More handpicked essays just for you.
The historical context of Shakespeare's writing
Shakespeare's use of dramatic irony and its role in Romeo and Juliet
Shakespeare research
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Father/Son Relationships in Shakespeare's Henry IV, Part One
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.
At the start of the play, the reader sees that Prince Hal has been acting in a manner which has disappointed his father. The King compares Hotspur to Hal, saying that Hotspur is ìA son who is the theme of honour's tongue,î and that ìriot and dishonour stain the brow of [Hal] (I.i.3).î He even wishes that the two were switched: ìThen would I have his Harry, and he mine (I.i.3).î The King obviously does not approve of Hal's actions, and believes that, if Hal does not change his ways, he will be a poor successor to the throne.
This is quite true, as Hal spends the majority of his time in seedy taverns, associating with what his father calls ìrude societyî (III.ii....
... middle of paper ...
...ators to join them, and who sets the wheels of the revolution in motion.
The consequences of the Hal and Hotspur's choice in father-figures are indeed what leads the play to its final outcome. Hal, who sides with his father and not Falstaff, becomes a noble prince and redeems himself in the eyes of his father. Hotspur, on the other hand, sides with Worcester, and their collective tempers lead them to make the rash decision to revolt. Their tempers are also responsible for other poor decisions that evade the chance of truce, resulting in the inevitable failure of the rebellion. Indeed, all could have been prevented if Hotspur sided with his father, rather than his uncle, and Hal would have become a desolate criminal had he followed Falstaff.
Works Cited
Shakespeare, William. Henry IV: part one. Ed. P. H. Davison, New York: Penguin Books, 1996.
Prince Hal is initially portrayed as being incapable of princely responsibilities in light of his drinking, robbery and trickery. Yet, Shakespeare reveals that Hal is in fact only constructing this false impression for the purpose of deceit. Prince Hal’s manipulative nature is evident in his first soliloquy, when he professes his intention to “imitate the sun” and “break through the foul and ugly mists”. The ‘sun’ Prince Hal seeks to ‘imitate’ can in this case be understood as his true capacity, as opposed to the false impression of his incapacity, which is symbolised by the ‘foul and ugly mists’. The differentiation of Hal’s capacity into two categories of that which is false and that which is true reveals the duplicity of his character. Moreover, Hal is further shown to be manipulative in the same soliloquy by explaining his tactic of using the “foil” of a lowly reputation against his true capacity to “attract more eyes” and “show more goodly”. The diction of “eyes” symbolically represents public deception, concluding political actions are based on strategy. It is through representation and textual form that we obtain insight into this
Hal understands that those of high birth have a greater responsibility to be honorable. The jealousy that comes with the persistent protection of one’s honor is a characteristic seen in almost every noble figure, but Hal’s attitude toward honor is different than those around him- especially Hotspur. Unlike Hotspur, who serves the code of honor, Hal intends to abuse it by postponing his acquisition of honor so that when he eventually attains it his reputation will seem greater than it would’ve originally.
Hal isn’t as interested in gaining honor for its own sake as he is in forcing Hotspur to render up all of his. This scene displays how Hal is honorable for himself and for himself only.
Shakespeare, William. "The First Part of King Henry the Fourth." The Necessary Shakespeare. By William Shakespeare and David M. Bevington. New York: Longman Group, 2004.
In act one, Shakespeare introduces the idea that Prince Henry is an inadequate heir to the throne. The play opens with King Henry IV, Prince Henry’s father, speaking to his council of a war with Scotland. Quickly the subject of the discussion turns to Prince Henry, or Harry’s, indifference to the affairs of war. The King then compares Harry to Hotspur, son of the Duke of Northumberland in his dialogue:
The character Sir John Falstaff played a crucial part in Shakespeare's Henry IV. Falstaff portrayed a side of life that was both brutal and harsh. This was important because, as Falstaff was, all the other main characters in the play were Nobles. Unlike Falstaff, the other nobles in the play acted as nobles. Falstaff, on the other hand acted more like the lower class people. In doing this he portrayed the thoughts and feelings of the lower class people. As he portrayed the lower class people, Falstaff brought the reader to think about the difference between a noble and lower class people. This was because Falstaff contrasted well with the nobles and brought out new aspects of the themes that Shakespeare experienced during his life. Some of these views brought out be Falstaff were quite harsh, in comparison to the accepted views of the time. To help balance the harshness of his views, Falstaff was very good natured and invoked laughter in the reader.
Langston Hughes was born in Joplin, Missouri on the first day of February in the year 1902. His parents were separated when Hughes was very young; his father fled the country in order to escape the ever-present racism in the United States, according to Christine Hill, author of Langston Hughes, Poet of the Harlem Renaissance. He was raised by his maternal grandmother in Lawrence, Kansas into adolescence, who succeeded in instilling a sense of pride for his heritage in Hughes (Hill). Hughes’ ancestry greatly influenced his work, and inspired his social activism. Hughes’ great grandmothers were of African American descent, and his great grandfathers were white plantation owners in Kentucky. Hughes’ family tree is ridden with politically active members, many of which were related to abolition and expanding the rights of African-American people. His grandfather’s brother, John Mercer Langston, acted as the head of the Ohio Anti-Slavery ...
In order for one to keep their political status and please their country, there are some qualities, traits and skills required. For some, political skills may be a natural or intuitive trait. For others, it feels uncomfortable and takes excessive effort. In either case, political skills must be practiced and honed in order to recap its benefits. For instance, one may naturally possess skills such as listening to others, communicating and commitment. On the other hand, one may not possess those skills and it may require excessive effort to possess those skills. Prince Hal realizes that he must learn to possess these characteristics if he wants to be a successful king. Henry IV, Part 1 by Shakespeare deals with the struggle of King Henry IV to maintain his control of the English throne which he usurped from Richard II. The play deals with the conflict between King Henry IV and his son, Prince Harry, and their tense relationship. King Henry is the ruling king of England. He is worn down by worries and guilty feelings about having won his throne through a civil war. Hal, the Prince of Wales who demonstrates his ability to manipulate others to complete his selfish goals. Hal is an effective leader because unlike his father, his mastery of language shows that he will be a virtuous ruler, able to understand lower and upper class and manipulate them to believe his words.
Shakespeare, William. "Henry V." The Norton Shakespeare: Histories. Eds. Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katherine Eisaman Maus. London: Norton, 1997. 726-795.
In his speech at the end of 1.2, Hal says that he is only spending time in the taverns and with misfits so that when he achieves glory, it will look even greater than it is. However, one might argue that really Hal is scared to take on the responsibility of being a prince and is using the time that he
"A Centennial Tribute to Langston Hughes." Library System - Howard University. Howard University, n.d. Web. 13 Jan. 2014.
Both of Hughes’ paternal great-grandmothers were African American and both of his paternal great-grandfathers were white slave owners of Kentucky. Langston Hughes was the second child of schoolteacher Carrie (Caroline) Mercer Langston and James Nathaniel Hughes. He grew up in a series of Midwestern small towns in Missouri. Hughes's father left his family and later divorced Carrie, going to Cuba, and then Mexico, seeking to escape the enduring racism in the United States (“Biography of Langston Hughes”). His grandmother raised him until he was thirteen (as his father had left him and his mother at a young age) when he moved to Lincoln, Illinois, to live with his mother and her husband. They, later, settled in Cleveland, Ohio. Hughes started writing poetry when he was in Lincoln (“Langston Hughes”).
Langston worked at various jobs, including that of seaman, traveling to Africa and Europe. His first book of poetry was, ‘The Weary Blues’, which was published in 1926. This book made him known among literary people. James went to Lincoln University in Oxford, Pennsylvania, on a scholarship. He received his B.A. degree there in 1929.
James Langston Hughes was born February 1, 1902, in Joplin , Missouri . His parents divorced when he was a small child, and his father moved to Mexico . He was raised by his grandmother until he was thirteen, when he moved to Lincoln , Illinois , to live with his mother and her husband, before the family eventually settled in Cleveland , Ohio . It was in Lincoln , Illinois , that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University . During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington , D.C. Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
Dimmesdale is the town minister and is a talented orator. He is seen as a powerful figure in his community, and as a result of this, he is the essence of what the patriarchal society is in this time period. The downfall of his character comes when he succumbs to the guilt due to being an adulterer with Hester Prynne. This is illustrated by his deprecating physical health which is a representation of his poor spiritual and mental wellbeing. It states in the narrative, “He looked haggard and feeble, and betrayed a nerveless despondency in his air… Here it was woefully visible, in this intense seclusion of the forest, which of itself would have been a heavy trial to the spirits” (Hawthorne, 129). Hawthorne depicts Hester as the individual to finally make Dimmesdale free of guilt by confessing in order to demonstrate the need for feminist qualities in a patriarchal society (Thomson, 2011). It states, “At last… I stand upon the spot where, seven years since, I should have stood; here, with this woman, whose arm, more than the little strength wherewith I have crept hitherward, sustains me, at this dreadful moment, from groveling down upon my face!” (Hawthorne 174). Hawthorne demonstrates with the culmination of the novel—the importance of feminism not only to the empowerment of the individual but also as a force of change to the norms of our society (Hester Prynne: Sinner,