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How does the view of grendel differ in.the epic poem, beowulf and john gardners grendel
Literary elements in beowulf
Stylistic features of beowulf
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Recommended: How does the view of grendel differ in.the epic poem, beowulf and john gardners grendel
The epic poem “Beowulf” translated by Burton Raffel and the novel “Grendel” by John Gardner both share the character Grendel, however both the poem and the novel tell different characterizations of Grendel.
In the poem “Beowulf”, Grendel is depicted as “that demon, that fiend” (Raffel, Line 101), but to emphasize this characteristic, Grendel’s lineage is also mentioned to prove that he is made of pure Evil “...Conceived by.. Those monsters born of cain”, (line Blank-106) the use of his lineage to Cain, the biblical brother, only focuses on the fact that Grendel is indeed evil by instinct, that by conception it was already determined. Gendel’s depiction as a mindless monster is also shown when he attacks the mead hall ”snatched up thirty men,smashed them...to his lair, delighted with his night’s slaughter”. (Raffel, line 123-126), from his lineage to the attack the Danes only view Grendel a mindless beast that only runs on his desire to feast upon men. In the novel “Grendel” .however, Grendel depicts himself as a self-aware creature “Ah, sad fool, poor old freak!” (Grendel By John Gardner chapter 1, page 6) but with his self-awareness Grendel also struggled with solipsism ideas. He comes upon this idea after being saved by his mother from the Danes “The world resist me, and I resist the world…The world is
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Gardner’s Grendel admits to himself as a monster throughout his twelve year war against Hrothgar and his Danes “pointless, ridiculous monster crouched in the shadows stinking of dead men, murdered children, martyred cows (Gardner, chapter 1 page 6). The characters in Beowulf see Grendel as a monster for his sins against mankind “mankind’s enemy continues his crimes, killing as often as he could, coming alone, bloodthirsty and horrible” (Raffel, line
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
In both works, Beowulf and Grendel, Grendel himself is generally given the same connotations. He is given kennings, called names, referred to as the evil spawn of Cain, and even viewed as a monster; but why? Why in both books is he a wicked, horrible, person who is harshly excluded from everyone? After stumbling upon John Gardner's book, it was halfway expected that some excuse would be made for Grendel; that he wasn't really the inexorable monster the thanes in Beowulf portrayed him as. But all it really did was make him worse. What is the message we are being sent about Grendel?
The book Grendel, written by John Gardner, and the poem Beowulf, translated by Seamus Heaney, both have very distinct opinions on what role each character plays. The translator of Beowulf and the writer of Grendel follow the idea that everyone has a story. A story is the writer’s perspective on a character’s personality, the way people in the story see and treat the character, and the way it ties the ideas together. There are many examples in these two writings of this concept, but the main instances connect with the lives of Grendel, Beowulf, and Unferth.
Throughout John Gardner’s Grendel, and Seamus Heaney’s Beowulf, many events and situations make it clear that the stories talk about the same character. Throughout Beowulf, Grendel is seen as a demon that lacks any real motive for his crimes, by the end of Grendel the this side of his is shown after his transformation from innocents to evil. The one key trait that can be seen throughout both Grendel and Beowulf is irrationality. This trait of irrationality is caused in the stories by many of the same reasons as in real life. In John Gardner’s Grendel and Seamus Heaney’s Beowulf, Grendel’s constant perception fluctuations reinforce the themes of irrationality that cause him to act the way he does.
In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
In the story Beowulf by Seamus Heaney, Grendel is a slimy green swamp monster that has human emotions but is portrayed as a hideous beast and an outcast of the Anglo-Saxon society.
Whether one watches the movie and then reads the poem, or does the opposite, it is almost too easy to spot the differences in the story and the two cultures. Beowulf is very descriptive but at the same time leaves a lot to the reader to imagine. It can also be considered, in some ways, a tall tale, as no human being can swim while carrying 30 pieces of armour. “But Beowulf's prodigious gifts as a swimmer guaranteed his safety: he arrived at the shore, shouldering thirty battle-dresses, the booty he had won.” Narrator, 2359-2362. The Beowulf in the poem is also materialistic, greedy, and ruthless. The Beowulf in Beowulf and Grendel isn’t slaying monsters for the gold and fame. He is also sympathetic to Grendel when he realized that he, to, had feelings and a family. At the end of the movie he lights a funeral pyre for Grendel as Grendel’s son watches from a distance. The story was more than likely changed to fit the likes of today’s audience, as we can relate more to compassion and realism than we can heartlessness and
There are many similarities and differences between the movie "Beowulf and Grendel", to the poem. Major differences between the movie and the poem would be Grendel himself. In the poem, he is described as an evil monster born from two demons. In the movie, Grendel is actually human, but known as a troll to the warriors and Danes. The poem doesn’t give the background of Grendel or show how the Danes killed his father and the possible reason of his revenge, like in the movie. If the witch, Selma, was not included in the storyline of the movie, the audience would not have known key information that she was used to show from more flashbacks. The witch gives more of an idea about Grendel’s past life that could have been the possibility to reasons for his actions. Some major similarities are the battles. Both epics include the battles between Beowulf and Grendel, as well as Beowulf and Grendel’s mother. The end results are the same, leading to their death, but the journey and process to the two tales are different.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
Grendel, the monster terrorizing Heorot, is introduced as being estranged from the rest of the world. He is described as an outsider, a descendant of “Cain’s clan” (107). Grendel’s outcast status leaves him living in darkness, his envy growing the more he hears the celebrations of the Danes. Envy and social status motivate Grendel’s cruelty, filling him with anger towards those who are human. When Beowulf and the Geats arrive, it is not solely out of honor that Beowulf vows to kill the beast. Beowulf’s father, Ecgtheow, had an unpaid debt at the time of his death. Beowulf’s pledge that he would kill Grendel was a repayment, as well as an honorable feat. However, as Beowulf is introduced, the boasts he makes of his heroic feats and his “awesome strength” (29), only prove his barbarity. He boasts that “they had seen me boltered in the blood of enemies when I battled and bound five beasts, raided a troll-nest and in the night-sea slaughtered sea brutes” (419-422). He goes on to blame the enemies for the vengeance that he wrought upon them. Beowulf dehumanizes his enemies, states that they were foul beasts who tainted the land, and he purified it. This is a sadistic view of life and battle, contrasting cruelty for the
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
Grendal, a descendant of Cain, is one of the main antagonist of the poem Beowulf. He lives under an inherited curse and is denied God’s presence. Throughout the story Grendal causes enormous grief and fear to the people of Herot. After so much pain and agony the king of Herot, Hrothgar, sends for the protagonist of the poem, Beowulf. He is a Geat and the epic hero of the poem. The wide variety of distinctions between Grendal and Beowulf is what develops the climax of the composition. Beowulf kills Grendal, so he is honored by the people of Herot for his heroic act. Since Grendal and Beowulf play opposite roles in the poem, Beowulf, they let the reader know how contrasting characters can develop the plot of the story.
Beowulf and Grendel (Gunnarsson 2005) depicts a very different protagonist than the one in the epic (Heaney 2000). The Beowulf in the film learns how to have mercy as the movie progresses, while the epic Beowulf is very flat. This is due to the fact that the modern culture is very different from that of the epic. Our culture isn't content with such characters. We want our characters to have more lifelike characteristics such as emotions and a change of heart.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).