For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict …show more content…
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in …show more content…
This can be used as a symbol for the relationship between a person’s good side and evil side. The good side (the humans) attempt to exile the bad side (Grendel) and live in peace, but every once in awhile, the evil side will reappear and triumph for a while. Until a person reaches true morality and goodness (Beowulf) and can destroy the evil, this relationship will continue to occur. Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
Throughout John Gardner’s Grendel, and Seamus Heaney’s Beowulf, many events and situations make it clear that the stories talk about the same character. Throughout Beowulf, Grendel is seen as a demon that lacks any real motive for his crimes, by the end of Grendel the this side of his is shown after his transformation from innocents to evil. The one key trait that can be seen throughout both Grendel and Beowulf is irrationality. This trait of irrationality is caused in the stories by many of the same reasons as in real life. In John Gardner’s Grendel and Seamus Heaney’s Beowulf, Grendel’s constant perception fluctuations reinforce the themes of irrationality that cause him to act the way he does.
There are many characters that are involved in the novel, Grendel by John Gardner, which have meaning and we can identify ourselves with them. For example, Grendel is the main character. I will be writing about Grendel because I think he is the most important character of this novel. I like Grendel because he seems like if he was human but, is really an intelligent monster who eats people. What I dislike about Grendel is that he observes people. I don’t like the fact that Grendel basically spies humans. Since, the author identifies the three stages in his live being: childhood, adulthood, and his battle with Beowulf. Grendel is characterized as innocence but, in the other hand as a monster. Grendel was big in size, and had the strength of many. But he was not brave at all. He is described as a large figure with the strength to pick up the weight of a grown man and consume him whole. 1 But, Grendel is shown as somewhat of a
hough the story of Grendel and Beowulf is a good versus evil story in the original epic poem, John Gardner shows another side to Grendel in his novella, Grendel. Throughout this novella, Grendel is seen still as a monster, but a monster with a story to tell. He is a character one can empathize with, especially when he states things such as “My heart was light with Hrothgar’s goodness, and leaden with grief at my own bloodthirsty ways (Gardner 48)” which show that he has a conscience under his fearsome look. That being said, Grendel is influenced by many characters throughout the novella, the two most notable being the dragon and the Shaper. The Shaper was the most influential in Grendel’s story because of Grendel’s first reaction to the
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
This illustrates an inner problem of a suppressed evil side to society. Beowulf and other men that battled Grendel had trouble defeating him with weapons. They all had to tussle with Grendel and everyone except for Beowulf failed at this challenge. Symbolically meaning that that evil side to society will always be there no matter how much people try to fight it. Grendel also plays the role of envy. Imagine him being an outcast with no joy in his life hearing the mead-hall at night and all the laughter, he must have felt envious and longed to be a part of that world. Another symbolic role is revenge. Upon learning that Beowulf has hurt her only child Grendel’s mother becomes angered and seeks revenge. Her and Beowulf battle it out and the mother loses the battle. Relating this back to Cain, Grendel’s mother wants to kill Beowulf and get revenge and just like Cain, she faced her punishment, for her it was
{1} Grendel, it seems, actually didn’t have too much exposure to humans before the start of the poem. He “hunted the moors” (17), likely subsisting on animals he had killed. The reasons why he started killing humans aren’t entirely clear; he had “growled in pain, impatient / As day after day the music rang / Loud in that hall” (2-4). He could also come across as merely curious, as he was “wondering what the warriors would do in that hall” (31-32). This raises a noteworthy attribute of Grendel – though he is often animalistic, he frequently is described as thinking, wondering, or otherwise displaying a human-like nature. The humans think of him not as a raging beast, but as a calculating criminal. But how calculated were these crimes? Grendel doesn’t seem to have planned his war on Herot, especially not that first night. The statements “[Grendel’s] Thoughts were as quick as his greed of his claws” (35) and “delighted with his night’s slaughter” (40) give the
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
This is reasons why Beowulf is considered a monster. At some point it was actually hard to decide who's is the real monster but reading Beowulf part, Beowulf would be the one. Persons may think Grendel is the monster instead of Beowulf cause of the things he also did. Beowulf did so many things in action that are not good. He fits in, in so many
Grendal, a descendant of Cain, is one of the main antagonist of the poem Beowulf. He lives under an inherited curse and is denied God’s presence. Throughout the story Grendal causes enormous grief and fear to the people of Herot. After so much pain and agony the king of Herot, Hrothgar, sends for the protagonist of the poem, Beowulf. He is a Geat and the epic hero of the poem. The wide variety of distinctions between Grendal and Beowulf is what develops the climax of the composition. Beowulf kills Grendal, so he is honored by the people of Herot for his heroic act. Since Grendal and Beowulf play opposite roles in the poem, Beowulf, they let the reader know how contrasting characters can develop the plot of the story.
Throughout the renowned novel Grendel, author John Gardner illustrates a captivating characterization of the monster Grendel. While the reader may initially brand Grendel as a sadistic villain, Gardner gradually reinforces the complexity of this character, to the extent where a pressing question arises and begs the reader’s attention--is Grendel truly evil? As the story progresses, it becomes evident that Grendel simply does what he knows to do, as a monster, in addition to doing what he can do, as an emotional being which often lacks favorable choices. Furthermore, Grendel’s status as an evil beast relies entirely on morals, which are wholly subjective. Essentially, because of the complicated nature of naming a creature “good” or “bad,” and
Grendel, is John Gardner’s 1971 novel that is set in Fourth Century A.D. Gardner portrays Grendel as the visible monster, in that he is known by all the people as being a big scary murderer who is a descendent of Cain, and since most people are quick to judge this is how Grendel’s reputation began. Gardners’s use of good and evil in his novel shows that not all monsters are what you expect them to be, and sometimes they aren’t always the obvious culprit. Throughout his novel, Gardners’ use of evil shows that sometimes things can be misinterpreted, and his use of good shows that you don’t need to have a bad reputation or a scary face in order to be evil. This is why Grendels’ portrayal in the novel is hidden and why he isn’t the true monster.
You may or may not be familiar with Beowulf’s representation of the monster, Grendel. Whether you are or not, you will be incredibly familiar with the “shadow-stalker” very shortly. Most people would agree that the epic’s characterization of Grendel is less than flattering. John Gardner, on the other hand, presents us with an alternate vision of one of the earliest monsters in British literature with his novel, Grendel. Gardner’s demon is evil too, or again, so one may think, depending on one’s definition of the word. So you must decide if Grendel is, in fact, evil. Are we supposed to sympathize with him? Is he punished for his “evil” deeds? Write an essay proving that Grendel is or is not evil, using examples
In history, evil men have reigned supreme across many cultures. Some people say that being evil is inherent in every human. If this is true, then writing may be the ultimate way of releasing hatred of the world without hurting anyone. In Beowulf, all of society's evil men can be personified within the demons of Cain. The main demon presented in Beowulf is Grendel. Grendel personifies the exact opposite of what the Anglo-Saxons held dear. Beowulf, the story's hero, is the embodiment of what every Anglo-Saxon strove to become in their lifetime. Grendel is constantly angry, afraid and unsure of himself; while Beowulf is fearless and loyal to his king.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Throughout history, literature has portrayed a variety of character arcs. This ranges from the vengeful hero to the sympathetic villain to the chaotic anti-hero. Yet the further back through time written works go, the simpler the characters portrayed. In the Seamus Heaney translation of Beowulf, the characters of Beowulf and Grendel are the least complex version of heros and villains ever created. They fall under all the typical traits of these arcs. Beowulf is strong, vain, and seeks further enlightenment via the path of endless adventure. There are no qualities he possesses that may indicate any depth to his beliefs or weaknesses. The same can be seen in the character of Grendel. Simply put, he is the incarnation of evil. The concept of good vs evil is portrayed in Beowulf