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Othello's emotional essay
Themes and techniques in othello
Analysis of the character of Othello
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“Some who lies about little things will lie about the big things too” (Terry McAuliffe). In the play, the character Iago lies and manipulates everyone in the play so they follow the scheme he has set for Othello. Othello by William Shakespeare focuses on how Iago is unaware of his identity because of the themes of change, evil, and emptiness.
First one of the main characters in the play changes from being a best friend to being the worst of friends. After Iago consults a depressed Roderigo who is crying over the marriage of Othello and Desdemona. Roderigo goes to sleep as a happy man, however once Roderigo leaves Iago says behind his back, “Thus do I ever make my fool my purse. / For I mine own gained knowledge should profane / If I would time expend with such a snipe / But for my sport and profit” (Shakespeare 1.3. 374-337). Iago could just be messing around and he could never mean such a thing; however,
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When Cassio kisses Emilia’s hand he tells Iago it was only a greeting and not to take it in a bad way; however Iago replies with, “Sir, would she give you so much of her lips / As of her tongue she oft bestows on me, / You’ll have enough” (Shakespeare 2.1 109-111). He could be joking about Emilia and not mean a single word he says: however when we thought Iago was a friend we were wrong he is a jerk toward his wife and does not care for her. The former is less likely than the later because Iago can even say anything nice about Desdemona when she asks and does not deny the bad comment he said about Emilia. This quote falls in the category of emptiness because Iago is always some on he is not in a version that cares about no one but himself to someone fake who pretends to care. This makes Iago a changed person with a new identity in every moment of his
Iago, Othello’s ensign, and the villain of the play, performs his monstrous acts in a complex way by deceiving others to believe that he is honest and reliable while using this reputation to manipulate others. In this section, Iago says very little to deceive Othello into thinking that he has information that he would want to know. Iago’s clever use of silence and intimacy
Iago respects no one and yet is cunning enough to make people continue to trust and respect him. This is a truly super human quality in Iago that allows him to manipulate people to do what he wants without them knowing. He is married to Emilia, and although the reader would see marriage as a sacred bond, Iago manipulates it for his selfish ways. It may be his careless marriage that causes him to feel that he must destroy Desdemona’s and Othello’s. This would show his childish, jealous mentality towards others. The reason he treats Emilia so badly may be that he blames her for their dysfunctional marriage. From this, she has gained a perhaps not so tainted image of men and husbandry. She describes men “are all but stomachs, and we all but food; they eat us hungerly, and when they are full, they belch us.” (III, iv, 98-100) Iago treats Emilia as if she were a slave at his every whim and she knows it but for some reason Iago has tricked her into thinking that’s the way life is in marriage; so although Emilia may seem like the more experienced character in the play she herself cannot even see the corruptness in Iago’s ways.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
In the first scene we are thrown right into the action with the argument between Iago and Roderigo. This first argument shows us how Iago is cunning and sly because he has already manipulated a weak Roderigo into paying him for something he hasn't even done yet. Roderigo who is obviously weak and simple has asked Iago to help him woo Desdemona in exchange for money, he thinks Iago has not done this because Desdemona is now at this moment marrying the moor. Yet Iago manages to convince Roderigo of his sheer hatred for Othello and swindle him out of his money. As he later exerts in his soliloquy at the end of Act I.3 ' thus do I ever make my fool my purse' this shows his attitude to Roderigo he is just money for Iago a pawn in his plan. This attitude shows how to a certain extent Iago primes the character he will use later in his plan showing a consistent strategy, he knows he can use Roderigo in the future so keeps him on his side instead of being rude and sharp with him. You can see that Iago finds Roderigo tedious but keeps him a friend for his money and possible use in the future.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
In the play “The Tragedy of Othello” by Willian Shakespeare, Othello Changes from an intelligent and confident person to a senseless and insecure person. This change in his personality occurs mainly because: Iago plans to ruin his relationship with Desdemona, he was an Outsider, he had bad judgement when it came to trusting people and failed to see reality, his negative thinking about himself and his relationship with Desdemona.
Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ... n the end of the play.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.
Throughout Othello, Iago is the most prominent and perplexing villian in Shakespearean history. His redeeming qualies enables him to allure the characters such as Roderigo, Cassio and Othello through his morality. As an audience we are introduced to his contempt and his hunger for revenge despite his lack of proof. Iago symbolizes evil and brutality. So what makes him a crucial character in the play. His understanding of manipulation and his brilliance makes him an important role in the play since he's willing to to climb up the stairs to get his general, who he hates.
The most obvious character in Othello that appears to deceive everyone is Iago. He is a character that hides behind the mask of an honest soldier who is blunt, unsophisticated, honest and well-intentioned. This is the view of Iago portrayed at the opening of the film. It is not until the end of the third scene in the film, when we hear his soliloquy, that the audience learns of his real intentions.