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Reading skills and strategies
The purpose of reading comprehension skills
The purpose of reading comprehension skills
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Round characters are people that change and grow throughout a literary work. The author provides many details in order to fully develop and change the character. An example of a round character is Luisa from “The Shunammite”, written by Inés Arredondo. Luisa is a teenage girl who goes to care for her dying Uncle Apolonio. While she is at his house, some lewd events take place. These incidents alter her life and she experiences a complete change from who she was at the beginning of her last youthful summer (391). While these changes could have come through less corruptive experiences, she was overall changed for the better from the person that she started as. Before Luisa went to care for Apolonio, she could be described as several things, specifically arrogant, cocky, and attention loving. Her arrogance is evidenced when she stated “I was certain of having the power to dominate [the] passions of others” (392), particularly the desires of men. Her conceitedness stems from her good looks and confident appearance. She knew that others would slightly fear her because of her appearance, saying “my haughty modesty forced them to barely nod at me, full of respect” (392). She was full of cockiness, and she used her abilities to attract men to her advantage. She said that “Men’s sly glances slid over my body without soiling it…[they …show more content…
She also viewed herself in a new way. Before. She was arrogant and confident in her appearance, and knew that she was attractive (392). However, after spending many years caring for the man who had violated her for his own pleasure, she now saw herself as “the vilest of harlots” (398). This new version of Luisa is self-loathing, which differs greatly from the conceited version of herself that she started as. The readers can also imply that Luisa no longer loves attention. She believed that she was the worst of the worse, and she said that she was “alone, a sinner” (398).
Have you ever felt so much guilt and shame that you want to kill yourself? Francis Cassavant in Heroes, by Robert Cormier, is a realistic and relatable character who has suffered from this feeling ever since he was little. Even as a child, he has felt unusual and out of place compared to everyone else. Francis’s characteristics determine his actions throughout his story and motivate him to join the army, beginning his expedition as a so-called “hero”.
Since the emergence of literature, thousands upon thousands of characters have graced our imaginations. From trouble maker Bart Simpson of the celebrated cartoon television series The Simpsons to Mr. Darcy of Jane Austen’s renowned novel Pride and Prejudice, the world has witnessed a plethora of characters in literature. Khaled Hosseini, author of The Kite Runner, and Billy Collins, distinguished American poet, as well as countless other authors, share the utilization of characters in their literary works. The manner in which these authors use the literary element of characters varies immensely.
In the dystopian novel of The Brief and Frightening Reign of Phil, the theme is Loss of love. Loss of love is both demonstrated inside the novel and as well it is presented in the real world life where real humans live in. Who knew that in a fiction novel it can seem so real as these situations that are happening in the novel were not made up and were real things happening to the Characters. Just like these situations happening in the novel they are actually happening in the real world today. Loss of love occurs in the novel of The Brief and Frightening Reign of Phil through three influential characters; Inner Horinters, Phil, and Carol. The fictional representation of loss is similar to real life situations such as Undocumented Immigrants
Arredondo exposed Luisa as a dynamic character because during the story the readers can see the changes that her personality had over the time. At the beginning of the story the reader can see how Luisa takes care of her uncle with devotion and love, but after they married she considered it as a disgusting duty. Ines Arredondo described Luisa as woman who has the power of “purify everything” (81), but after suffering the physical abuse of her uncle, all her innocence disappear. She was an innocent girl that was reserving herself for marriage. However, after married her uncle, she started seen the things in a different way. Now, she thinks of herself as “the vilest of harlot” (87). The way that the author exposes Luisa is like happy young lady that thanks to the circumstances enter to a deep depression that changes her life and she “was not able to go back to who I [she] was”
The main character is Mitchell. He is round and dynamic. He is round because the story revolves around him. His thoughts and actions are crucial to the story and are described in great detail. He is dynamic because he changes from a relatively carefree, self-assured man into an impetuous man who feels old and becomes consumed with guilt. After witnessing the rape: 'He did not know what it was like to be very old ? but he assumed it was like this: fatigue beyond relieving by rest, by sleep.';
Will Allen (2013), a multi-talented, meticulous man who turned his profession from a basketball player to a professional salesman and then finally, into an urban farmer, in his book THE GOOD FOOD REVOLUTION precisely elucidates the significance of being patient in everyday life and how farming played an important role in teaching him this extremely important life skills.
Stylistically, the book is arranged in rotating chapters. Every fourth chapter is devoted to each individual character and their continuation alo...
“[Suddenly there was a tremendous explosion, Doc and Roberts clutch at the desk] ‘Roberts: Oh, my God! Doc: He wasn’t kidding’”!(400) They turn around to find Ensign Frank Pulver wearing a tattered uniform and a blackened face. This just one of Frank Pulver’s many childish and naive stunts in the play Mister Roberts by Joshua Logan. Throughout the play, Frank Pulver is indirectly characterized as being immature and foolish through his actions, humor, and dialogue.
Change is always the most difficult thing to adjust to. The Story “Uncle Rock” by Dagoberto Gilb is about the life of an eleven years old boy named Erick who through his actions shows his disapproval of the countless men that are constantly in and out of his attractive mother’s life. The men his mother always goes out with are the rich men wearing uniforms or jackets with company logos and luxurious cars. After watching numerous relationships fail, Eric finally decides to settle and accept the unpleasant man his mother chose to be with.
Arna Wendell Bontemps, an award-winning African American author and poet born on October 13, 1902, in Alexandria, Louisiana, to Creole parents, Marie Carolina Pembrooke and Paul Bismarck Bontemps (Pettis). At the age of three, the Bontemps departed for California after receiving threats from two drunken white men (Arna). In California, Bontemps attended the San Fernando Academy, a predominantly white boarding school, with his father’s message to not “go up there acting colored (Arna).” Bontemps later recognizes this to be an influential statement and he despises what he saw as an endeavor to make him obliterate his heritage. After graduating from Pacific Union College, Bontemps relocated to New York City and accepted a teaching seat at Harlem
I can tell you that the character of Miles changed through the story. So we can speak of a round character. You can clearly see that his character changed when he went to boarding school.
“The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises, it is flat. If it does not convince, it is a flat pretending to be round.” -E.M. Forster
An old man is sitting on an leather armchair, dressed in black and very expensive suit, smoking a cigarette and sipping his old whiskey from his goblet glass.He is short, squat, massive-skulled man. He was indeed a man to frighten the devil in hell himself. His presence sent out alarm bells of danger. His face was stamped into a mask of fury, the eyes were brown but with none of the warmth of that color. His mouth was not so much cruel as lifeless; thin and with the color of veal. He did not fear the police, he did not fear society, he did not fear the God or hell, he did not fear or love his fellow man. This old man was sitting all day on his armchair and offering his friendship to everyone who needed it because he is the only one who can help, he is the boss, he is the Godfather.1
Don and Michael are both powerful Godfathers that vary in many ways. Don became a Don because it was all that he really knew and he needed to take care of his family. On the other hand, Michael had a choice. In The Godfather, Michael rises to power as the head of the family. Michael’s character endures an intense change as the film goes on. At the beginning of the film, Michael seems to be a moral and an upright character, but that changes. Power is a major theme in The Godfather, and Michael and Don both pertain to this theme of power. Corruption is closely linked to that of power also, which is seen throughout this film.
The lines selected for analysis are Act II, Scene I, lines 277-291, when Antonio is trying to reassure Sebastian that killing his brother—the King of Naples—is a good idea and well worth the effort. As the reader knows, Antonio usurped his brother, Prospero, and became the Duke of Milan. This sets the stage for his attitude towards Sebastian’s wanting to kill his brother, King Alonso. Because of Antonio’s past actions he sees nothing wrong with getting rid of a family member for personal gain, but his reasons for doing so began at a young age and have been etched into his brain. Antonio’s psychological depth reveals that he is a man jealous of his brother’s rightful power, and stemming from that is his insecurity and lust for power wherever he may find it (in this case, having power over Sebastian). Antonio is not a good person, has few conscientious thoughts, and is now trying to convince his companion to follow his lead. If Antonio’s brother, Prospero, was to hear the selected lines, he would say that the only time Antonio thinks about performing acts that will get him power, by eliminating those who currently have it, is when it is to his advantage. He would say that Antonio devises plans to get rid of leaders when they are at a disadvantage, and he at an advantage, because he doesn’t feel that he could succeed otherwise—his insecurities kicking in. I don’t think Shakespeare agrees with Antonio, and there are two examples in the play to support that.