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The comparison between “porphyrias’s lover” and “my last duchess”
The comparison between “porphyrias’s lover” and “my last duchess”
Collection of essays on dramatic monologue
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In 'Porphyria's Lover' and 'My Last Duchess', Browning uses several
features of dramatic monologue in order to engage and sustain the
interest of the audience. This style of monologue is spoken by a
character, which is not the poet, and is usually projected at a
critical moment, as in the case of 'My Last Duchess' and 'Porphyria's
Lover'. The speakers unintentionally reveal their insanity, in both
poems, through their separate accounts. By making a comparison of
the two poems, it becomes clear that Browning has used similar
disturbing themes to illustrate what an individual is capable of doing.
Browning's work is known to be an example of dramatic monologue, with
this being the way in which he is able to portray the insanity of his
characters. By using the technique of dramatic monologue in
'Porphyria's Lover' and 'My Last Duchess', the reader is immediately
given an image of both of the narrators' subjects. The opening line is
vital to any poem, as it has the potential to instantly interest the
reader. "That's my last Duchess painted on the wall" begins 'My Last
Duchess' halfway through the conversation, leaving the audience eager
to determine to whom the speaker is talking to. This statement also
hints that the story of his "last duchess" will follow, thus
sustaining the interest of the audience. By using dramatic monologue
in 'My Last Duchess', the reader feels personally involved in the
scene, as if the Duke is directly talking to him. In fact the Duke is
speaking to an emissary, who has been sent by a Count to see whether
the Duke is an appropriate suitor for his daughter. The lack of
response from this envoy however gives the...
... middle of paper ...
...g more of a passionate poem. The poem also
uses iamic tetrameter, in order to stress the importance of different
syllables of words in the poem. 'Porphyria's Lover' concludes with a
rhyming couplet in order to tidy up and close the piece.
In conclusion, Browning uses dramatic monologue in 'Porphyria's Lover'
and 'My Last Duchess' in order to engage and sustain the interest of
the audience. Various factors, such as the state of mind of both
characters, use of language (particularly imagery) and the lay out of
the poem contributed to the effectiveness of the poems. When studying
comparisons and contrasts in the poems, it becomes clear that Browning
has used the same methods of aiming to disturb the reader in both
'Porphyria's Lover' and 'My Last Duchess', although different ways in
which to alarm the audience are used.
good, in fact, that it is questioned if he was acting insane or if he
First came the pride, an overwhelming sense of achievement, an accomplishment due to great ambition, but slowly and enduringly surged a world of guilt and confusion, the conscience which I once thought diminished, began to grow, soon defeating the title and its rewards. Slowly the unforgotten memories from that merciless night overcame me and I succumbed to the incessant and horrific images, the bloody dagger, a lifeless corpse. I wash, I scrub, I tear at the flesh on my hands, trying desperately to cleanse myself of the blood. But the filthy witness remains, stained, never to be removed.
In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
The duke then talks to Othello as if he is a criminal by saying Duke:
The introduction is the part that has been used to explain the situation that is taking place. In this, Macbeth has the first two scenes. In the first scene, the audience is introduced to a mystical atmosphere which is to be prevalent in the whole play. The second scene is a description of the brave deeds of Macbeth, who is made a man who is to yield supernatural soliciting (Shakespeare, 55). This is shown when the king makes an attribute to Macbeth by saying
Blanche Dubois, a refined and delicate woman plagued by bad nerves, makes her first appearance in scene one of A Streetcar Named Desire by Tennessee Williams. She unexpectedly arrives in New Orleans to visit her sister Stella Kowalski who ran away after their father’s death. Upon their reunion, Blanche is sharp-tongued and quick to state her shock over the unsavory status of the apartment in comparison to the luxurious plantation where the two sisters were raised. Though dissatisfied by the living conditions, Blanche quickly explains that she had been given leave of absence from her teaching position due to bad nerves and could not stand being left alone—her excuse to invite herself to stay with Stella for an undetermined period of time. It
is far from insane, but rather, "playing mad" for a purpose of his own. Madness
character is exhibiting signs of insanity in his speaking. He continuously mixes the realistic life
that the party is going to be content and it is going to be a
Another aspect of the duke’s character addressed in the poem is his condescending attitude. Two times in the poem the duke needlessly told the names of the artists who created the masterpieces that he owned (lines 3 & 56). He felt superiority over the emissary he was speaking to by dropping these names. The duke addressed the emissary as a “never read stranger'; (line 6). Not only was it patronizing for the duke to call him a stranger, but he called him unintelligent too.
... but the torment of being labelled insane. The eventual anxiety attack, characterized by irrational behaviour such speaking frequently, and later foaming, raving, swearing and violent actions towards his chair, which is, ironically, the typical behaviour of the insane.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
Both of these poems can be used read from different points of view and they could also be used to show how society treated women in the Nineteenth Century: as assets, possessions. Both of these poems are what are known as a dramatic monologue as well as being written in the first person. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables. ‘My Last Duchess’ is about a member of the nobility talking to an ambassador concerning his last wife, who later on in the poem is revealed to have been murdered by the person speaking, who is about to marry his second wife. ‘Porphyria's Lover’ gives an insight into the mind of an exceptionally possessive lover, who kills his lover in order to capture that perfect moment of compassion. ‘Porphyria's Lover’ uses an alternating rhyme scheme during most of the poem except at the end. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables.
Robert Browning frequently wrote dramatic monologues to enhance the dark and avaricious qualities in his works. Browning's use of this particular style is to "evoke the unconstrained reaction of a person in aparticular situation or crisis" (Napierkowski 170). A poem may say one thing, but when mixed with dramatic monologue, it may "present a meaning at odds with the speaker's intention"(Napierkowski 170). This change may show the reader more insight into the poem without directly stating the underlying facts. The reader is allowed to "isolate a single moment in which the character reveals himself more starkly" (Napierkowski 171). Browning's use of dramatic monologue "disposes the reader to suspend moral judgement" (Napierkowski 171) causing a haughtiness to hover over many of his works.
In Robert Browning’s dramatic monologue “Fra Lippo Lippi” we as the readers are presented with a lot of background information about the speaker itself. This monologue overall subjects a monk/painter of Renaissance Italy. I find this monologue very interesting because of the fact that Browning uses sarcasm and witty personality in his favor at the beginning of the poem. The trait of the authorities being overzealous in the monk’s eyes is what charms the beginning first half of the monologue. For this writing assignment, I will analyze specific lines of 1-60; I believe the monk reveals a lot about himself as a character in the very first half of the poem which is why I find this of significance. While analyzing these specific lines, I will also describe how these lines help us as readers better understand this character in question.