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Violence and the Effect
Violence appears in many different shapes and forms and in some cases; it is hard to escape violence. As unfortunate as it sounds, everywhere we turn, all around the world, there is a footprint of violence in our society, in our workplace and in our home. There are many homes where parents beat each other and beat their children. There are many places where people are verbally and physically abused by others. There are also many places where racism reigns and people are hurt and violated because of their skin color, religion or gender. In The Bluest Eye by Toni Morrison, the author does not only talk about violence, she also shows us how a person confuses love with violence.
“Violence repeatedly usurps the space that love might hold. Commonly the fantasied antidote to psychic wounds and losses, real and imagined, love is an expected unguent, a form of medication, pain's "natural" anodyne. But Morrison takes a harsher, tougher, less romantic view of love, one fashioned from the accumulated wisdom of the ages, a wisdom infused throughout her novel”. (Mc Dowell)
In a society where racism was in the outset of the moment in was extremely difficult to escape the antagonism of the community.
Violence is a way of demonstration of all the other feelings inside a human being. Feelings that are suppressed and can only be let out through the pain of another. There is always a reason for violence, a motive that can be scary, or perhaps even tender. It can be physical and it can be verbal. Violence can go from an everyday beating, to a once in a lifetime regret. It can be within a home, or a whole socie...
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...however, ends not with forbearance but in death”(Wren).
Works Cited
McDowell, Deborah E. "Philosophy of the Heart." Women's Review of Books 21.3 (Dec. 2003): 8-9. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 194. Detroit: Gale,2005.Literature Resource Center.Web. 13March. 2011
Scott, Lynn. "Beauty, Virtue and Disciplinary Power:" Midwestern Miscellany 24 (1996): 9-23. Rpt. in Contemporary Literary Criticism. Ed. Janet Witalec. Vol. 173. Detroit: Gale,2003.Literature Resource Center. Web. 14 Mar. 2011
Wren, James A. "Morrison's The Bluest Eye." Explicator 55.3 (Spring 1997): 172-174.Rpt. Ed. Tom Burns. Vol. 99. Detroit: Gale, 2005. Literature Resource Center.Web. 26 Apr. 2011.
...n & Co., Inc., 1962); excerpted and reprinted in Contemporary Literary Criticism, Vol. 3, ed. Carolyn Riley (Detroit: Gale Research Inc., 1975), p. 526.
violence show how evil a human can may be. According to Tiger Knowles in Nightriding with
A paradigm as defined in the dictionary is an example serving as a model. In his book, 7 habits of highly effective teens , Sean Covey compares paradigms to glasses and says that if the paradigm, or perception, is incomplete it is like wearing the wrong prescription. One example Covey gave is:
April-May 1992, p. 32-4 Rpt. In Contemporary Literary Criticism. Ed. Deborah A. Stanley. Vol. 97. Detroit: Gale, 1997
Gwendolyn Bennett and Jean Toomer approach the use of violence in their writing from two opposite angles. In Bennett’s poem “Hatred”, this violence is explicitly stated against white people and the institution of racism. Toomer, on the other hand, employs this violence in a domestic context. Both poems make use of images of weapons and elements of nature. These images reconcile two completely different works of literature by establishing them firmly within the culture of the American South.
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
Toni Morrison's The Bluest Eye. Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references.
Violence causes a great deal of suffering and harm in the world today and yesterday (Cross 2013). Peace and conflict researchers are undeniably justified in their selection of inter and intra-state violence as objects of study because the social context for both the performance and understanding of violence is of central importance (Cross 2013). However it is surprisingly rare to find a definition of violence (Moore 2003). Thus uncertainty prevails as to whether violence is limited to physical abuse or includes verbal and psychological abuse (Moore 2003). Agreeing with Moore (2003), Galtung (1969) said it is not important to arrive at a definition of violence because there are obliviously many types of violence. Violence is not
A reader might easily conclude that the most prominent social issue presented in The Bluest Eye is that of racism, but more important issues lie beneath the surface. Pecola experiences damage from her abusive and negligent parents. The reader is told that even Pecola's mother thought she was ugly from the time of birth. Pecola's negativity may have initially been caused by her family's failure to provide her with identity, love, security, and socialization, ail which are essential for any child's development (Samuels 13). Pecola's parents are able only to give her a childhood of limited possibilities. She struggles to find herself in infertile soil, leading to the analysis of a life of sterility (13). Like the marigolds planted that year, Pecola never grew.
The Bluest Eye, written by Toni Morrison, is a novel that encompasses the themes of youth, gender, and race. At the time the novel was written, The African American Civil Rights Movement had recently. In the story, Morrison utilizes a story in first person to convey her viewpoints about racial inequality. Authors such as Anais Nin, Virginia Woolf, and Adrienne Rich composed poems and essays that discuss concepts present in The Bluest Eye. Morrison weaves passages of children’s stories to illustrate the chaos amongst the characters in her novel. Morrison does not use children’s books to serve as the basis of her points—she uses them to strengthen her ideas. In The Bluest Eye, Morrison implies that American culture is reason for the discrimination
While some events justify and legitimize the use of violence, too many acts are overshadowed and overthrowing the idea that violence is legitimate.
In simple terms, violence is the physical, emotional or mental harming of another human being. However, violence isn’t only limited to harming another, since we often act violently towards ourselves in response to violence we are surrounded by. The most obvious impact violence has on an individual's life is usually negative, but in some incidents, violence can be used as a form of redemption in order to atone for injustices. Violence can also be used as a tool to protect, as well as a means of soothing an individual's pain. In his novel, In his novel, The Kite Runner, Khaled Hosseini suggests that violence has a psychological hold on an individual which causes a change in personality and morals leading individuals to resort to violence as a
For a person looking objectively the everyday life of an individual may look peaceful in the absence of any physical form of violence. But the everyday life itself may contain violence in structural form which is called ‘violence of everyday life’ (Scheper-Hughes, 1993). One of the best example of structural violence, but mostly taken for granted is ‘cultural violence’. ‘Cultural violence’ refers to aspects of culture that can be used to justify or legitimize direct or structural violence, and may be exemplified by religion and ideology, language and art, empirical science and formal science and thus follows “follows the footstep of structural violence” (Galtung, 1990).
Etymologically, “violence” is akin to “violate” and thus is suggestive of damage and destruction that would characterize a violent storm or a traumatic experience such as rape, terrorism, or war. Though the concept of violence has always intrigued philosophers, psychologists, and literary artists, it is only in the 20th century that it has gained currency in most cultural discourses. While the concept of violence itself has undergone considerable philosophical analyses since ancient times, thus far there has been no consensus about its precise character. Simply put, violence is the overt physical manifestation of force on individuals, groups, or nations. Broadly speaking, racism, sexism, economic exploitation, and ethnic and religious persecution are all possible sources of violence involving constraints that abuse people psychologically, if not physically. (“Literary Violence”