Ines Arredondo’s "The Shunammite" is a unique short fiction story that shows the reader how man’s lust affects the life of a young innocent woman. "The Shunammite" discuss the journey that changes Luisa’s life. In the story, Luisa, the main character, had to visit her dying uncle, Apolonio, to a little village in Mexico. When she arrived, she started to take care of all the necessities her uncle had with love. Until, she was informed that Apolonio’s final wish was to marry her in articulo mortis. With that marriage, she can inherit his possessions and have an economic stability. After a long internal debate, Luisa decided that she will give the last pleasure to her loving uncle. However, she did not anticipate that her uncle survives and make …show more content…
Arredondo exposed Luisa as a dynamic character because during the story the readers can see the changes that her personality had over the time. At the beginning of the story the reader can see how Luisa takes care of her uncle with devotion and love, but after they married she considered it as a disgusting duty. Ines Arredondo described Luisa as woman who has the power of “purify everything” (81), but after suffering the physical abuse of her uncle, all her innocence disappear. She was an innocent girl that was reserving herself for marriage. However, after married her uncle, she started seen the things in a different way. Now, she thinks of herself as “the vilest of harlot” (87). The way that the author exposes Luisa is like happy young lady that thanks to the circumstances enter to a deep depression that changes her life and she “was not able to go back to who I [she] was” …show more content…
In the story Arredondo exposed the conflict as a self vs other because the protagonist, Luisa, had to take care of her uncle Apolonio and that situation takes Luisa’s freedom. However, what makes Luisa insane was when Apolonio takes advantage of his new marital situation and forces her to carry out her duties of wife. She had to deal with Apolonio’s lust for several years. "He wanted me to be there all day long, always by his side, seeing to his need, touching him" (86) is how Luisa describe the new attitude that Apolonio had. Finally, after several years, the conflict was dealt when Apolonio dies and Luisa gets her freedom again. However, she was not able to be the same person she was before
Leonora de Oliveira was the mistress of Domingo Alvarez once He arrived in Rio. She convinced her husband to buy Alvares from his former owner so she would be healed from this ‘gre at healer’. For some time he was able to heal part of her ‘maleficios’ and was treated fairly. But as soon his healing techniques were not working, his freedom was limited. As his owner, Leonor treated him like a’ feiticeira’ because of the cures were not working. Because of this, his ability to move around was dictated by the commands of his mistress and her husband. It also caused Alvarez to seek revenge on his mistress and cause Alvarez to feel different, like an outsider. He eventually was sold to Jose Cardoso de Almeida, who gave Álvares his freedom . With this freedom, he set up a public house near Ignacio Correa Barbosa in Rua da Alfândega. His presence in Rua da Alfândega caused Alvarez to be ‘a great scandal ’ due to the street association with the catholic community. Ignacio Correa Barbosa , a resident in the neighborhood, saw it as his mission to ‘denounce ‘Alvares to the secular justice officials and the Inquisition. By denouncing Alvares, this caused society to label him as different kind of healer from the Catholic norms of healing. By clinging to his practice of healing, this
With several astute observations in his memories, Aires gets to deceive and confuse readers. The diary covers two years in the life of a sexagenarian with his proverbial wisdom but placid, deceives and misleads the reader with small observations. The narrator reports people who lived with the narrator, reading quotes and works that read as a diplomat and reflections on past events that occurred in politics. One of the main characters depicted by Aires is Fidelia, a young girl who he was interested. Due to his old age, Ayres never revealed his love to Fidelia, but considered a daughter to the couple Dona Carmo and Aguiar, who cannot have
...also accurately. “Salvador’s confession lasted three hours and twenty-two minutes and wrung Salvador out as if he’d been taken to the stream like a bunch of dirty clothes and his heart and soul were pounded with stones and scrubbed hard with soap” (537). Doña Margarita is pious woman along with having a great influence over Juan, which is shown above. Juan realizes that his mother is right, if he truly wants to be happy in his marriage he cannot start off with being unholy in his mind, so he must cleanse himself by going to Reconciliation. The children of the matriarch, mainly Juan because of his radical changes during his life, are greatly influenced by their mothers. They have become living embodiments of each of their mothers stand for, which was the real goal of the mothers after all.
Judith Ortiz Cofer’s use of diction had effectively implemented the dismissiveness behind an individual’s transition from childhood into adulthood, which had been the central meaning of the poem. Cofer’s uses a rather negative choice of wording in the first line of the poem that being, “My dolls have been put away like dead children”. As the poet decides to use the words “dead children” it brings a sense of gloominess upon the passage. Once the reader continues reading it appears that a connection can be made between the gloominess in the act of putting away the young girl’s dolls like “dead children” to her Quinceanera. Further Along the poem, the pessimism towards the act of maturing is found once again as the poet uses defeatist words such as “poison” when describing the fluids of her body that being blood. It seems that the young girl’s blood symbolizes her menstrual cycle, which effectively marks her entrance into womanhood. When describing the fluids of her body by using the word “poison” it creates a somber image of adulthood as she views her rite of passage as being toxicant. Ultimately, it seems that the poet’s use of diction provides the poem with a solemn tone which ultimately supplies the p...
The negative life changing experiences they face are a leading cause for them to refuse acting in accord with the prevailing idealistic standards which their society conveys. David suffers a lot under the oppression of Joseph, who keeps him in check by the threat of unjust force and authority that he rebels to defy the oppression present in his society. Similarly, Romeo’s banishment opens his mind to what he is forced to sacrifice as a result of the feud. He discerns foolishness of the feud that causes him to lose Juliet as a result. This illustrates how both experiences alter their beliefs and open their minds to the ugly reality of society, and therefore plays an essential role in triggering their decision to conform to its standards. In both cases, these experiences are crucial in changing their views and swaying them to transform their stance on society. Similarly, Rosalind’s and Juliet’s experiences result in the same effect. Rosalind’s fear that one of the norms will find out about her mutation causes her rebuff their sudden affection. Her experience allows her to discern the fear of rejection others like her has to endure. Juliet’s arranged marriage to Paris prompts her to reject to act in accord with her parent’s wishes. Through her experience, she perceives how blind the families’ brawl causes them to be and restricts her life. This illustrates
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
Beli’s impulses allow her to ignore the fact that falling atomically in love with the Gangster, a man she meets in a luxurious nightclub, is wrong. In a world where no one gives her such feeling, the Gangster makes Beli feel beautiful. But, the Gangster is a pimp and exploits women, which shows the degradation of women such as Beli. The Trujillo system in the Dominican Republic, under which the Cabaral’s are associated with, exploits women and the Gangster, just like Trujillo did exactly that. This path of life that Beli embarks on is the wrong choice because it is plagued with the fukú. She sees the Gangster as an escape out of her current life because he is extremely rich. The Gangster promises her a house in Miami with as many bedrooms as she wants. Beli is naïve and does not realize that the Gangster cannot help her escape her life that she is unhappy with. Instead all the Gangster can bring to Beli is bad luck. The Gangster ends up being married to Trujillo’s sister, who is extremely cruel and lives up to the name of Trujillo. The Gangster’s wife has Beli beaten until she almost dies. Beli is vulnerable because the Gangster has power over her; she truly believes that he is an escape from her Dominican world. All along La Inca sees otherwise and tells Beli that she is crazy. La Inca also implies that a man cannot save her, but Beli continues to make
In “The Fortune Teller,” the author, Joaquim Maria Machado de Assis, uses symbolism to prove to one that an affair is not worth a person’s life. He uses the letter to symbolize hate between Villela and Camillo regarding the affair. This very ambiguous letter has terrified Camillo and put an end to his life. The letter enhances the theme of the short story by showing the anger and hate that Villela now had for Camillo. This hate is a focal point in the short story that leads to ending the affair along with Camillo and Rita’s life. Ultimately, the affair caused a large amount of tension between the three. However, the author was successful in grabbing the reader’s attention with the letter as the turning point of the short story.
...elf and where he fit into this life that he had. She made him believe that many things were sins against God, and he would be punished if he so much as thought about them, but she never told him why they were sins and why people continued to do them; so he went on a quest for knowledge to find out what it was his mother along with other people were trying to keep him away from. Maria loved her family, and made sure that she provided for them, but when it came to religion she could only teach them what she had been taught all her life, which provided a biased opinion, in that she believed the the Catholic religion was what was right, and anything else would be a sin against God. She tried to protect Antonio, but everyone knows there is no protect from life, it comes and engulfs us into this whirlpool of situations and tragedies, and we are merely pawns in its game.
Federico García Lorca’s poem “La casada infiel” depicts the story of a gypsy who makes love to a married woman on the shore of a river. When looking deeper into the poem, Lorca appears to provide a critical observation on the values of the conservative society at the time in which he lived. The woman, at her most basic reading, is treated as an object, elaborating on the sexist values in society at the time. Lorca addresses issues of sexism as well as issues of sexuality within society mainly through the poem’s sexist narrative voice, objectification of the female character and overriding sense of a lack of desire throughout the poem. His achievement to do so will be analysed throughout this commentary with particular attention to Lorca’s use of poetic techniques such as diction, personification and imagery.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
Told entirely in his own words, we come to the story of Inocente as she realizes that her life is at a crossroads, and for the first time, she decided to take control of its own destiny. Irreverent, funny and flawed, it is now channeling its irresistible personality to a future it controls. Her talent was finally noticed, and if it can create a body of work over time, it has the possibility to put on his first art exhibition. Meanwhile, her family life is in a tense standoff, if legally emancipated from her mother in the strike on its own, it will risk placing his brothers in foster care, but to stay is unbearable.
Gabriel Garcia Marquez, author of Love in the Time of Cholera, depicts his characters by having them act in certain ways, in ways of love and care towards others. Each character acts certain ways to certain people, either to gain respect, love, friendship or hatred. Marquez’s character Florentino Ariza, is desperately in love with Fermina Daza, a beautiful young lady (early in the novel), who promises him her hand in marriage then breaks that promise by marrying Dr. Juvenal Urbino. Although heartbroken Ariza’s love for Fermina would still continue over many long years, thus showing how much he was in love with her.