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Contrast between beowulf and grendel
Hero characteristics in a story and role
Beowulf and grendel comparison contrast
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In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
In Beowulf, Beowulf 's largest and most talked about quality is the amount of strength that he holds. It is not really seen in Grendel the test of Beowulfs strength until the final battle with the creature. Beowulf’s strength and appearance are seen when it is
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This is controlled by appetite and impulse, as seen in Grendel 's drastic urges to go on a killing spree in the mead hall killing the drunken Danes. Grendel hides away watching everything and everyone: hiding behind sheds or in a tree. Grendel speaks of his longings for friendships; of his captivity in his mythical role; of his disdain for his roots, as seen in the quote describing is an affinity for his mother. "When I sleep, she presses close to me, half buries me under her thistly fur and fat. Dool-Dool," she moans. She drools and weeps. "Warrovish," she whimpers, and tears at herself. Hanks of fur come away in her claws. I see gray hide." (Gardner 146) Where as, in the poem Beowulf, Grendel is made out to be a savage monster full of evil just looking to kill with no sense of remorse or good qualities. These qualities are seen when the narrator speaks "Out from the marsh, from the foot of misty hills and bogs, bearing God 's hatred, Grendel came, hoping to kill." (285 - 287) Giving the appearance and goals Grendel portrayed in the epic poem
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
The book Grendel, written by John Gardner, and the poem Beowulf, translated by Seamus Heaney, both have very distinct opinions on what role each character plays. The translator of Beowulf and the writer of Grendel follow the idea that everyone has a story. A story is the writer’s perspective on a character’s personality, the way people in the story see and treat the character, and the way it ties the ideas together. There are many examples in these two writings of this concept, but the main instances connect with the lives of Grendel, Beowulf, and Unferth.
The battle with Grendel’s mother differ from the battle with Grendel because when Beowulf fought with Grendel he used no weapon “my hands alone should fight for me” line 174. On the day of the battle, when Grendel saw Beowulf he was scared for the first time “ Grendel's one thought was to run from Beowulf, flee back to his marsh and hide there.” line 278 But when Beowulf fought with Grendel’s mother, at the beginning Beowulf was fighting for his live “ For the first time in years of being worn to war it would earn no glory” line 484 Beowulf was losing , she was to fast and “no sword could slice her evil skin.” He needed his weapons fight for him, and Grendel’s mother was not scared of his strength as Grendel
He does not act like the blood hungry beast he is seen as in Beowulf. In
There are many similarities and differences between the movie "Beowulf and Grendel", to the poem. Major differences between the movie and the poem would be Grendel himself. In the poem, he is described as an evil monster born from two demons. In the movie, Grendel is actually human, but known as a troll to the warriors and Danes. The poem doesn’t give the background of Grendel or show how the Danes killed his father and the possible reason of his revenge, like in the movie. If the witch, Selma, was not included in the storyline of the movie, the audience would not have known key information that she was used to show from more flashbacks. The witch gives more of an idea about Grendel’s past life that could have been the possibility to reasons for his actions. Some major similarities are the battles. Both epics include the battles between Beowulf and Grendel, as well as Beowulf and Grendel’s mother. The end results are the same, leading to their death, but the journey and process to the two tales are different.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
While Grendel may possess a brute strength, his lack of wit and logic is what ultimately leads to his downfall and demise. In Beowulf, the actions and character that of Beowulf, or an Epic Hero, define the perfect Anglo-Saxon warrior. Epic heroes are indicated by a variety of traits, including that they, “must look like a hero, they must be noble, famous, strong, courageous, humble, prideful, thick-skinned, self-sacrificing, faithful, focused, be a leader, and have a tragic flaw” (Jones 3). Unfortunately, aside from the ‘tragic flaw’ and ‘strong’ categories, Grendel’s character is antithetical to all characteristics of an Epic Hero. This makes him quite the villain, and a generally despicable character. “Suddenly then, / the God-cursed brute creating havoc: / greedy and grim, he grabbed thirty men”
...owards Grendel. Gardner’s retelling of Beowulf reinforces the universal idea that there are two, if not more, sides to every story. It is prudent to remember that what is monstrous to some may be perfectly normal to others and recognizing all viewpoints can help bring about a truth: good and evil are not always clear-cut.
Grendal, a descendant of Cain, is one of the main antagonist of the poem Beowulf. He lives under an inherited curse and is denied God’s presence. Throughout the story Grendal causes enormous grief and fear to the people of Herot. After so much pain and agony the king of Herot, Hrothgar, sends for the protagonist of the poem, Beowulf. He is a Geat and the epic hero of the poem. The wide variety of distinctions between Grendal and Beowulf is what develops the climax of the composition. Beowulf kills Grendal, so he is honored by the people of Herot for his heroic act. Since Grendal and Beowulf play opposite roles in the poem, Beowulf, they let the reader know how contrasting characters can develop the plot of the story.
Beowulf is the protagonist of the anglo-saxon poem, he is said to be,” the strongest Geat-greater and stronger than anyone anywhere in this world.” (pg.42, ln.110). He is this god like warrior, and savior. Stronger than any man, in physical strength, and in faith.
Beowulf has superhuman strength in both Grendel and Beowulf. In Grendel, Grendel recognizes Beowulf’s enormous strength when he gets his arm torn off by Beowulf, “Nowhere on middle-earth, I realize have I encountered a grip like his… I feel the bones go, ground from their sockets, and I scream again” (Gardner 168-9). Beowulf has much more strength than the average soldier in Grendel. While none of Beowulf’s kinsmen can even harm Grendel, Beowulf single-handedly tears off his arm with seemingly
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).