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Relevance of Shakespeare to the modern world
How does shakespeare present iago as a villain
How does shakespeare present iago as a villain
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Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged. Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ...n the end of the play. Iago is not really evil or the vice character he is the misunderstood and wonderful character who can only be seen through a certain lens before it all goes back to black and white and good and evil fights one another for the main stage again. Shakespeare pulled many themes into this story but in all truth I believe that Iago is true main character, not Othello or Cassio, but Iago with all of his problems and vices, he is the truest expression of being human. Works Cited Rosenberg, Marvin. “In Defense of Iago.” Shakespeare Quarterly. 6.2 (1995): 145-158. JSTOR. Web. 20 March 2014. Shakespeare. “Othello Moor of Venice.” The compact Bedford Introduction to Literature. 9 ed. Michael Meyer. Bedford/St. Martins, 2012. 1187-1267. Print. West, Fred. “Iago the Psychopath.” South Atlantic Bulletin. 43.2 (1978): 27-35. JSTOR. Web. 20 March 2014.
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
To better understand Iago’s effect on these different characters, it is important to look in to his own character. Iago’s motives are not clear, however, it is true that he despises Othello, and that he is jealous of the fact that Michael Cassio had taken over the role of lieutenant; a role that Iago wanted very badly. It is in the beginning of the play that Iago confesses to follow Othello but not be loyal to him,
Both Othello and Iago have many different qualities but the ones that are the same are what proves the point of them not just simply being two sides of one coin. Othello had many weaknesses and Iago plays off every single one of them, the “hellish villain”(V, ii, 354) that Iago is killed every living ounce that was left in Othello, and once the truth came to the surface, Othello only wished he could awaken and “arise, black vengeance, from the hollow hell” (III, iii, 507). The fact that Iago had “ensnared [Othello’s] soul and body” (V, ii, 354) made Othello believe that “honesty’s a fool” (III, iii, 436) and his life was over.
Iago is, in my opinion, the main character, creating the most depth and interest throughout the entire play. Iago is often funny and quite charming throughout the play, but the most captivating part of his personality is his sheer lack of reasoning behind his hatred for Othello. The only two reasons he outwardly conveys in his speech is his anger towards Othello for not allowing him the lieutenant position. Later in the act he believes Othello slept with his wife and proclaims that he must get even. He seemingly seeks revenge on everyone around him and apparently takes joy and pride in whatever havoc he wreaks.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
Iago’s persistence and villainous intentions made Othello become jealous of Cassio and break down his emotions towards Desdemona and want to kill her with fierce rage. Othello would not do such a crime if he knew it was a lie because Othello loves Desdemona and would die for her. Othello was madly in love with Desdemona and they were compassionate for each other, but he was misguided and confused with jealousy and hatred which steered him off course to his sinister fate. Othello cannot be justified as a bad person because of one incident, especially after all the great things he’s done and achieved for the city. Iago is the real antagonist and has become the bad man of the play as his roles are to protect the crown in which was Othello and stay loyal to fellow soldiers but throughout the play he was the complete opposite with characteristics such as being a liar, un loyal to every character in the play.
...ves the characters. Iago is the protagonist of Othello through strong leading actions, strengths complimented through flaws, and a humor that manipulates the audience’s feelings.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
From these eleven soliloquies the audience is pulled back and forth concerning their opinions of Iago’s character. He plays on the audiences pity, however also shows them his darker side. In the end, the audience is left with no doubt that Iago is nothing but evil and manipulative. I suppose one could say Iago was the true definition of a sociopath and cared for no one but himself. Not once did he show remorse or care for any other character in the play. The entire time he thought of schemes to get other characters to commit murder and be murdered in order to acquire his goal of gaining Othello’s title. His use of darkness and light, and deeper motives combine with his exterior ones exposed in his soliloquies, truly made him a hard character to analyze and predict, but allowed the audience to certainly place him as the detestable antagonist at the end.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
person who has bad things happen to him or her. Likewise, the antagonist is portrayed as evil and villainous, and seeks to destroy the moral protagonist. Many readers and critics perceive Iago as evil, manipulative, and antagonistic. He directly seeks to destroy Othello, Cassio, Roderigo, and any other good character, out of selfish and unprovoked rage. The critic, W.H. Auden, says this in reference to Iago, " Iago is a wicked man. The wicked man, the stage villain...the suffering he inflicts is real (48)." In the play Othello, Othello is viewed as the good, and intelligent character. He is loving wise, and the ideal soldier. The critic William Empson defines him as, "the personification of honour (44)." For these reasons, many readers side with Othello as being the heroic protagonist of the story. Othello is living a successful life, newly married, and prospering until Iago decides to step in. By looking at the play in another perspective, Iago, not Othello, can be viewed as a heroic and good character. Despite Othello's role in the play and portrayal by the critic, Iago's desire and motive to create a better life for himself, as well as his keen and cunning intellect, make him a heroic protagonistic character with whom the audience can sympathize.