oh God, that I were dead', here we have an ironic reference to Measure for Measure, indeed in the play Duke Vincentio diguised as a fiar reunites the two lovers.