Mariana by Alfred Lord Tennyson

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Alfred, Lord Tennyson was one of the most famous poets of the Victorian era, some of his most famous poems include Ulysses, In Memoriam or Lady of Shalott. This paper will focus on his poem published in 1830 entitled Mariana. Mariana is Tennyson's well known poem, inspired by the charactre of the same name in shakespear's play Measure for Measure. T.S Eliot heard in Mariana 'something new happening in English verse”, and critics such as Carol Christ or Dwight Culler have “commented preceptively on its use of atomistic detail to create a landscape of strangeness appropriate to this sick-spirited maiden”. Mariana is a complex poem it is both a lyrical poem and a pathetic fallacy.
This paper will focus on how meter, rhythm, imagery, and metaphor create meaning and establish tone.

The poem opens with a quote from Shakespeare's Measure for Measure 'Mariana in the moated grange'. In the play Mariana is deserted by her lover Angleo, and she is spending her days in a solitary grange. The quote gives the reader of the poem the main theme it explores, which is Mariana's longing for her lover to return. It is interesting to note that the quote is lacking a verb, which implies that there is no action in the poem, that there is a sense of stasis or a sense of unending time, isolation and despair, Mariana can therefore be called a lyrical poem, indeed lyric poems as J.S Mill puts it express 'feeling confessing itself to itself in solitude'. It can also be described as a speech overheard, Mariana the poem is in a way a rewriting of Mariana the character of Shakespeare's play. The form of the poem also reinforce this ideas of lyricality, ' lyric poetry may be said to retain most prominently the elements which evidence its origins in musical ...

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...undending sense of time “the slow clock ticking” she conscious of the unusual slowness of time. The poem ends by Mariana addressing God 'Oh God, that I were dead', here we have an ironic reference to Measure for Measure, indeed in the play Duke Vincentio diguised as a fiar reunites the two lovers.
One question the poem rises is the question of voices, indeed Mariana only said few things and the narrative voice is telling the rest of her story, here we can see the passivness of Mariana, who is only waiting for her lover. She is the center of the poem and yet she is not given a strong voice, she is not the actress of her life but a mere spectator, she is the second character of a play awaiting for her line.

Mariana is a complex poem, a poem which is “notable for its portrayal of regression and decay on both the material and the psychological levels”. Indeed

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