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Literary criticism of William Shakespeare's work
Shakespeare linguistic techniques
Literary criticism of William Shakespeare's work
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William Shakespeare uses language as the subject and medium of his plays. One truly sees the power of words and their delivery, along with the tremendous effect that they can have on people within the plays Othello and Henry V. Shakespeare’s characters, Iago and King Henry, use rhetoric devices to stimulate the other characters and shape the plot of the play. King Henry, who acts as the protagonist of the play, adjusts his feelings and speech patterns to increase the level of receptiveness from his listeners. He uses his conviction to strategically manipulate in order to be an effective leader. His wide range of emotions and ways of speaking can be uplifting and encouraging, but also harsh and threatening. Iago on the other hand, is the antagonist …show more content…
Iago plots with supreme cleverness, carefully manipulating Othello into believing that Desdemona is an adulteress. His understanding of the human psyche is impressive, as is his ability to orchestrate the deception throughout the play. Iago 's trickery is strong because of his patience; he has the ability to make people manifest ideas in their heads and just wait for his victims to go mad. Iago 's convincing rhetoric clearly reveals what a dominant device language can be, especially when used by an eloquent, but immoral, person. Once can see Iago being deceptive and devious when he pretends to warn Othello on the effects of jealousy by saying “O, beware, my lord, of jealousy!/ It is the green-eyed monster which doth mock/ The meat it feeds on (III. iii.195-197). Here, he pretends to warn Othello not to be a jealous man, by pointing out that jealousy ends up destroying the heart of the man who becomes a victim to it. Iago was the one who told Othello the lie and planted the evil seed in his mind. Iago’s vindictiveness is also revealed when he says “The Moor already changes with my poison;/Dangerous conceits are in their natures poisons,/Which at the first are scarce found to distaste,/But with a little act upon the blood/Burn like the mines of Sulphur.“ (III. Iii. 373-378). Iago realizes the unbelievable power of jealousy and claims that …show more content…
They are gifted rhetoricians and use language and the power of their words to bring other people around to their side. Henry V uses the power of speech to enhance his small English army’s self-esteem as they go to war, while Iago uses the power of language to manipulate Othello’s view of his wife and Cassio. This is precisely the difference between one being a historical play and one being a tragedy. Henry V encompasses war, nobility, and heroic English underdogs who accomplish victory against all odds. King Henry seems to be a perfect leader contains qualities of bravery, intention and ferocity. Othello, on the other hand, is the ideal tragedy because Othello’s downfall is of his own doing and it encompasses the tragedy of human
Shakespeare’s use of rhetoric by his characters is clearly used effectively in Othello through Iago’s and Roderigo’s conversation with Barbantio. The two make use of double meanings, animal imagery, Devil and God comparisons, the use of sexual references, and descriptive insults to confuse Barbantio and make him angry towards Othello. Through Iago’s initial torment, continued by Roderigo, they are able to force Barbantio to do exactly as they wish.
Iago’s Use of Rhetorical Strategies to Manipulate Othello in Shakespeare’s Othello. Rhetorical strategies are continually used to get a point across, or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical questioning, imagery, and sarcasm.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
Iago, Othello’s ensign, and the villain of the play, performs his monstrous acts in a complex way by deceiving others to believe that he is honest and reliable while using this reputation to manipulate others. In this section, Iago says very little to deceive Othello into thinking that he has information that he would want to know. Iago’s clever use of silence and intimacy
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Othello is the central character of the story and Shakespeare emphasizes his nobility and charisma. He has "magic" in the words he uses and the stories he tells and his ability to speak towers above other characters. He is an excellent officer and possesses the virtues of honesty and fortitude.
Few characters in Shakespeare's plays outside of the leading "main" character ever are associated to actively pursue an agenda that destroys other characters lives. Charles III is well known as a Shakespearean bringer of chaos and Machiavellian figure however, he is dwarfed by Iagos malevolent nature. Iago is complex character that seeks the utter destruction of Othello emotionally and physically. Iago as a character is manipulative and secretive only revealing his inner workings to his audience through soliloquy and demonstrating his deceitful nat...
In the first act of Othello, Iago declares himself a liar and states that he is not who he seems to be (1.1.64). The entire play consists of Iago’s malicious intent mixed with double-crossing towards most, if not all of the other characters. He plans to con Roderigo for his money (1.3.375-378), throw Cassio under the bus (1.3.383-390), and ruin Othello (1.3.391-394). The audience is the only one who knows of Iago’s true plans against the other characters. He confesses to the other characters the opposite of his genuine plans in order to gain their trust and then quash them by the end of the story. The members of the audience are merely powerless bystanders who know much about Iago and his plans, however, cannot do anything to help the other characters. This notion is common in numerous plays and is known as dramatic irony. Dramatic irony creates an environment where the audience knows much more than the characters. Othello’s audience has a distorted view of the play as a whole due to secrets Iago shares solely with them. In sharing his plans, Iago is gloating to the audience regarding his actions and boasting the point that his atrocious actions will most likely never be traced back to
In Shakespeare’s Othello, the character of Othello is seen as an unfit man due to his propensity to jealous and his weak character. Leavis’ evaluation of Othello’s character can be seen to be true to a very high extent because during the course of the play, Othello evolves into a weak, jealous character who is easily manipulated and made jealous by the scheming of Iago. We can see this change in his character through the use of a number of techniques such as stage directions, soliloquies, dialogue and stage action. This makes it easier for the audience to follow and plot exactly where during the play Othello begins to show jealous and a weak character.
There are many reasons why we study William Shakespeare’s plays today. There is the insight into human nature that he knows well, allusions to old mythology and legends, and others. However, one reason stands out above the rest: his power of language. Also, this power of language is clearly shown in his play, Othello, through Iago, the antagonist of the play. Iago, who is an ensign of Othello, is furious that he was not given the promotion of lieutenancy. As a result, he uses his craftiness and his “power of language” to take revenge on Othello. Although his plan foils, he causes Othello to kill his wife Desdemona and commit suicide, all the while he deceives and exploits other characters for his plan. In Othello, Iago demonstrates his power
Appearances can be deceiving as often what appears to be real is in truth an illusion. This notion is presented in Othello as it explores how appearances and societal perceptions are often fraudulent in comparison to true. This is evident when the antagonist, Iago employs dramatic irony stating that, “Men should be what they seem”. Here, Iago is hypocritical as he is perceived to be honest by the Venetians. However, this social façade is only masking his duplicitous nature. Iago’s character is further revealed through the use of metaphor, “The Moor has already changed with my poison”. In this instance Iago is attempting to conjure up the insecurities of Othello, such as Desdemona’s fidelity and devotion to
Othello doesn’t realize Iago doesn’t care towards him and never did after Iago wasn’t promoted to lieutenant. Iago plays the as the main director of what happens in Othello’s life. Othello doesn’t realize it thought. Iago is able to hide his emotions towards others. Which allows Othello not to notice he is faking every emotion of helping Othello. Iago is always at ease when in the eyes of his peers. “He moves jovially and at ease among the gentlemen of Cyprus, even as he sets up Cassio for a drunken fall” (Barnes 15). This shows how committed Iago was to strike revenge against his foes. Only a psychopath could hide their feelings in front of the people you want to hurt. “Iago refuses to show the "outward action" which would "demonstrate / The native act and figure of [his] heart / In complement extern" (“Where Iago Lies” 19). Because of Iago, Othello creates his own anxiety. He has anxiety because he now worries that Desdemona may be cheating on him with Cassio. Iago creates Othello’s fear by twisting his words to have different meanings. “Iago: O, beware, my lord, of jealousy/ It is the green-eyed monster which doth mock/ The meat it feeds on” (Shakespeare 1816-1818). Iago is manipulating Othello into believing that Othello shouldn’t be jealous, which tricks Othello into being jealous. The green-eyed monster is another term for jealousy. It is Othello though that allows him to get trapped in anxiety. Iago exploits him to bring Othello to a tragic
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
The Development of the Character of Othello as Shown by his Use of Language and Imagery in William Shakespeare's Play