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Comment on brownings dramatic monologues
Comment on brownings dramatic monologues
Comment on brownings dramatic monologues
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Writing Assignment – “Fra Lippo Lippi” In Robert Browning’s dramatic monologue “Fra Lippo Lippi” we as the readers are presented with a lot of background information about the speaker itself. This monologue overall subjects a monk/painter of Renaissance Italy. I find this monologue very interesting because of the fact that Browning uses sarcasm and witty personality in his favor at the beginning of the poem. The trait of the authorities being overzealous in the monk’s eyes is what charms the beginning first half of the monologue. For this writing assignment, I will analyze specific lines of 1-60; I believe the monk reveals a lot about himself as a character in the very first half of the poem which is why I find this of significance. While analyzing these specific lines, I will also describe how these lines help us as readers better understand this character in question. In these lines, brother Lippo appears to be before authority figures. While most disobedient citizens who are before the law will admit to their crime or accept it, brother Lippo decides to “talk” his way out of this mishap. Brother Lippo is apparently caught at midnight at a brothel and sees absolutely nothing wrong with this crime. Specifically from lines 5-6, “And here you catch me at an alley’s end, Where sportive ladies leave their doors ajar?” we as readers are able to …show more content…
conclude that the monk feels that no punishment should be made. This helps us as the readers to further determine that the monk has no respect for authority figures or women even. As a character, the monk seems very lively, entertaining and amusing. I argue this, because even after the authorities got physical with brother Lippo, he still remained cheerful throughout the poem. Furthermore, in lines 16-26, brother Lippo reveals a lot about his character as well.
He mentions Cosimo of the Medici, a well-respected family in Italy and attempts to use their name to his advantage. “Three streets off--he’s a certain..how d’ye call? Master__a…Cosimo of the Medici,” Despite the fact that brother Lippo doesn’t actually know this family he still throws their name around and challenges to shame the authorities with it. I argue that this tell us as the readers that Brother Lippo is also one of imagination and falsification. Brother Lippo can’t be trusted and all of the words that he speaks seem to all be
false. As for further character analysis, I argue that brother Lippo allows us as the readers to apply character analysis by covertly telling us of his secrets. He uses this trick to his advantage and also uses his passion for art to his advantage also. His uses his art to pain religious things and scenes and while arguing with the authorities his imagination begins to turn them into art as well. Overall, I think the monk reveals a lot about himself in this monologue intentionally and unintentionally. Some of which he reveals voluntarily by airing out his dirty laundry while other he playfully spoke upon while trying to dodge trouble.
The start of Robert Walton and the monster’s final conversation, this paragraph near the end of Mary Shelly’s novel Frankenstein uncovers the untold perspective of Victor Frankenstein’s creation. Revealing to Robert that Frankenstein’s misery was not the only casualty of the novel, Shelly’s utilization of the monster’s pain illustrates mankind’s hatred and abandonment of the artificial being. Moreover, directing spiteful words towards Victor Frankenstein, Felix De Lacey, and even himself, the monster’s narration reflects the being’s unresolved emotions that have emerged because of society’s cruelty. Although science fiction, the narrative of Frankenstein’s monster exemplifies the literary reproduction of England’s monarchy deserting its own
The atrocities of war can take an “ordinary man” and turn him into a ruthless killer under the right circumstances. This is exactly what Browning argues happened to the “ordinary Germans” of Reserve Police Battalion 101 during the mass murders and deportations during the Final Solution in Poland. Browning argues that a superiority complex was instilled in the German soldiers because of the mass publications of Nazi propaganda and the ideological education provided to German soldiers, both of which were rooted in hatred, racism, and anti-Semitism. Browning provides proof of Nazi propaganda and first-hand witness accounts of commanders disobeying orders and excusing reservists from duties to convince the reader that many of the men contributing to the mass
In 1851, Victor Hugo, a french writer, was exiled from France for writings that were deemed critical by the government by Napoleon. Many believed the exiling was unjust and expressed their views strongly, through opinionated letters, which revealed people’s stances on Hugo’s exile. Although some agreed and other disagreed, one thing they all had in common was the persuasive use of rhetorical strategies. Elizabeth Barrett Browning, an English poet, wrote a letter to Napoleon in 1857, but never mailed it. Browning’s letter incorporated strong word choice, repetition, and an appeal to emotion which overall was used to persuade Napoleon to pardon Hugo would benefit him and his people.
One poet who was found immense success in the last twenty years in Elizabeth Alexander.An African American woman, Alexander published her first collection of poetry in 1995 and has continued to produce outstanding works since then. Elizabeth Alexander is well known for her poems because of the skillful use of techniques such as diction, enjambment, and asyndeton. In addition, Alexander has garnered attention by adhering to traditional topics such as family, motherhood, and love. Yet, her work does not fit all of the conventional expectations of poetry. Alexander defies expectations by the lack of rhyme or consistent structure in her poems. Nevertheless, I personally find Elizabeth Alexander’s poems of witnessing and stream of consciousness
In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
The pursuit of honour by Claudio and Don Pedro is nothing short of obnoxious. All of their endeavors are public and have a serious effect on someone, and that is no accident. Such an egocentric approach is typical for all extrinsically motivated honour seekers, and the consequences of their actions are par for the course. By having all of their endeavors made public, their apparently honourable deeds will be rewarded, regardless of the true effects. Since Claudio and Don Pedro are so preoccupied with the superficial results of their actions, it is not surprising that dramatic misadventures transpire. When Don John suggests to Don Pedro and Claudio that “...[Hero] has been too long a-talking of, the lady is disloyal” (III,ii,89-90), they are faced with a decision. To trust in Don ...
In conclusion, biographical information of two poets, the symbols in three poems, the settings in three poems, and the shared theme have been discussed. “How Do I Love Thee?” by Elizabeth Barrett Browning, “Meeting at Night” by Robert Browning, and “Parting at Morning” by Robert Browning have been thoroughly researched.
Thus, Browning’s use of the dramatic monologue form allows him to both deepen and dramatise the action developing within the poems. It is interesting to note that traditionally high-standing members of society narrate many of Browning’s dramatic monologues. Browning utilises the form to expose the frailties of these characters. He reveals the envy of The Duke in “My Last Duchess”; the lust of the monk in “Soliloquy of the Spanish Cloister”; and an excessive amount of greed and pride in “The Bishop [who] Orders His Tomb at Saint Praxed’s Church”. The Duke’s requirements of his wife seem unreasonable, exposing an aspect of instability within his supposedly impeachable character.
These six poems all vary in tone and messages yet all connect to death. Poem at Thirty-Nine explores the feelings the poet had towards her father 's death and looks back on her relationship with him, leading onto how she thinks he would see her now if still alive. Remember requests a lover to remember the speaker when they die, but not so much that it affects their daily life. Do not go gentle into that good night shows the poet lamenting his father 's decreased health and encouraging him to cling to life. Funeral Blues is once more the poet mourning his partner 's death and wants the world to share his grief. Poem shows the poet weighing up an average man 's life, in the end avoiding making a definitive judgement. Death be not proud takes to death directly, saying he has nothing to be proud of, instead being
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
“Antonio, have you seen my nephew, your son anywhere?” Leonato asked hurriedly. “He is most likely taking care of the music right now, that is what I saw him doing last. I do however have something to tell you that may or not shock you.” Antonio exclaimed in an excited but quiet voice, making sure no one heard him. Leonato adjusted his body to a more calm pose as his nephew was, in fact, taking care of the music so he had nothing to worry about. “And what is this that you wish to tell me?” He asked in a curious, shrill tone. “Well, how do I put this, a servant of mine was strolling through the orchard and heard Claudio and Don Pedro, the prince of Aragon discussing their love for your daughter, more specifically, the prince’s love, there is apparently a plan for the prince to ask her out during the ball tonight.” a smile spread across Leonato’s face, he obviously could not hide the excitement that overcame him.“Are you sure your servant heard him
Browning's amazing command of words and their effects makes this poem infinitely more pleasurable to the reader. Through simple, brief imagery, he is able to depict the lovers' passion, the speaker's impatience in reaching his love, and the stealth and secrecy of their meeting. He accomplishes this feat within twelve lines of specific rhyme scheme and beautiful language, never forsaking aesthetic quality for his higher purposes.
men, it was often they had a pretty girl beside them. She would act as
Browning uses irony in conjunction with dramatic monologue to produce a sinister and domineering effect. Irony, much like dramatic monologue, can make the reader question the true underlying meaning of the passage. This brief confusion causes an eeriness to be brought about in the work. In "My Last Duchess," verbal irony is demonstrated when the Duke says to his guests, "even had you skill in speech . . . which I have not"(35-36).
“The Divine Image” has five ballad stanzas that, with the use of repetition throughout each stanza and a meter that alternates between iambic tetrameter and iambic trimeter, has a hymn-like quality; making the poem seem very simplistic and natural. He pairs repetitive diction with a flowing syntax to charac...