Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Black stereotypes in media
Black stereotypes in media
Black stereotypes in media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Black stereotypes in media
The “Voodoo” doll is one of the first items associated with the religion when it is discussed in American pop culture. With a prick of a needle, a Voodoo doll is a common figure identified with revenge. Much like the Voodoo doll, there are many elements of this religion that have been convoluted to fit into mainstream American society. The Voodoo doll serves as an exceptional example of how Voodoo’s principles have been so reduced, they have lost their meaning, all in the effort to make it a more appealing and marketable religion. Similar to the Voodoo doll, there are many facets of this religion that have been utilized by film in order to characterize this religion as one of mischief. Imagery, rhetoric, and representation have an incredible …show more content…
How is the media’s representation of this religion accentuating historical stereotypes about Voodoo, its practices, and its followers? Within this cinematic study, I hope to explore how the depiction of Voodoo has strayed from its original values. The research I will conduct examines the American reaction to Voodoo and how this speaks to a larger issue of anti-black imagery. This research is invaluable to the sociological and cultural anthropology domains. Looking at this particular set of questions, the information I will gather is significant to determining how American film audience consumes this religion, and in turn, how this is affecting portrayal of a historically stimagified religion. My contemporary historians that study this issue are focused on a time period that is no longer relevant to society. By looking at a recent film, Princess and the Frog, I will be able to see how this imagery and rhetoric has evolved over time to reiterate the stereotypes associated with Voodoo. It is critical that research on this subject is kept current because our society is expanding this stigma of Voodoo to anti-black imagery seen in the
Although the thought of being involved in such rituals is scary, I developed a deeper understanding and appreciation for the practices that Haitian voodoo participants, if it is appropriate to refer to such people as, engage in. The most impressive bit of information that I will keep with me is to be less judgmental of others; “people who practice voodoo believe in the same God as Christianity, but they also believe in communicating with other spirits, who serve various roles in healing, casting spells, and more” (Boudreaux, 2015a, p. 110). As a golden rule, I know that I should not be judgmental of others anyway, but I am human and am prone to quickly create stereotypes in my mind. I don’t always share those thoughts, but thinking makes me just as guilty as doing or saying. I am thankful for the reminder that all people are children of God, and I should research and learn about different beliefs before I make a judgmental decision, if I make that judgment at
imagery illustrates the scene and tone of the speaker. The use of personification portrays the
1) This quote is an example of imagery because it uses figurative language to describe what New York is like late at night. As well as it uses words
Imagery is used by many authors as a crucial element of character development. These authors draw parallels between the imagery in their stories and the main characters' thoughts and feelings. Through intense imagery, non-human elements such as the natural environment, animals, and inanimate objects are brought to life with characteristics that match those of the characters involved.
Piper’s use of imagery in this way gives the opportunity for the reader to experience “first hand” the power of words, and inspires the reader to be free from the fear of writing.
Like Santeria, Voodoo is a syncretic religion that embodies the beliefs and practices of Christianity with those of traditional West African religions. Voodoo is also a monotheistic religion, with the God Bondye being the supreme creator. Bondye is similar to Olodumare in that he does not interfere with the lives of his believers, so Voodoo practitioners redirect their worship and rituals to spiritual deities known as lwa. Lwa are regularly contacted and worshipped through various forms of rituals; these rituals include altars, possession by spirits, and elaborate ceremonies. The purpose of the rituals is to appease the lwa to lend assistance to believers in times of need, or for general good faith measure, to prevent angering of the lwa and the possible dire consequences that may follow. As with Santeria, the syncretism of Catholic imagery and objects is inherent to the religion, and these objects are usually included in the rituals of Voodoo
It is amazing how two religions, such as Voodoo and Christianity, can be filled with so many awesome differences with respect to time eras, status, publicity, and language, and yet still have an almost identical core ideal. This also demonstrates that this core ideal of the use of humans as a mouthpiece of the divine has been a long lived concept which people, such as Mama Lola and her family, still believe in and practice today. Perhaps this proves there is some truth in the idea, and most likely, we will never know for sure, whether this concept, in it’s many different forms continues to live on, or if it dies out.
One of the literary techniques most prominently featured throughout the passage would be that of imagery. The author takes great care to interweave sentences comparing the traits
According to Paul Touloute, human beings since their creation have always wanted to investigate the unseen world. These desires led to many religious and philosophical tendencies that account for many religions throughout the world. One of those religions, Vodou, commonly spelled Voodoo, evolved in Haiti as the predominant religion of the people incorporating traditions imported by enslaved Africans. In an attempt to investigate Vodou beliefs and for a better understanding of the religion, Karen McCarthy Brown immerses herself into the life of Alourdes Macena and their extended Vodou family kinship. Karen participates not only in the home-spun ritualistic ceremonies which is essential to pleasing various spirits, but also undergoes ritual marriages to the spirits Ogou and Danbala, and completes the initiation process one must undergo in order to become a manbo. The key goal of doing an ethnographic fieldwork is to go beyond what “actors’ say they do” (being the ideal) to “what actors actually do” (the real). Within the story of Mama Lola, the author Karen McCarthy Brown explores the spiritual tradition of Vodou through extensive research and participation-observation, which is a great way to go from the ideal to real absences. Karen Brown learns how Vodou operates, who the spirits are and what it takes to appease them, and of most importance, she learns about how Vodou is a religion of and for the people.
Another example of imagery that is strong is, “I look in the mirror and hold up my mangled hand, only the baby finger left, sticking straight up, I know it’s the wrong goddamned finger, but fuck you all anyway.” (Smith) Patricia uses imagery here perfectly. The use of descriptive words like mangled and baby, add the image of a man just staring into a mirror saying, “Fuck the world” and even though he does not have the right finger to do it he still uses it to replace the middle finger he lost.
...white people were the change-makers and shapers of Vodun, when actually black people adapted their religion to suite oppressive conditions. As time went on “Voodoo had become less of a religion than a political association [which was] and inherent characteristic of black religion from the slave period” (46). This happened not only in America, but in Haiti as well. This not only highlights the evolution of Vodun from religion, to a political force, but also the adaptability of Vodun as well.
In this final paper, I will discuss my research on the practice of voodoo, which is an aspect of Haitian Culture, especially as a hope
Lehmann A. C. & Myers J. E. Magic, Witchcraft and Religion – An anthropological Study of the Supernatural (Fourth Edition) (Mayfield Publishing Company, 1997)
Another rhetorical strategy incorporated in the poem is imagery. There are many types of images that are in this poem. For example, the story that the young girl shares with the boy about drowning the cat is full of images for the reader to see:
Fried, Gregory. "True Pictures." Understanding Rhetoric. A Graphic Guide to Writing. The Basics. Visual Rhetoric. Readings. Ed. Dore Ripley. Pleasant Hill: DVC, 2013. 91-93. Print.