Isolation and Victimization in Henry1V
The most prominent feature of Prince Harry in the two Henry1V plays is his absolute isolation. When we first see Harry, he is a pariah and outlaw among his own people, the nobility, and a source of fear and misery for his family. He has no friends in any real sense, just pawns; unlike Hotspur, Mortimer, and even Falstaff, he has no lovers and shows no interest in sexual love. He stands alone in the world, and he stands against all the world. He is motivated only by suspicion, cruelty, pride, and greed for power. People are real to Harry only in so far as he can use them; and, ultimately, the future King can use people only when they are destroyed. His every step is toward death and destruction: the two plays begin with Harry's plot against his tavern friends, which culminates in the sacrificial expulsion of Falstaff, and end with rumours of war, the campaign against France, carried out for reasons of internal political advantage. Harry is what today is commonly described as a psychopath, and the plays demonstrate how such a man can become a successful king and defeat the world, a perfect blend of Machiavel (the immoral villain) and Machiavellian (the amoral strategist).
In 1Henry1V , Harry's primary business - in fact his only concern, apart from tormenting his social inferiors, like Falstaff and the innocent drawer Francis - is the destruction of Hotspur. Hotspur is of supreme interest to Harry, which is the same as saying, as Harry in effect does say in his reply to the King in 3.2, "Percy's head" (132) is of supreme interest:
Percy is but my factor, good my lord,
To engross up glorious deeds on my behalf;
And I will call him to s...
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...Works Cited
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Machiavelli, Niccolo. "From The Prince." The Bedford Companion to Shakespeare. Russ McDonald. New York: Bedford/St. Martin's. 2001. 334-336.
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Stewart, J. I. M. "The Birth and Death of Falstaff." Sanderson, Henry the Fourth, Part 1. 404-407.
Toliver, Harold E. "Falstaff, The Prince, and the History Play." Sanderson, Henry the Fourth, Part 1. 169-193.
Falstaff’s speech is highly typical of the tavern world’s way of thinking: straightforward, sometimes humorous, spoken in prose, and only the values of the tavern world taken into consideration, with no regard for such insubstantial, un-physical concepts as honour. In this way, and speaking directly to the audience, Falstaff effectively expresses his unashamed resolution not to submit to moral order.
According to the Microsoft Word Encarta Dictionary, juxtaposition is to place two or more things, side by side, in order to emphasize contrasts and similarities between them. Edith Wharton deliberately places the characters of Mattie Silver and Zeena Frome together in the novel Ethan Frome to compare and contrast them. Although Mattie has only recently been exposed to Starkfield, Zeena's has lived in there for seven despondent years. Wharton's intent was to make the reader accustomed to seeing Zeena and Mattie in such harsh comparison, thus making the climatic ending extremely ironic. Throughout the novel, Wharton accentuates characteristic of Zeena's and Mattie's character such as their physical appearances which creates conflict in the interactions of the women with Ethan and consequently each other, until ironically the two characters finally fuse and become one.
In 1953, a book/play called The Crucible was published. It was written by Arthur Miller as an allegory of the McCarthyism era. It talks of the causes and effects of the Salem witch trials in the late 1600's. The story is told in a way that made the people of the 50's realize how crazy they were actually acting.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
The ardent family bond that the reader is presented with in Ethan Frome, alludes to idea that the greatest oppression the characters face stems from this family dynamic. This is emphasized when the narrator says, “Yes, it’s pretty bad, seeing all three of them together”(Wharton 112). The narrator dictates, that he could distinguish the amount of hatred or negativity emitting from the characters, although he is not familiar with them. Throughout the duration of the novella the feeling of imprisonment grows stronger because Mattie and Ethan are dependent on Zeena, asserting that Zeena is the dominant force over them, putting upon them the greatest type of oppression that they can face. In addition to the oppression provided by each other, Zeena’s negative commentary suggest that the family can feel their freedom through making each other miserable. Furthermore, Zeena, as possibly the most oppressive character in the novella, displays this quality when her only enjoyment in life comes from making her husband or Mattie miserable. This is described by the author when she writes, “Other possibilities had been in him, possibilities sacrificed, one by one, to Zeena's narrow-mindedness and ignorance… She was a hundred times bitterer and more discontented than when he had married her: the one pleasure left her was to inflict pain on him”(Wharton 82). This reveals the true nature of Zeena, which is that she receives her enjoyment from the suffering of others.It also reveals that Ethan feels even more oppressed as he is young, and could of had more opportunities if it wasn't for her. This oppression seen within the family provides the reader with a more adequate understanding of the reason to support why these individuals have become more
Shakespeare, William. Richard III. The Norton Shakespeare. Ed. Stephen Greenblatt. (New York: W.W. Norton and Company, 1997), 515-600.
Shakespeare, William. Richard III. The Norton Shakespeare. Ed. Stephen Greenblatt. (New York: W.W. Norton and Company, 1997), 515-600.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
The Crucible was originally written in 1953, and its plot surrounding the events of the Salem Witch Trials was used to draw parallel to the Red Scare that was occurring in America during that time. The story follows the town of Salem, as a group of young girls cries witchcraft in the town. Chaos ensues when accusations fly and people
While not the only contributing factor, Lady Macbeth does play a substantial role in the downfall of her husband. She is a like a catalyst for Macbeth and essentially pushes him to do what he would not have been able to do on his own. Macbeth himself highly ambitious and determined, but his wife is even more so. At first he refuses to kill Duncan but she persists and eventually gets him to do it. It is important to note here that Lady Macbeth pushes Macbeth forward by manipulating him. In this sense, she can be related to Cathy Ames from East of Eden by John Steinbeck. Also, being a woman, she is confined by the conventions of society which prevent her from doing much. At what point she even wishes that she were 'unsexed' so she could commit the murder herself. Because of this, she pours her ambition and desire for power into Macbeth. Again she accomplishes this through manipulation. For example, at one point when Macbeth is disagreeing with her idea of killing Duncan, she questions his manhood:
Wadsworth, Frank W. "Shakespeare, William." World Book Online American Edition. Online Edition. Online. Netzero. 26 Mar 2002.
There is so much to know about special education that is separate from teaching in a traditional classroom. One thing that has really stood out to me is how many acronyms and terminology these teachers need to know. IEP, LRE, IDEA, FAPE, IFSP, and that is just to name a few (DREDF, 2017). Special education teachers, really need to be knowledgeable about a ton of things. Not only all of the terminology associated with special education, but about disabilities and the best way to go about educating a child with disabilities. When working with children in special education, there will be students of all ages with all kinds of disabilities and different ability levels that you are teaching. It is important to know about each child’s disabilities, what they should be learning and how they should be learning it. There may be times that are challenging education students with disabilities, but when a teacher properly educates themselves on all the aspects of special education and the resources out there for them, it may help make your classroom run more smoothly and easier to