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The Importance of Persuasion
Iago character in human nature
The necessary art of persuasion
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Othello – Honest Iago
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
Iago knows very well that trust and deceit must go hand in hand in order for him to achieve his vengeance on Othello and Cassio. Hence, as he plans the downfalls of them, he is continually trying to obtain their undoubting trust. He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
Like Roderigo, Cassio also believes in "Honest Iago," for he thinks that Iago is only trying to help him. On the night of Cassio’s watch, Iago convinces him to take another drink, knowing very well that it will make him drunk. Even though he really doesn’t want to, Roderigo puts his faith into Iago and states, "I’ll do’t, but it dislikes me." Iago’s plan goes smoothly when Cassio is make to look like an irresponsible fool, resulting in his termination as lieutenant.
Iago’s master plan of deception, however, centered around Othello’s jealously over Desdemona. The whole time, Othello holds Iago to be his close friend and advisor.
In conclusion of this research paper I believed I have gained a new and better appreciation of renaissance art. The period of great revolutions in art form and style is now one of my great favorites of all time. The Artsist that now has become a hero to me is Michelangelo. The Sistine chapel is a truly a place of great importance to art all around the world. While dissecting and analyzing the fresco it has been easier to see the crossing of disciplines. The great detail has been applied to sculpting stone has intern help the hand and brush to reveal the beauty of the human body.
Hartt, Frederick, and David G. Wilkins. History of Italian Renaissance art . 6th ed. Upper Saddle River, N.J.: Prentice Hall, 2006.
Michelangelo was born into a family of bankers; however, he was called to art. He first developed a love for painting.Michelangelo’s mother was very ill, so he was placed in a home with stonecutters(Biography.com Editors, 1). He was not interested in school; he mostly watched others paint the churches across the street. That’s ironic, because, later, Michelangelo painted a church ceiling. At the age of 13, Michelangelo’s father accepted that Michelangelo had no interest
Iago tells Roderigo that he can make Desdemona fall in love with him for a ‘small fee.’ Iago used Roderigo to make money. Iago also told Roderigo that Cassio was talking to Desdemona. Roderigo did not approve and Iago persuaded him to fight Cassio. Cassio ended up losing his ‘good reputation” and his position as Lieutenant, in the fight with Roderigo. Iago became the Lieutenant, just as he had
Goldstein, C., Visual Fact over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Painting in Renaissance and Baroque Italy, Cambridge, 1988.
As his career continued, Bellini became known for his landscapes and naturalistic depiction of light. Giovanni founded the Venetian school of painting, and lived to see his students succeed and even some of them become more famous than he himself was. His life ended in Venice in 1516, but his contributions to Renaissance art would live forever. Bellini brought a new level of realism and nature to art, innovative subject matter, and a new sensuousness in both form and color. Giovanni’s personal attitudes and styles predetermined the special nature of Venic...
He born as Raffaello on April 6th, 1483, but for those that do not draw their roots from Italy, he is commonly known as Raphael. His future began with his father, a man who had a vision for his only surviving son. Giovanni saw the inherent skill and talent of Raphael at a very young age. Although he himself was not fortunate enough to see his work bear much fruit, he knew his son would carry the flickering torch that would someday burst into a magnificent flame of masterpiece. Little Raphael developed a passion for art and had a great understanding of it. As he grew, Raphael began to grow out of the teachings of his father. Seeing this, Giovanni took his son to Perugia to study under the influence of Pietro Perugino, a famous painter in the early 1500s. Raphael never saw his mother or father again. His parents had died by the time he was eight. Fortunately, Raphael spent the rest of his childhood acquiring wisdom from other artists and painters instead of focusing on his past (...
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
As time went on Michelangelo goes on the create some of the best Statues and paintings known to man today. Aside from his “artistic” life Michelangelo was also an architect and a poet, he designed buildings such as the Laurentian Library and the Medici Chapel, but his biggest accomplishment came in 1546, became the head architect of Peter’s Basilica. For him when it came it poetry, he wrote over 300 poems that have come to be known as “Michelangelo's sonnets,” which are still read by people to this day. Even Though, he is known for his memorable sculptures and paintings, Michelangelo did not have the best personality. He was short-tempered, so he did not really work well with others, when Michelangelo painted the ceiling of the Sistine Chapel, he fired all of his workers, because he wanted everything to the peak of perfection. A lot Michelangelo’s works did remain unfinished, but the ones that he did complete are still some of the best in history; from Pieta, David, The Last Judgement, to the ceiling
Michelangelo Buonarroti is arguably one of the most inspired creators in the history of art and the most potent force in the Italian High Renaissance. As a sculptor, architect, painter, and poet, he exerted a tremendous influence on his contemporaries and on subsequent Western art in general.
In everyones life there is always the one person who you think you can trust, and later come to find that they have been playing you all along. This is the exact case for Othello. Iago, whom Othello thought was a person he could trust, betrayed him in many horrific ways.As you read the famous Shakespearian play, Othello, the Moor of VeniceI, you come to realise pretty quickly that Iago is the evil charecter in this play. The readers do not actually get to see a good side of Iago, if there is any, because he is constantly using and playing people. Readers will also come to learn that no matter how evil Iago may be perceived as that he is very much a coward, using other people to do most of his dirty work for him.
One of the main reasons Iago is so successful at manipulating others is because they are too guileless to realize that he is taking advantage of them. Cassio still comes to Iago for advice after Iago rats him out and gets him fired.
The objective of this essay is to provide an explanation of Leonardo da Vinci’s life and work as an artist in context with his time spent in Milan. Following an initial introduction to Leonardo’s formative years in Florence (and his apprenticeship to the sculptor and painter Andrea del Verrocchio, 1435-88), I will attempt to explain the significance of his presence in Milan with detailed descriptions of his work there. Giorgio Vasari (1511-74) was also an artist and architect, but is perhaps better known for his book on the lives of well known painters, sculptors and architects (published 1550; from Cimbue to his autobiography which was included in a revised edition):
Iago uses his ability to convince those around him and his hatred, for seemingly the majority, of the other characters to manipulate and accomplish his own ploys. In the beginning of the play, Iago confesses his hatred for Othello. This hatred compels Iago to manipulate others within the play. Iago wishes to cause the most mayhem that he can, and he uses every character to do so. In the play, Iago acts almost as a puppeteer to the other characters, pulling their strings and getting them to do as he wishes. With Othello, Iago tells him that his wife, Desdemona, is cheating on him with Cassio. This manipulation is done due to the pure hate Iago has for Othello and the plan to get Roderigo together with Desdemona. Iago is also seemingly puppeteering Roderigo in hopes to get Cassio killed for both Roderigo to gain Desdemona and for Othello because of the alleged affair with Desdemona. Iago spares no expense when it comes to his plans in the play. As it states in Act 3 Scene 3 “I will in Cassio's lodging lose this napkin, / And let him find it. / Trifles light as air / Are to the jealous confirmations strong / As proofs of holy writ” (Shakespeare, Othello lines 1994-1997). In this excerpt, Iago takes Desdemona’s handkerchief in hopes to frame Cassio and prove the affair. This shows that Iago leaves out no details when manipulating the other characters which shows his true ingenuity and cunning ability when
He perfectly represents the Renaissance, for he made numerous contributions to art, science, and the culture of this time period. Without da Vinci’s influences, today’s society would be drastically different. Artists would not have began using light and perspective to make their works more realistic. Scientists would not have known how the human muscle and skeletal system joined to work so cohesively. The people of Europe would have never seen the many works that da Vinci used to portray his views on culture and daily life. There may be many other artists, philosophers, and authors who made significant contributions during this time, but da Vinci far outweighs all of his competitors. He influenced those around him using every mean of communication that he possibly could. Leonardo da Vinci is the perfect embodiment of a “Renaissance man,” for he used his talents to influence others through art, science, culture, and many other aspects of the