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Similes and metaphors
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In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
process of throwing the ball to first base in the quickest way possible, while a dancer can also do a pirouette as a dance move. A phrase in this story that also makes a double play like a dance would be, “What / is too swift for deception / is final, lost, among the loosened figures” (19-21). This phrase can be related to both a double play and dancing with the word used to describe, the swiftness of both a dancer and a baseman and the loosened figures could describe the flowing movement of a dancer and the runner. 2. Also in this poem there is the usage of similes to make comparisons throughout the poem. One example of this would be, “The pitcher winding / like a clock about to chime comes does with / the ball” (2-4). This example is indicating that the pitchers wind up while in motion is like the same as a clock about to strike an hour and it is getting ready to chime. Another simile in this poem would be, “Bounds like a vanishing string / over the green / to the shortstop magically” (6-8). This simile talks about the ball being hit like a string right to the shortstop
"This critical circle is not close enough to the stage to see the actors' faces and catch the subtler by play" (Fitzgerald 1). The metaphor of the Dance sets up a critical underlying theme of the story.
In Annie Baker’s 2013 Pulitzer Prize winning play The Flick two men, Sam, a thirty-five year-old who has been stuck in the same job for years, Avery, a twenty year old black man with a obsession for movies, and Rose, a confidant yet itimidating woman who works in the projection booth. As the play progresses the characters relationships are formed forcing their fears, dreams, and desires to slowly surface.
although it is only at the end of the first act that we see the extent
Laughter tinkles into the backyard where we sit around a crackling campfire. Jeanie and Wanda, along with their niece join us. My sisters jump up, grab Leveah and dash to the front yard. Warm smiles glow on our faces as we watch them go.
As I stand here is Stanley's arms and hear my sister inside, I have so many thoughts that run through my head. I wish Stanley had not told Mitch about what he found out about Blanche's past. I saw how they were getting along, the adoring star's in Mitch's eyes everytime he looked at Blanche, and the contradicting peace and excitment that came over Blanche everytime she waited for Mitch to come and see her. If given time they would have had a chance. A chance at love and happyness. Not the kind of love that hits you like a freight train, like me and Stanley. But more of the gentle love that flows and mingles until it connects two people to the point that they are inseperatable. Everyone has something in their past that they are not proud of and try to hide. Though I am reluctant to beleive the stories that Stanley tells about my sister, I must admit that there could be some truth in what he says, even with his great dislike for my sister, he would not hurt me deliberetly in this way with mistruths.
Where Shakespeare's tragedies will tell the story, chiefly, of a single principal character, this is rarely the case with his comedies. The comedies are more social and deal with groups of characters. In the case of A Midsummer Night’s Dream, the principal groups are, at first, introduced severally. Though, one group may interact with another (as when Puck anoints Lysander's eyes, or Titania is in love with Bottom) they retain separate identities.
The character of Hamlet, although an archaic prince, demonstrates so many base human experiences and emotions. The motifs of experiencing loss, dealing with grief, coming of age and trying to claim a place in the world, are not constricted to any time period, culture or societal class. Madness is an occurrence of the masses. Any person could become afflicted by the “single minded and tragically doomed search for” identity after a certain course of events (Erikson 239). The play deals largely with the multiple faces of Hamlet. The complexity of the roles he holds centers largely into the plot. He is an avenger, prince, son, friend, suitor and more. In order to maintain the multiplicity of his identity, which he possesses as “the combined play-actor, the intellectual, the youth and the neurotic,” Hamlet must showcase different versions of himself leaving the reader to search for the inner Hamlet. The inner Hamlet is a combination of a coming of age man, an intellectual romantic and a disturbed son bent on revenge (240). Each of these personalities emerge throughout the play offering the reader a glimpse of the “inner reality” of Hamlet who ultimately descends into revenge (240).
Hard Candy is a one act comedy about hiring practices for Banff Enterprises. It is set in the offices of employment at Banff Enterprises. The interesting part of the play is that every character that applies and gets hired takes over the job of the previous interviewer. I found it to be a very humorous play that deals with interviewing tactics and inter-office dilemmas. The only real main character is Linda the secretary who is the only continuing character throughout the entire play. Every other character is only in one or two scenes. In the beginning of the play Linda, the secretary, is very jovial and excited, but as time and the play go one she becomes more and more depressed until she just doesn’t care any longer and kills the manager at the time. She is an interesting character that personifies so many of the people in the work force. Then the applicants/managers range from a variety of personalities. There is the original manager who was in a fraternity with the first applicant, Bob. Therefore Bob got the job with no experience and no skills. Bob, the next manager, interviews Cindy who is a insanely intelligent woman. She knows forty eight languages and has eleven degree’s. Bob tests her knowledge and in the end hire’s her. It goes on with interviews from a slacker, to a man who bribes his way into the job, a take-charge woman, a sexy man, an oddball, a military freak, and finally a shy young teenager, Jill. Jill is the one killed in the end by Linda. The secretary in the end, after the death of Jill, takes over the company and begins to change the "corruption" of Banff Enterprises. All in all, a very entertaining play.
Often times when we think about the dramatic monologue the thing that might come to mind are monologues that are often seen in Shakespeare’s work whether that be Hamlet’s monologue To Be or Not to Be. Or the dramatic monologue that is echoed in Romeo and Juliet when Juliet cries out, Romeo, Romeo, Wherefore Art Thou Romeo? The dramatic monologue is defined as a type of poem where the speaker is talking directly to a person or addressing another person. Normally in these types of works the speaker speaks alone which is known as a one-way conversation. The setting is typically dramatic, in the sense that they have a theatrical feel to them, but also its intended to be read to an audience.
Oprah Winfrey, a talk show host, quoted that, “Be thankful for what you have; you’ll end up having more. If you concentrate on what you don’t have, you will never, ever have enough.” In Act Three, Scene Three of William Shakespeare’s Romeo and Juliet, Friar Laurence talks to Romeo about his banishment. In the monologue, he tells Romeo to be happy and thankful for what he has instead of whining about what he doesn’t have.
Even though they are performing the same scene, the two movies are very different in style. First, the shots and lighting are displayed differently to catch the different moods of the movies. In the first movie, the camera stays close to everybody's face. It seems to zoom in on characters that are speaking and does not try to capture the listeners' reactions to those who are speaking. Also, the lighting is very dark and the scene is closed in. The background scenery of a castle room is very small and closed in. This makes the room not actually seem like a real castle room because castle rooms are always shown as big, lavish, well-kept rooms. In the second movie, the camera, instead of being on one person's face, usually stays on two or more people's face, often involving the crowd in the shot. This makes it possible to view the speaker, and see the reactions on everyone else's face. The lighting seems a little bit better, and thus gives the impression of being more jovial than the first movie. The background is more relaxed in the first seen, and has a large room that has tables and decorations in it. It also has many people there already having a good time, waiting for the play to begin.
“She was a lovely lad, beautiful. I didn’t want this for her. I only wished nothing but happiness for her. I hope she’s happy where ever she is now, with her young Romeo. The tales she told me about Romeo sure did make her happy” she told us with tears.
I don’t know what to do now… My husband has killed my cousin Tybalt! Romeo why? Why Romeo why? My dear cousin, who was closely bonded to me by blood has been slayed by Romeo’s hands just after we were married today. Nevertheless, I don’t know whether to speak ill of Romeo or praise him. For my nurse called Romeo a villain, though he is my hero. However, when my nurse announced to me there was a death earlier today. I was extremely anxious and thought the dead man was Romeo? Thankfully it wasn’t. Although, my love is enamored with Romeo and I had only been a wife for a few hours. My feelings overflow with thankfulness my husband is still alive and tears of joy continually pour down on my cheeks. Why do I feel this way? Love is so mysterious it could transform adversaries into friends, enemies into lovers, and so on.
Chaz’s parties are usually pretty enjoyable, but this one is a disappointment. I mean, Chaz can make anything cool, even chess and accordion music, but I’m not really digging it. I thought I could impress a girl named Brianna at this party, but it’s hard to make an all black outfit look stylish. I’ve had a crush on her for years and thought that since she is single now, I could try and make a move. Let’s just say it’s not going well. To make things even better, I noticed a guy that’s been eyeing her for the past hour. I’ve never seen this kid in my life, but I already hate him. I have to find out who he is.
The way that this scene plays out is really meant to be a comedy and I think one of these plays makes that seem a bit more apparent. One scene takes it to a more serious point, and to be fair, I don’t think Shakespeare was known for being serious. Every single one of his plays is a comedy or a “tragedy” if you can call something taken so lightly a tragedy. “it shall be written in 8 and 6. No let it be two more, let it be written in 8 and 8.” (3.1 16-17) This is an example on why I think this play is a comedy, they cannot even decide how to write the play. This particular part of the play “A Midsummer Night’s Dream” was one of my favorite scenes in any of the plays that we have read. It’s so very sarcastic and quite funny. The scene is a group