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Shakespeare's plot and characterization
An essay on jealousy
Shakespeare
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“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
makes him a character equally exciting as he epitomises the paramount danger jealousy poses over individuals’ morality.
One of the major themes of Othello is that of jealousy, a manifestation of paranoia and obsession in itself. Iago’s burning desire to drive Othello to madness and a compulsion to disgrace those above him can be seen, with a Marxist reading, as his intense dissatisfaction with the social system he is a part of, ‘we cannot all be masters, nor all masters Cannot be truly followed’. Likewise, his intellectual superiority over his betters and peers is made evident ...
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
In any story with a recurring dark theme there always must be an outsider from humanity who somehow stands out from the seemingly equal community. In the case of Shakespeare’s Othello the outsider from humanity would be Iago for he truly stands out from the rest of society. Although Othello may be physically put out of the community, it seems that on an emotional and egotistical level Iago puts himself out of society further then Othello’s blackness does. He is not merely manipulative, as other villains are; he turns aspects of truth and good qualities, which he does not possess, and uses them as weakness for his own scheme. He deceives people to follow his plans by telling them the truth and what seems to be good advice. By standing on the side and watching people he seems to learn more about them then they even know themselves. He seems to envy these people and the relationships that they possess, becuase he will never know what these connections feel like. He uses people’s strengths as their weaknesses to bring them to their doom. He causes much destruction and is driven by a force that the reader cannot even understand. Iago makes himself an outsider by not realizing that his ego causes him to hate and disrespect all of humanity.
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
Iago has been regarded as : “Shakespeare’s greatest villain”; shown by his ability to be both admired and despised for his manipulative and obsessive nature towards Othello and his relationship with Desdemona. In Act One, Iago can be seen to be admired for his work within the Venetian army and his want to warn Brabantio about the ‘evil’ Othello’s plans to ‘bewitch’ young Desdemona: “The Moor is of a free and open nature, That thinks men honest that but seem to be so....” Here, Iago is speaking within a soliloquy and is warning the audience that Othello has cruel intentions. Within the Jacobean era, the time of which the play was performed, attitudes towards black people were very negative and therefore, a white man would play the character
In William Shakespeare’s “Othello, the Moor of Venice”, we observe several different characters to include the Moor himself; however, Othello’s trusted and loyal ensign Iago continually surfaces as somewhat of the play’s director that holds a generalized hate with the world (Web.b.ebscohost.com.bethelu.idm.oclc.org, 2015). Consequently, Iago uses his very strategic skills to manipulate and control people’s emotion for his personal gain. Iago, also known as “honest Iago”, is initially presented as being direct and truthful, when in fact his actions are not consistent with his reputation (Bevington, 2014). Ultimately, throughout Shakespeare’s masterpiece we see Iago pretend to befriend, manipulate, create chaos, and eventually kill people by gaining their trust. This type of behavior is what classifies Iago as the villain in this tragedy. Although Iago
The old cliché "One bad apple ruins the bunch" is what enters one's mind when discussing the villainous, deceitful, protagonist Iago in Shakespeare's tragedy "Othello." It is amazing how one person alone can completely destroy, or deteriorate a group of good natured, trusting, loyal peoples' lives in a matter of days- three to be exact. What is the motive behind Iago's heinous, selfish acts, one may ask? A rather obvious theme in the Shakespeare's tragedy, "Othello", is that of the many facets of jealousy, which instigate the evil-doings of protagonist, Iago. Jealousy can be best defined, in the thinking of Renaissance, as a derivative or compounded passion. It is a species of envy, which is in turn a species of hatred. Hatred finds its opposite in love and is opposed to love. Envy is opposed to mercy. Yet while jealousy is opposed to love, it often rises from love. Like envy, it has something of the grief or fear that comes from seeing another in possession of what which we would possess solely for ourselves. Though jealousy is compounded, it still partakes in the nature of hatred, and hatred brings in its wake anger and revenge (Nardo 122). This could not be more accurate in the horrid actions Iago resorts to in his insatiable desire to get what he feels is rightfully his, regardless of who he hurts along the way. Iago serves as a prime example that keeping your enemies closest does not always work to your advantage. Let us now examine the heights of deceit to which Iago rises in his selfish, tactless rage to acquire what he wants. The best demonstration of Iago's jealous ways are shown through his twisted motives and his strategically planned out course of action in which he...
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Iago's Manipulation of Characters in William Shakespeare's Othello. Introduction The play 'Othello' was created by William Shakespeare. Othello is a tale set in Venice at the time when adultery was a hanging offence. It is a tale all about jealousy and manipulation by one of the main characters, i.e. the characters, Iago.
Throughout Othello, Iago is the most prominent and perplexing villian in Shakespearean history. His redeeming qualies enables him to allure the characters such as Roderigo, Cassio and Othello through his morality. As an audience we are introduced to his contempt and his hunger for revenge despite his lack of proof. Iago symbolizes evil and brutality. So what makes him a crucial character in the play. His understanding of manipulation and his brilliance makes him an important role in the play since he's willing to to climb up the stairs to get his general, who he hates.
Corruption overcomes the Venetian society as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he loves is the perfect example of evils nature. The power struggle is evident between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of acting like one "courteous and knee-crooking knave" like he always appears to be [I. i. 46]. Since Iago is reluctant to choose to be a master, he is the servant that bites off the fame and "keep yet their hearts attending on themselves," still showing his service to his master but instead is more self-preserving with no attachments at all towards the master [I. i. 52]. Irony is used diligently in Shakespeares unique language style.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
" But it was no sign of stupidity in Othello. For his opinion of Iago