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The role of Iago in the text Othello
Irony in othello
Irony in othello
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Recommended: The role of Iago in the text Othello
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance. Iago, Othello’s ensign, and the villain of the play, performs his monstrous acts in a complex way by deceiving others to believe that he is honest and reliable while using this reputation to manipulate others. In this section, Iago says very little to deceive Othello into thinking that he has information that he would want to know. Iago’s clever use of silence and intimacy …show more content…
By repeating what Othello had originally asked, Iago is creating a deceptive illusion that causes Othello to think that he is hiding something that he does not want to show. This not only makes Iago seem like a reliable source of information, but also drills another reason to become insecure and outraged into Othello’s head. Iago not only deceives others by using the power of silence and intimacy, but he also lies to his targets to manipulate them into thinking something else; “My lord, you know I love you” (iii, iii, 122). Iago’s dishonesty causes Othello to think that he is a friend that he should trust and talk to, when in reality, Iago is plotting against him for his own benefits. Iago is not only lying to Othello in this passage, but he also says very little to once again make Othello even more curious and frustrated at the same time. Iago’s use of words causes Othello to believe every word that comes out of his mouth, even the most ridiculous statements that can cause an outrage. Iago’s trickery does not always have to come through silence and lies, but he can sometimes be honest as well to trick others into thinking that he is reliable; “For Michael Cassio, I dare be sworn, I think, that he is honest” (iii,
One of the major themes of Othello is that of jealousy, a manifestation of paranoia and obsession in itself. Iago’s burning desire to drive Othello to madness and a compulsion to disgrace those above him can be seen, with a Marxist reading, as his intense dissatisfaction with the social system he is a part of, ‘we cannot all be masters, nor all masters Cannot be truly followed’. Likewise, his intellectual superiority over his betters and peers is made evident ...
Rhetorical strategies are continually used to get a point across or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical question, imagery, and sarcasm. He questions Othello and makes him think the worst between Cassio and Desdemona, and then his use of words adds color and a picture, so it has to be right. Last his sarcasm creates the assurances Othello needed to be duped.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Despite the negative foregrounding of Othello’s character by Iago, our first impressions of Othello in Act 1 are of a noble and well-spoken man, his nobility is conveyed through his speech ‘most potent grave and reverend signiors’(1.3.76) to his future father-in-law Brabantio of Othello’s love for his daughter Desdemona in Act 1 Scene 3. This is a very different character to what we expect from Iago’s preparation for the introduction of Othello. Where we are expecting an angry and possibly violent character, we instead are met with something completely surprising, a quiet and calm man who dismisses Roderigo’s insult and even avoids the prospect of a conflict.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
Iago plots with supreme cleverness, carefully manipulating Othello into believing that Desdemona is an adulteress. His understanding of the human psyche is impressive, as is his ability to orchestrate the deception throughout the play. Iago 's trickery is strong because of his patience; he has the ability to make people manifest ideas in their heads and just wait for his victims to go mad. Iago 's convincing rhetoric clearly reveals what a dominant device language can be, especially when used by an eloquent, but immoral, person. Once can see Iago being deceptive and devious when he pretends to warn Othello on the effects of jealousy by saying “O, beware, my lord, of jealousy!/ It is the green-eyed monster which doth mock/ The meat it feeds on (III. iii.195-197). Here, he pretends to warn Othello not to be a jealous man, by pointing out that jealousy ends up destroying the heart of the man who becomes a victim to it. Iago was the one who told Othello the lie and planted the evil seed in his mind. Iago’s vindictiveness is also revealed when he says “The Moor already changes with my poison;/Dangerous conceits are in their natures poisons,/Which at the first are scarce found to distaste,/But with a little act upon the blood/Burn like the mines of Sulphur.“ (III. Iii. 373-378). Iago realizes the unbelievable power of jealousy and claims that
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
Iago initially uses the word honest to mean honourable, in reference to Cassio. Othello has asked him if "he [Cassio] is not honest?" To which Iago parrots back "Honest my lord?" This usage is constant with what Othello means, whether Cassio is honourable or not. However, Iago uses the word to cast doubt on Othello. By parroting it back, he is making it seem to Othello that he does not want to answer the question, that he doesn't want to tell Othello something. This is seen in the subtext that Iago wishes to create. This use of it also contributes to Iago's objective, to...
In William Shakespeare’s work “Othello”, Othello himself labels Iago as “Honest Iago”. Knowing how completely dishonest Iago truly is, this title is very ironic. Yet, knowing that he is not honest, and is in fact quite dishonest, it doesn’t seem too far off that Iago may have eceived the audience with his motives.... ... middle of paper ...
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
In Shakespeare’s tragedy Othello, Iago’s soliloquy in Act II, scene iii reveals a delusional character trait hidden within him through the use of rhetorical questions and hyperboles. This trait is uncovered not only to Cassio and Iago himself, but also to us as an audience, ultimately making us question his moral nature or lack thereof.
Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.
On closer examination, throughout the play we see Iago manipulating all the characters in turn; this shows that he is an expert master manipulator for everyone to be deceived by him. When reading this play we don’t expect Othello to be as easily manipulated by Iago as he was.
Throughout the play, Iago is presented as deceptive, in act 2 scene 3, Cassio states “You advise me well” to Iago, this is showing that Cassio is naive to Iago’s deception which links to the theme of tragedy as Cassio’s trust and unawareness of Iago will evidently destroy him in the near future, this quote is followed by “Good night, honest Iago” which furthermore emphasises the fact that Cassio trusts Iago, to the extent of calling him “honest Iago” as “honest” shows that his image of Iago is a truthful, righteous man who seeks justice, when in reality, Cassio has fallen into Iago’s web of deception and deceit, in which Iago will use to furthermore manipulate him to carry out his plans of destroying Othello. This creates a sense of dramatic