Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes in 'The Brief Wondrous Life of Oscar Wao' by Junot Díaz
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Resistance Throughout The Brief Wondrous Life of Oscar Wao
Junot Diaz’s The Brief Wondrous Life of Oscar Wao, set in the late 1900’s, tells a story of Oscar Wao, an overweight Dominican “ghetto nerd”, his mother and rebellious sister who live together in Paterson, New Jersey. Throughout the novel, Diaz incorporates many different stories about each character that show acts of resistance. One of the most prominent stories of resistance in the novel is through Oscar’s mom; Beli, who is prompted by great tragedy, known as the Trujillo curse, to love atomically and thus follow a dangerous path. Beli’s family history plays a large role in her choices that eventually compel her into a different life than what her adopted mother, La Inca, had wanted
Beli resisting La Inca portrays her downfall because Beli makes choices against La Inca’s desires that will harm her. She is unaware of her history and background of the Abelard family, other than the fact that La Inca continuously tells Beli that her father was a doctor and her mother was a nurse. Abelard Luis Cabral was Oscar and Lola’s grandfather, the man who said something bad about Trujillo, thus eventually sending the fukú curse down to Beli. Diaz writes “In those long days-before delincuencia and bank failures, before Diaspora- the Cabrals were numbered among the High of the Land “(211). The Cabral’s held a high place in society, but it was not until Abelard Cabral upset Trujillo that he was sentenced to the curse of Trujillo’s reign. The power of Trujillo is so strong that it ruined not only Abelard Cabral’s life, but also his wife and three daughters’ lives as well. His two daughters died abruptly and Beli suffered later in life with her love. Trujillo’s power is able to especially affect Beli because she knew nothing about her history. Diaz describes Trujillo by writing, “You might roll your eyes at the comparison, but, friends: it would be hard to exaggerate the shadow of fear he cast over the Dominican people and the shadow of fear he cast throughout the region” (224).
Beli’s impulses allow her to ignore the fact that falling atomically in love with the Gangster, a man she meets in a luxurious nightclub, is wrong. In a world where no one gives her such feeling, the Gangster makes Beli feel beautiful. But, the Gangster is a pimp and exploits women, which shows the degradation of women such as Beli. The Trujillo system in the Dominican Republic, under which the Cabaral’s are associated with, exploits women and the Gangster, just like Trujillo did exactly that. This path of life that Beli embarks on is the wrong choice because it is plagued with the fukú. She sees the Gangster as an escape out of her current life because he is extremely rich. The Gangster promises her a house in Miami with as many bedrooms as she wants. Beli is naïve and does not realize that the Gangster cannot help her escape her life that she is unhappy with. Instead all the Gangster can bring to Beli is bad luck. The Gangster ends up being married to Trujillo’s sister, who is extremely cruel and lives up to the name of Trujillo. The Gangster’s wife has Beli beaten until she almost dies. Beli is vulnerable because the Gangster has power over her; she truly believes that he is an escape from her Dominican world. All along La Inca sees otherwise and tells Beli that she is crazy. La Inca also implies that a man cannot save her, but Beli continues to make
Junot Diaz’s The Brief Wondrous Life of Oscar Wao it shows us the Daily life of a Dominican American family and the wonderful ability of people to persevere and fight for a happy life. Oscar is an overweight guy who is trying to find the love of his life, and from a young age is hard for him to find love. Without growing with a father figure, he lacks a lot of those basic “Don Juan” skills that every Dominican guy has. Oscar’s biggest fear is that he will die a virgin. After trying to commit suicide two times Oscar moves to the Dominican Republic and falls in love with Ybon. After seeing each other several times Ybon’s
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
Growing up poor in the Dominican Republic strongly influenced the choices Yunior makes later in his life. In “Aguantando” Yunior recalls about how poverty was a part of his life. Díaz writes, “We were poor. The only way we could have been poorer was to have lived in the campo or to have been Haitian immigrants…We didn’t eat rocks but we didn’t eat meat or beans either” (Díaz, 70). This depiction of Yunior’s early childhood sets the stage for what is to come. Yunior’s choices as an adolescent proves that he either chooses not to or cannot better his situation instead he turns to drugs and alcohol. Yunior’s decision to partake in drugs and alcohol shows that people in poverty have nothing to live for and just live for the next best thing.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
In the novel there is a curse called the fuku. The people of the Dominican Republic believe ...
Trujillo was fixed on having his way with Abelard’s eldest daughter, Jacquelyn. But Abelard went to great lengths to avoid Trujillo and the curse with him as well. This is where the curse first crosses paths with the Cabral and de Leon families. The curse takes the lives of everyone in the Cabral family, except for young Belicia. Abelard’s love for his daughter leads him and his family to tragic and violent deaths, which can only be credited to the fact that the fuku curse goes wherever love is.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
Her foundation of love for The Gangster started in a peculiar manner. It started with Beli throwing her drink at a guy who grabbed her arm at the nightclub after he offered to buy her a drink. Oddly enough, she returned a few nights later and asked to dance with him. It’s apparent that The Gangster is not a good man, “Skilled our Gangster became in many a perfidy, but where our man truly excelled, where he smashed records and grabbed gold, was in the flesh trade. Then, like now, Santo Domingo was to popóla [slang for female genitalia] what Switzerland was to chocolate. And there was something about the binding, selling, and degradation of women that brought out the best in The Gangster; he had an instinct for it, a talent – call him the Caracaracol of Culo [Trickster of Ass]” (Diaz 121) yet Beli still falls for him. Their relationship is complicated to say the least and starts having adverse ramifications on Beli’s life. La Inca isn’t very happy with everything that Beli is doing and sees her lifestyle as disrespectful to her Beli’s parents. After The Gangster gets her pregnant, she is ecstatic, thinking that she can get married to the goon. The Gangster does not reciprocate this same attraction but he continues to play her. Her obsession over The Gangster leads to Beli getting kidnapped and nearly having her baby forcefully aborted. She is
From the beginning, men in the Dominican Republic shared stories of terrible male dictators, including the Trujillo, and the abuse they placed on women. Men began to heap on women and throughout history, have continued to treat women unfairly. In response, women in the Dominican Republic are targeted by male’s dominance because of the continuing history. Lola, Isis's mother, grew up with a rough upbringing. Lola narrates her past in a way that shows how abusive and aggressive her mother Beli is because she had no father.
Before Trujillo became dictator, men usually worked and the wife stayed at home and it was a monogamous relationship. During Trujillo’s reign some ideas stayed the same, on the contrary now it became somewhat of a norm for “t triangle of dramatization”, these are relationships that are often described as a husband-wife-mistress triangle. The changes in the households that Trujillo are part of what aided him in legitimizing his career. The people who actually liked him as a person or as a dictator wanted to be similar to his lifestyle, which is the way that gender relations changed between men and
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
In “The Fortune Teller,” a strange letter trembles the heart of the story’s protagonist, Camillo as he to understand the tone and meaning. The author, Joaquim Maria Machado de Assis, attempts to make the reader believe that the letter is very ambiguous. This devious letter is a symbol of Camillo’s inability to realize that the treacherous deeds he has committed in the dark have finally come to light. This letter will ultimately change his life forever something he never expected. Not thinking of the large multitude of possible adverse outcomes, he reads the letter. Frightened that he has ruined what should have never been started, he broods over his decision to love a married woman. In light of this, Camillo continues his dubious love affair with his best friend’s wife, unconvinced that he will ever get caught. “The Fortune Teller” focuses on an intimate affair between three people that ends in death due to a letter, and Camillo will not understand what the true consequences that the letter entails until he is face to face with his best friend, Villela.
In the novel, the main character Oscar struggles with self-worth and self-esteem. He is constantly tormented by the women he falls in love with and the fact that nothing seems to go his way. The history of his family plays a big role in his life. His mother, Beli, was supposed to have a lavish life, but her life spiraled out of control when her family died. Beli’s suffering seems to be correlated with the awful dictator at the time. This burden seems to be placed on Oscar from the time he was born. You can see that Oscar tries to discover his family’s history throughout the novel. He looks at photo albums from his grandmother, and learns about what his mother went through. Yet he does not let the history of his family weigh him down.