Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Impressionism historyessay
Impressionism easy of art
Essays on impressionism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Impressionism historyessay
Berthe Morisot “Real painters understand with a brush in their hand”, is said by Berthe Morisot (Brainy Quote). Berthe Morisot was an impressionist and a member of the circle of painters in Paris who became known as the impressionists. Berthe Morisot was born on January 14, 1841 in Bourges, France. Berthe Morisot's father was a high-ranking government official and her grandfather was the influential Rococo painter Jean-Honoré Fragonard. She and her sister Edma began painting as young girls. Despite the fact that as women they were not allowed to join official arts institutions, the sisters earned respect in art circles for their talent. Berthe and Edma went to Paris to study under experienced painters such as Joseph Guichard and also studied …show more content…
with landscape painter Jean-Baptiste Camille Corot to learn how to paint outdoor scenes. Berthe Morisot was able to work with Corot several years and later was able to exhibit her first work in the prestigious state-run art show, the Salon, in 1864. She would earn a regular spot at show for the next decade. In 1868, fellow artist Henri Fantin-Latour introduced Berthe Morisot to Edouard Manet. The two formed a lasting friendship and greatly influenced one another's work. Berthe soon eschewed the paintings of her past with Corot, migrating instead toward Manet's more unconventional and modern approach. She also befriended the Impressionists Edgar Degas and Frédéric Bazille and in 1874, refused to show her work at the Salon. She instead agreed to be in the first independent show of Impressionist paintings, which included works by Degas, Camille Pissarro, Pierre-Auguste Renoir, Claude Monet, and Alfred Sisley (Editors). In 1874, Berthe Morisot married Manet's younger brother, Eugene, also a painter. The marriage provided her with social and financial stability while she continued to pursue her painting career. Able to dedicate herself wholly to her craft, Morisot participated in the Impressionist exhibitions every year except 1877, when she was pregnant with her daughter. Morisot's first appearance in the Salon de Paris came at the age of twenty-three in 1864, with the acceptance of two landscape paintings.
She continued to show regularly in the Salon until 1874, the year of the first impressionist exhibition. Meanwhile, in 1868 Morisot became acquainted with Édouard Manet. He took a special interest in Morisot, as is evident from his warm portrayal of her in several paintings. One includes a striking portrait study of Morisot in a black veil, while in mourning for her father's death. It is displayed at the top of the article. Correspondence between them bespeaks affection (Berthe Morisot). He once gave her an easel as a Christmas present. He also interfered in one of her Salon submissions when he was engaged to transport it. Manet mistook one of Morisot's simple self-criticisms, as an invitation to add his corrections, which he did, much to Morisot's dismay. Although traditionally Manet has been related as the master and Morisot as the follower, there is evidence that their relationship was a reciprocating one. Morisot had developed her own distinctive artistic style. Records of paintings show Manet's approval and appreciation of certain stylistic and compositional decisions that Morisot originated. He incorporated some of these characteristics into his own work. It was Morisot who convinced Manet to attempt plein air painting, which she had been practicing since having been introduced to it by Corot (Berthe
Morisot). Morisot’s works are almost always small in scale. She worked in oil paint, watercolors, or pastel, and sketched using various drawing media. Around 1880 she began painting on unprimed canvases, a technique Manet and Eva Gonzales also experimented with at the time and her brushwork became looser. In 1888–89, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. Wikipedia). After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. Among her contemporary art critics such as Gustave Geoffrey in 1881, Morisot was hailed as "no one represents Impressionism with more refined talent or more authority than Morisot" Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a "virtuoso colorist". She typically made expansive use of white, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form. (Wikipedia) Morisot’s subjects for painting were always based on her daily life experience. Her paintings reflect the 19th-century cultural restrictions of her class and gender. She avoided urban and street scenes and seldom painted the nude figure. Like her fellow Impressionist Mary Cassatt, she focused on domestic life and portraits in which she could use family and personal friends as models, including her daughter Julie and sister Edma. Prior to the 1860s, Morisot painted subjects in line with the Barbizon school before turning to scenes of contemporary femininity. Paintings like The Cradle (1872), in which she depicted current trends for nursery furniture, reflect her sensitivity to fashion and advertising, both of which would have been apparent to her female audience (Wikipedia). Her works also include landscapes, portraits, garden settings and boating scenes. Later in her career Morisot worked with more ambitious themes, such as nudes. Corresponding with Morisot's interest in nude subjects, Morisot also began to focus more on preliminary drawings, completing many dry points, charcoal, and color pencil drawings (Wikipedia). Morisot died on 2 March 1895, in Paris, of pneumonia contracted while attending to her daughter Julie's similar illness, and thus orphaning her at the age of 16. She was interred in the Cimetière de Passy. I think this paper helped me to learn more about her as an artist and has also prepared me well for this game. I can almost feel what she went through in her life for what she loves the most, art. Her passion for art and her love for family were clearly depicted through her life.
However, Claude Monet was in terrible financial issues and his father was not helping him. He went into depression and attempted suicide in 1868 by drowning himself in the river. But, a close friend help him out in his financial situation. Monet and Camille got married on June 28th, 1870 and historically Franco-Prussian War had occurred. The couple and their son went to London to meet Paul Durand-Ruel, who was an art dealer who was amazed by Monte’s artwork and wanted to sell them. Claude Monet traveled to many places and panted many places such as Amsterdam and Holland and capturing the beauty of nature in different destinations. In 1873, "Impression, Sunrise" was painted near Le Havre’s harbor and is one of the famous works by Claude Monet. Moreover, In Argenteuil, Camille became ill in 1876. They had a second son, Michel, on March 17, 1878. The birth of the second child caused her to be weakened and Camille died on September 5th, 1879 of tuberculosis. Monet painted her to show his love towards
By using oil, Berthe Morisot chooses one paint over the other. According to chapter 7, oil paint is considered “slow drying”, which indicates it takes longer to dry than other paint choices, however it is also stated in chapter 7 that oil can dry faster with the addition of other agents. There are many benefits of using oil, seeming as though it can capture detail, create a smooth appearance, can blend easily and can create the illusion of texture. “Mas o Menos”, on the other hand, is created with acrylic paint, which can’t be as easily manipulated as oil paintings. According to chapter 8, “oil and acrylic often mimic each other”, however their properties determine why one paint is chosen over the other. Also according to the text, oil painting is rich in colors, but fades and cracks over time. In addition, oil can be blended and fixed at a later date, but acrylic cannot. Personally, depending on the acquired look and the personal preference, the artist can look at the pros and cons of the two to decide which one fits the desired artwork in
Ingres' and Manet both painted very similar pieces in terms of medium, position of the women, and the fact that the women stare at their audience. However their varying styles, art periods, and the tones of the pieces set them apart from each other and from other similar pieces in
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Prior to the 20th century, female artists were the minority members of the art world (Montfort). They lacked formal training and therefore were not taken seriously. If they did paint, it was generally assumed they had a relative who was a relatively well known male painter. Women usually worked with still lifes and miniatures which were the “lowest” in the hierarchy of genres, bible scenes, history, and mythological paintings being at the top (Montfort). To be able to paint the more respected genres, one had to have experience studying anatomy and drawing the male nude, both activities considered t...
Other members of the French Impressionist Group include, Monet, Renoir, Cezanne and Degas. Cassatt was known as “the painter and poet of the nursery” (Advameg 6). Cassatt painted members of her family and frequently painted her sister Lydia, who resided in Paris, with Cassatt until she passed away after battling an illness for a large amount of time until she passed away in 1882. After her sister’s death Cassatt took a break from painting. (Creative Commons License 14). Cassatt also painted a portrait of her mother entitled Reading Le Figaro (Creative Commons License 15). Later in Cassatt’s career she moved away from impressionism and Cassatt’s new painting style did not fit in any movement (World Biography 6). Her new painting style was simpler than impressionism (Creative Commons License 19). Later in life after taking a trip to Egypt Cassatt viewed the art done by the ancient Egyptians and began to question her level of skill and the artwork that she had created thus far. One of Cassatt’s friends that went on the trip had contracted a disease in Egypt and shortly after their return home, died. These two instances left Cassatt depressed and unable to paint, this loss was emotionally draining and physically jarring and
Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...
Rene Francois Ghislain Magritte was born in Lessines in the province of Hainaut on November 21, 1898 to Leopold Magritte and Regina Magritte, he was the oldest child born. Before the age of 12 Magritte had been taking formal lessons in painting, sketching, and drawing. When Rene was a young boy his mother committed suicide by drowning herself, it was said he was present when his mother’s body was pulled from the lake. (Bio-Rene Magritte) When his mother’s body was found it was said that her dress covered her face and this would be the inspiration to his painting. Many people believe that his mother’s death was this inspiration to many of his artworks. After his mother’s death Rene enrolled in the Academie des Beaux-Arts in Brussels seeking the inspiration and a safe distance from the WWI German invasion. Here Magritte was introduced to the three movements that excited him cubism, purism, and futurism of Metzinger.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
Rene Magritte was an enigmatic and strange man who painted surrealism paintings. Little is known about his childhood except that his mother, Regine Magritte took her own life by drowning herself in the Sambre river. Young Magritte is thought to have discovered her body floating with her night garment covering her face. There is speculation that this trauma was an influence on many of Magritte’s works. When Rene Magritte took up his brushes, he created beautiful visual riddles that delight and bewilder the viewer. His clean lines and highly detailed finishes made his brush strokes nearly invisible; his paintings look as if they came from a printing press. Magritte referred to his paintings as “his labors.” He did labor over the paintings and the questions and answers that spawned them in his imagination. His art poses questions, seeks answers, and challenges the conventional definition of ideas. He came to the surrealist style of art in the 1920’s and has produced some of the most beautiful and moving art in the world. He was a shy and introverted man who loathed the social familiarity that society imposed on its celebrities. He liked to maintain social boundaries and was rather reclusive, ironically, he routinely used people as objects and removed the boundaries of association between objects to create his visual riddles. He did not like to be recognized and that came to be one of the running themes in his works. Always the enigmatic secret agent man, Magritte is as much a riddle as his paintings.
Although at first glance, Realism and Impressionism appear to be completely separate movements in 19th century art, they in fact were both bred as a response to the new order of Europe that had evolved as a result of the marks made by both the Industrial Revolution and a series of European continental wars. Realist painters and Impressionist painters alike faced controversy in challenging the status quo of the Salons, and took risks to no longer romanticize drastic changes within society caused by industrialization, but instead acknowledge them head-on. Edouard Manet in particular exemplified the gradual transitions from Realism to Impressionism and even to Post-Impressionism. His then-radical methods of integrating of scientific observation, new roles of women, and political turmoil into his paintings earned him both the vilification of an older generation and the admiration and veneration of a newer one. Through his innovation of existing painting techniques and his encouragement of later revolutionary painters, Manet helped transform the canvas of the European art world in the mid 1800s.
Both of Manet's paintings "Olympia" and the "Luncheon on the Grass" feature fellow artist Victorine Meurent as his muse. Many of Paris Bourgeoise were upset and shocked when the viewed Manet's painting of a nude model woman laying on a bed with a black cat and maid in the background. Although paintings
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
In the 1880’s the movement known as Impressionism was coming to an end. The eight and last Impressionist exhibition was held in Paris during 1886 (Time). Although Impressionism was coming to an end new forms of art arose to take its place. Some famous artists producing during this time include, Van Gogh, Georges Seurat, and Odilon Redon (Georges). Odilon Redon started his own movement known as Symbolism, which strives to give form to ideas and emotions (Odilon). Another painter responsible for creating a new style is Georges Seurat. Seurat was a French painter who popularized and developed his own style called pointillism.
George-Pierre Seurat was born in France in 1859. Seurat began his career by studying at the “Ecole des Beaux-Arts in Paris under artist Henri Lehmann” ("Georges Seurat," n.d.), before adventuring out on his own. George Seurat was for the most part self-taught, only attending Ecole des Beaux-Arts for one year. He often visited museums, read about new techniques and studied the works of others. Seurat admired the works of Claude Monet and Camille Pissarro these artists and their techniques, particularly their use