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Film analysis on comedy movies
Analysis of the Maltese falcon
Analysis of the Maltese falcon
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Another intriguing aspect is the way the movie deals with sexuality. In film noir, the masculinity of the man was augmented by the presence of multiple women. If there was ever a threat to their masculinity, the film hinted to it in a discreet way, and one example of the masculine portrayal of the ladies man is in the film noir The Maltese Falcon. In comparison to The Maltese Falcon, in Kiss Kiss Bang Bang, sexuality is not seen under a negative light. In The Maltese Falcon, being gay was not explicitly addressed whereas in Kiss Kiss Bang Bang, Perry is referred to as “Gay Perry” often. The character Perry owns his sexuality and he does not feel the need to explain to others who he is, allowing him to be the character who most seems to have …show more content…
In the aspect of Harry’s masculinity, he does not fit into the typical masculine hero. When dealing with tough situations, he freaks out like in the scene in where he kills a man for the first time. He pretends to be a bad and tough guy, but later he gets scared and doubts himself. The doubt he has at times makes him rely on Perry. The times he pretends to have everything in order and in control is when he is interacting with the female character, Harmony Faith Lane. In film noir the femme fatale shows up to cause trouble to the main male protagonist. She is not the typical gal who follows patriarchal beliefs, but she proves to be self-reliant, mysterious, and seductive. In Kiss Kiss Bang Bang, the femme fatale presented does not fit into the typical femme fatale. However, there are some things that Harmony Faith Lane does that can be labeled as actions of the traditional femme fatale. The first one, is needless to say, Harry’s secret love. From being childhood friends, to aspiring actors, these two have a history together, but had parted different ways as they grew older. Finding themselves again was something that sealed their fate as partners in crime and went around the city fighting the bad guys. She is a seductress …show more content…
It was unconventionally rewarding and an interesting comedy. Taking the film noir’s themes, Shane Black created a world with weird turns and twists of its own. The main protagonist did not have to be the selfless and arrogant detective. Sexuality was well respected, in a comedic way you can say, and even praised. It is a society with many vices, but that some way or another the characters find a way out of it. The woman presented in the film, Harmony, portrayed femme fatale characteristics, however, she was not tied down to any gender role she did not want to be part of. At the end, the purpose of the film is not only to ridicule, but to exhibit a new world adapted to different
I don’t recall if Gutman said it in the movie about the Falcon being coated by lacquer to obfuscate that it’s really made of gold and jewels. I think it was implied that nothing is what they really seem to be. This is what I believe Dashiell Hammett was trying to communicate through his novel, ‘The Maltese Falcon.’ In this paper I will write about why I believe what is Hammett trying to convey through his cast of characters. These characters are unlike the image and stereotype cast upon their roles.
destructive, exotic and a self-determined independent who is cold hearted, immortal and less of a human. The females portrayed in the noir were primarily of two types - either projected as ethical, loyal loving woman or as ‘femme fatales’ who were duplicitous, deceptive, manipulative and desperate yet gorgeous women. In
The content was relatable and connected well with the information and discussions that have been within our society for a long time. It was a well-done film that really questions the homophobic opinions and while this is still a very real debate in today’s society, the film does a great job at arguing the homophobic opinions.
The Narrative or storyline is much the same as any other film noir movie. It has a ‘hard boiled’ cop (Russell Crowe) who we grow attached to. The narrative of any film must have certain ‘key conventions’ which are apparent for the audience to tell the genre of the film. The narrative can be used to provide an explanation as to why the film contains certain things, or why a character does something.
The stunning premise is simply a young girl’s battle for survival against a brutal, retchless killer. Who, not for one second will let you take your eyes away from the screen. He stalks us, makes us feel the pain and not knowingly, he makes us scream for our life. It’s definitely not a setback, relax and enjoy kind of film but rather the opposite, in a good way. A bravura opening five minutes winds the tension up brillian...
This movie was a tale of an immigrant seeking money and power who untimely set up his own demise. The producers did a good job at pointing out certain features that let you into the life of an organized crime leader. He tells of his humble beginnings and shows you in details how he rose to the top. The producer had a point to make and I took that point as being you can never get and stay someone good while being bad. The sound effects and graphics also makes this movie. They show just enough to intrigue you but yet not to completely make you sick to your stomach. The music is very telling and
Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.
I have always believed that all races have their good and bad. Their is never going to be the perfect race. This movie definitely set a powerful message that life is not perfect for any race and that even though people are from different cultures, they are all interconnected somehow. The filmmakers did a great job at showing us that individuals should not be based on first impressions such as skin color or the social status.
The most prominent feature of Prince Harry in the two Henry1V plays is his absolute isolation. When we first see Harry, he is a pariah and outlaw among his own people, the nobility, and a source of fear and misery for his family. He has no friends in any real sense, just pawns; unlike Hotspur, Mortimer, and even Falstaff, he has no lovers and shows no interest in sexual love. He stands alone in the world, and he stands against all the world. He is motivated only by suspicion, cruelty, pride, and greed for power. People are real to Harry only in so far as he can use them; and, ultimately, the future King can use people only when they are destroyed. His every step is toward death and destruction: the two plays begin with Harry's plot against his tavern friends, which culminates in the sacrificial expulsion of Falstaff, and end with rumours of war, the campaign against France, carried out for reasons of internal political advantage. Harry is what today is commonly described as a psychopath, and the plays demonstrate how such a man can become a successful king and defeat the world, a perfect blend of Machiavel (the immoral villain) and Machiavellian (the amoral strategist).
Moreover, it is a palatable film. It offers a few solid laughs and will provoke some smiles; it’s a fairly typical, unremarkable comedy. While the original film had the breaking of racial stereotypes in mind, this updated version has it more in mind to have fun with them for the sake of the comedy. It is a romantic comedy that touches upon race relations following a fairly well established story-line. I would say that the one redeeming value of the film is the message of "seeing people, not color."
...back. The white males probably weren’t expecting the reaction back from the black cop and since he reacted he sent people after him threaten him to leave but he didn’t. he stood up for himself and stood his ground by not acting off of the threat he received. This movie gives us an insight into the perceived relationship that exist between the different races in that era The sincere fiction in this film was show the whites seen the non white officer by him thinking because he’s a cop he can interrogate a white male. Even though he wore the police uniform he still wasn’t looked at as an equal or a man of power, he still was looked at as a black. We as a society tend to dismiss films as mere forms of entertainment. Both movies gives us different perspectives on the hegemonic ideology and society’s grasp of the roles of whites and blacks and what both represent to us.
The film stays in line with classic noir in many ways. The usage of dark sets and high contrast lighting, which creates heavy shadows on the actors faces, makes the movie feel like it all happens at night and in dark alley ways. The story focuses on the inhumane parts of human nature. Each of the main characters experiences some kind of tragedy. For Vargas his tragedy was in dealing with Quinlin who has set out to frame him and his wife. For Quinlin his entire life represented a man consumed with darkness who lives his life with a “Touch of Evil.” Menzies was a hopeful man who looked up to Quinlin but was let down. For the viewer, film noir represents truth, even if it is not a truth that all people would like to hear.
In our society, individuals might insist their own point of view and refuse to consider others’ opposite ideas, however, in an existing film, revolutionary and conservative standpoints can be accepted at the same time to make the film “neutral”. Through considering the collisions of opposite standpoints which occur in the noir movie named “Double Indemnity” which directed by Billy Wilder and had earned the label of “unfilmmable” in Hollywood because of the story between Walter Neff played by Fred MacMurray and Phyllis Dietrichson played by Barbara Stanwyck in 1943(Biltereyst 148) , this essay will illuminate the characteristics of traditional female image and another kind of female role named “femme fatales” which is opposite to the traditional
The movie takes a small look at a few individuals and takes a more personal but also satirical look at the old west. The film shows the truth of the old west, that it was a place where violent, uncomplicated men were the ones who built the culture and towns. The director just likes his main hero also took a morally grey approach to creating his movie. Where he emphasis how war and violence created some of the cultures of the American West. The movie really goes deep into the lifestyle of cowboys focusing on the greed and violence that can sometimes accompany such a lifestyle while also using the Civil War as a backdrop. Although panned by critics during its initial release today the films remain universally loved and is considered one of the greatest western movies of all time. I think this is because it takes a realistic and satirical approach to both cowboys and the western Civil War time period. Despite its shortcomings during its release and the limitation due to the technology of the time. The film over the years has managed to become a western classic that is surprisingly smart and witty, while also managing to keep its message
I like the film very much. I think its one of the best films I’ve seen ever. The comedy in the film is just my humour, and the action was okay.