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Race and racism in the play othello
Symbolis and dramatic devices in Othello
Race and racism in the play othello
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Shakespeare adapted Othello from Giraldi Cinthio's "Hecatommithi," but he altered the original story. The central point of Cinthio's story is that one should look for marriage partners from the same ethnic and cultural background, whereas Shakespeare's play explores the relationship of the lovers, as well as the villain's plans to destroy that relationship.
The opening act of Othello takes place in Venice, but the primary setting is Cyprus. Venice is a city-state of enormous wealth and the center of Christian resistance to the Turks, Venice was an important port, like London, and there was commercial competition between the two. Its trade was being blocked by the growing power of the Turkish Empire in the 16th Century, which extended into Europe, Asia and Arabia. It had an ethnically mixed population and a reputation as the sex capital of Europe. The city's women were considered loose so it is easier for Iago to plant doubt in Othello's mind. Cyprus was important because it was a strategically located island, which yielded substantial harvests. In Shakespeare's time the Ottoman Turks brought Cyprus under its control.
A major issue in Europe of this time period is the intermingling of Muslim religion and culture with the West. Moores were increasingly visible and living in England when Othello was being performed. It is obvious that there is hostility within the play about Othello's Moorish origins, and his differences in religion and culture. The hostility between the West and East is shown in the conflict between Venice and the Turks; the Christian Venetians want to protect Christianity from the influence of the Muslim Turks and Othello the Moor is the one selected to complete this mission.
Venice was exotic to ...
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...stful and treacherous and the color black was symbolically associated as the "devil."
Othello is the central character of the story and Shakespeare emphasizes his nobility and charisma. He has "magic" in the words he uses and the stories he tells and his ability to speak towers above other characters. He is an excellent officer and possesses the virtues of honesty and fortitude.
England had inherited seeds of racial bias, and Shakespeare probably knew that the audience would be prejudiced against Othello. Shakespeare wanted the audience to know that Othello is no ordinary Moor. He depicted Othello as a noble, impressive figure and gave him a black heroic stature. Perhaps Shakespeare's intent was to stimulate emotional responses in his audience and to be more cautious in making careless assumptions about people of a different race and cultural background.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
In the 1603 play Othello by William Shakespeare, the main character, Othello, is a Moor living in Venice
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the play. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate.
In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.
The Setting of Venice in Othello Othello is a fundamentally different character to all others in the play [1]. He is an outsider to Venice and therefore an outsider to the customs and society of Venice. In one way this is good for him. He is a renowned strong general who is much in demand from the Venetians.
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.
Othello by William Shakespeare is a story about an African general in Cyprus that falls in love and marries a white senator’s daughter and then is manipulated by evil to kill her. Shakespeare is teaching that the nature of evil is to manipulate and destroy people’s lives.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
The play, Othello, takes place in Venice. Othello is a North African man who is the military general. He is an important figure in this story. Othello falls in love with Desdemona and secretly marries her.Both Iago and Roderigo hates Othello. Iago also does not get along with Michael Cassio because he has the position that Iago wanted. Brabantio, Desdemona’s father, did not like Othello because he think that Othello used a spell to make his daughter to fall in love with him. In this play many things happen that results in the death of many characters.
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past
Shakespeare's tragic play, Othello, is an amalgam of diverse antecedents, including the generic influences of the ancient Greek and Roman tragedies, Italian fiction, as well as Renaissance history such as the progression of Christian humanism. Additionally, although Shakespeare incorporates some elements of the medieval morality play into Othello, the fact that his play is a tragedy shows how he modifies it from the typical ending found in a morality play. Furthermore, not only does Shakespeare include the stereotypical Englishman's view of the black race during the Elizabethan era, he also modifies it to convey the importance of looking beyond the skin color, showing the progression of a racially prejudice society to one in which people are treated judicially based upon their character.