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How Shakespeare presents deception in Macbeth
How Shakespeare presents deception in Macbeth
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Throughout the play, Iago is presented as deceptive, in act 2 scene 3, Cassio states “You advise me well” to Iago, this is showing that Cassio is naive to Iago’s deception which links to the theme of tragedy as Cassio’s trust and unawareness of Iago will evidently destroy him in the near future, this quote is followed by “Good night, honest Iago” which furthermore emphasises the fact that Cassio trusts Iago, to the extent of calling him “honest Iago” as “honest” shows that his image of Iago is a truthful, righteous man who seeks justice, when in reality, Cassio has fallen into Iago’s web of deception and deceit, in which Iago will use to furthermore manipulate him to carry out his plans of destroying Othello. This creates a sense of dramatic …show more content…
irony as only the audience is aware of Iago’s deceitful nature and thus builds tension in the play. Iago’s deceptive nature is furthermore emphasised when he states “I protest, in the sincerity of love and honest kindness.” This quote is showing that Iago is manipulating Cassio with compliments thus gaining his trust in the matter, this links to the fact that Iago has almost a visage to cover his true nature, and none of the other characters can see through this, thus he is easily manipulating them which creates Iago’s ego and belief in himself. Iago then states “You are right lieutenant; I must to the watch”. This again, emphasises Iago’s deceptive nature as he is manipulating Cassio into believing he is doing the right thing, when in reality he is merely aiding Iago with his plans to corrupt the military’s hierarchy. Cassio later exits unaware of Iago’s deceitfulness. After Cassio leaves, Iago then states “And what’s he then says I play the villain?” This soliloquy shows that Iago is relishing his satisfaction as it has been so easy to manipulate Cassio and Roderigo to further his plan due to his persuasiveness.
In the same extract, Iago states “I’ll pour this pestilence into his ear”, this is foreshadowing that Iago is going to manipulate Othello into thinking Desdemona is having an affair with Cassio, whom he has set up a meeting between the two, and Iago is going to use this to furthermore create distrust between Othello and Desdemona, this therefore allows the audience to see how Iago’s plan has developed throughout the play. Soon after, Iago quotes “So I will turn her virtue to pitch”, this is implying that Iago will turn her good intentions into a trap to manipulate Othello, this creates a foreshadowing of tragedy as Iago will turn an innocent meeting into a trap that will ruin Desdemona’s reputation with Othello, and as the audience already knows, Desdemona has deceived her father previously in the play, thus Othello will more likely believe Iago’s trap. Iago then quotes “When devils will the blackest sins put on, They do suggest at first with heavenly shows, As I do now.” Iago is comparing himself to the devil as he depicts them to put on their most heavenly faces when committing their biggest sins, much like he is doing now which links back to his visage of manipulation, which in essence is a mask to hide his true nature, much
like what he depicts the devil of doing when committing sins. Iago’s soliloquy relates to the setting of the scene, which took place at night. As the scene took place at night, this creates unpleasant imagery and deceitful imagery, this could also reflect the darkness of Iago’s plan and how Iago himself is an evil person.
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
In the tragedy Othello there is a character named Iago, his main goal is to be at the top. Iago at this point is willing to anything to get to his goal of being lieutenant. So what he does to get where he wants to be is lie to everyone; Othello, Roderigo, Cassio. One should play close attention to how he deceives Cassio. It would be a fair assumption that one could compare Iago to Hitler; due to his way of getting what he wants. Iago is direct but not enough to make the character aware of what he is really up to. He is very good at deceiving people. Iago knows his way around people and uses that skill to get what he wants and where he wants to be.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
Iago, like Satan, has proved himself to be a master at deception. He lies to everyone taking great care to disguise his own thoughts. For example, in Act 1, scene 2, when he is speaking to Othello about his feelings toward Cassio, he uses very strong language of a manly soldier, while at the same time, he lies throughout the whole speech faking loyalty to a fellow soldier and all the while implying that he is reluctantly holding back the full truth: "I had rather have this tongue cut from my mouth/ Than it should do offense to Michael Cassio" (I.ii.21-22). This deception impresses and convinces Othello that his ensign is a good and loyal soldier. Iago also succeeds in deceiving Cassio. After Cassio's drunken fight, Iago counsels him to speak to Desdimona about trying to convince Othello to reinstate him as lieutenant, all th...
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
Perhaps the most interesting and exotic character in the tragic play "Othello," by William Shakespeare, is "Honest" Iago. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him and moves him closer toward his goals. He is the main driving force in this play pushing
Iago uses the word "honest" in act three of Othello in three primary ways. The first way he uses it is to mean honourable, about Cassio. He uses this meaning of the word to force Othello to doubt Cassio's honesty, and question his hounorablility. The second way is to mean faithful, both about Desdemona and Cassio. Iago uses it in the context that the two may be "truthful," again to make Othello doubt. The third way is Iago's most effective use, which is to use honest in the context to mean truthful, as in, he has told Othello the truth. However, Shakespeare has created tremendous dramatic irony, for we know that Iago is being anything except truthful. The three uses of the word honest are used largely in the subtext of the act, they are used by Iago to force Othello to question his wife's integrity, and honesty. Shakespeare uses the word by Iago to plant tremendous doubt in Othello's mind. The word is also used by Iago in the action line. His objective is constantly to make Othello think things without actually being told them, and Iago's parroting of the word and constant useage do this quite nicely.
In the very beginning of Act I Iago displays his hatred for Othello. He is angry with him for making Cassio the lieutenant. Jealousy is his first motive. He then tells Roderigo (a former suitor of Desdemona) that Othello and Desdemona are getting married. The two of them then go and tell Desdemona's father, Brabantio, that Othello and his daughter have just eloped. This infuriates Brabantio. Soon after, Brabantio gets a gang after Othello. Iago's treachery is first displayed here. When Othello is confronted Iago is on his side. Iago was the person who instigated the whole situation. Shakespeare does a very good job in showing what kind of person Iago is, right from the beginning of the play. The reader begins to realize this before any of the characters in the play do. He did this so the reader will begin to see how evil Iago is, yet how unjustified his reasoning is. Act I is where Iago pieces together his whole sinister plot to get revenge. He first tells Roderigo to sell all he has and move to Cypress to court Desdemona. The last stanza of Act I is where he manifests his grand scheme. His idea is to get Othello into thinking Cassio is in love with Desdemona.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago knows very well that trust and deceit must go hand in hand in order for him to achieve his vengeance on Othello and Cassio. Hence, as he plans the downfalls of them, he is continually trying to obtain their undoubting trust. He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
After being publicly reprimanded and stripped of his lieutenant position, Cassio is distraught and embarrassed. Iago recognizes that Cassio is gutted over the loss of his reputation and his friend Othello, and decides to use this heightened emotion against him. Iago approaches Cassio by fervently asking, “What, are you hurt, lieutenant? (2.3).” By showing frantic concern for Cassio and assuaging his fears, Iago paints himself as a friend and ally; However, by addressing Cassio as “lieutenant,” the position that Cassio no longer holds, Iago taunts Cassio with his loss, thus making him more emotional. Like a friend would, Iago continues to advise Cassio to, “confess [himself] freely to [Desdemona],” and “ Importune her help to put [him] in [his] place again (2.3).” Iago suggests that as an emotional woman, Desdemona would be better fitted to hear Cassio’s appeal than Othello would. Although Iago is manipulating Cassio as apart of his revenge, the action of offering help makes him seem as if he is empathizing with Cassio. Because Cassio’s interaction with Desdemona is imperative to the success of his plan, Iago depends on Cassio’s distraught emotional state to distract from his manipulation. Once thanked by Cassio for his help, Iago states, “I protest, in the sincerity of love and honest kindness (2.3).” With the phrase “I protest” Iago appears selfless for humbly accepting Cassio’s gratitude. Iago attributes his willingness to help to “the sincerity of love and honest kindness” he feels for Cassio. He uses “love and honest kindness” to atone for the hate that Cassio is experiencing, thus appearing to palliate his hurt feelings. Iago displays pathos by accentuating Cassio’s emotions and employing his insincere sympathy to dictate a desired response from
Iago's Manipulation of Characters in William Shakespeare's Othello. Introduction The play 'Othello' was created by William Shakespeare. Othello is a tale set in Venice at the time when adultery was a hanging offence. It is a tale all about jealousy and manipulation by one of the main characters, i.e. the characters, Iago.
Cassio trust of Iago is what makes Cassio get fooled by Iago so easily. His character is trusting and kind, and Iago uses this to the best of his abilities as seen throughout the play. His anger towards Cassio is what gives him the drive to start the plan and eventually remove Cassio from his role as lieutenant. Cassio has no doubt and automatically assumes responsibility without questioning anything. His trusting character is what Iago uses because of how unsuspecting he is and easy to fool. Together all of these explanations create a perfect combination for Iago to take advantage of, and trick Cassio throughout the
Iago’s cunning strength lies in his ability to undermine every single character through their weaknesses. Specifically, Othello and Roderigo are the main victims of his lies and deceit. The trait Iago abuses in Roderigo is his naive nature. From the very start of the play, Iago cheats Roderigo of his money and later tricks him into attempting to kill Cassio: “I have no great devotion to the deed, / And yet he hath given me satisfying reasons. / ‘Tis but a man gone. Forth my sword! He dies!” (5.1. 8-10). Evidently, this gullible character is manipulated through the words of Iago as he attempts to kill Cassio for a chance at Desdemona. After his failure in doing so, Iago stabs Roderigo, as he is of no use anymore. In giving his trust to the misleading antagonist, Roderigo leaves himself completely vulnerable. This demonstrates how ruthlessly Iago uses this foolish character, as his longing for Desdemona is the cause of his death. The other victim, Othello, is the main target and falls furthest into this manipulative villain’s layers of lies. Iago is very strategic in his attacks and notices that Othello has a great deal of trust in him which can be easily torn apart. Iago uses this trait to get Othello to believe everything he says and begins by planting the seed of suspicion that Desdemona is having an affair with Cassio because of his understanding of