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Themes in 'The Brief Wondrous Life of Oscar Wao' by Junot Díaz
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Resistance Throughout The Brief Wondrous Life of Oscar Wao Junot Diaz’s The Brief Wondrous Life of Oscar Wao, set in the late 1900’s, tells a story of Oscar Wao, an overweight Dominican “ghetto nerd”, his mother and rebellious sister who live together in Paterson, New Jersey. Throughout the novel, Diaz incorporates many different stories about each character that show acts of resistance. One of the most prominent stories of resistance in the novel is through Oscar’s mom; Beli, who is prompted by great tragedy, known as the Trujillo curse, to love atomically and thus follow a dangerous path. Beli’s family history plays a large role in her choices that eventually compel her into a different life than what her adopted mother, La Inca, had wanted Beli resisting La Inca portrays her downfall because Beli makes choices against La Inca’s desires that will harm her. She is unaware of her history and background of the Abelard family, other than the fact that La Inca continuously tells Beli that her father was a doctor and her mother was a nurse. Abelard Luis Cabral was Oscar and Lola’s grandfather, the man who said something bad about Trujillo, thus eventually sending the fukú curse down to Beli. Diaz writes “In those long days-before delincuencia and bank failures, before Diaspora- the Cabrals were numbered among the High of the Land “(211). The Cabral’s held a high place in society, but it was not until Abelard Cabral upset Trujillo that he was sentenced to the curse of Trujillo’s reign. The power of Trujillo is so strong that it ruined not only Abelard Cabral’s life, but also his wife and three daughters’ lives as well. His two daughters died abruptly and Beli suffered later in life with her love. Trujillo’s power is able to especially affect Beli because she knew nothing about her history. Diaz describes Trujillo by writing, “You might roll your eyes at the comparison, but, friends: it would be hard to exaggerate the shadow of fear he cast over the Dominican people and the shadow of fear he cast throughout the region” (224). Beli’s impulses allow her to ignore the fact that falling atomically in love with the Gangster, a man she meets in a luxurious nightclub, is wrong. In a world where no one gives her such feeling, the Gangster makes Beli feel beautiful. But, the Gangster is a pimp and exploits women, which shows the degradation of women such as Beli. The Trujillo system in the Dominican Republic, under which the Cabaral’s are associated with, exploits women and the Gangster, just like Trujillo did exactly that. This path of life that Beli embarks on is the wrong choice because it is plagued with the fukú. She sees the Gangster as an escape out of her current life because he is extremely rich. The Gangster promises her a house in Miami with as many bedrooms as she wants. Beli is naïve and does not realize that the Gangster cannot help her escape her life that she is unhappy with. Instead all the Gangster can bring to Beli is bad luck. The Gangster ends up being married to Trujillo’s sister, who is extremely cruel and lives up to the name of Trujillo. The Gangster’s wife has Beli beaten until she almost dies. Beli is vulnerable because the Gangster has power over her; she truly believes that he is an escape from her Dominican world. All along La Inca sees otherwise and tells Beli that she is crazy. La Inca also implies that a man cannot save her, but Beli continues to make
Her foundation of love for The Gangster started in a peculiar manner. It started with Beli throwing her drink at a guy who grabbed her arm at the nightclub after he offered to buy her a drink. Oddly enough, she returned a few nights later and asked to dance with him. It’s apparent that The Gangster is not a good man, “Skilled our Gangster became in many a perfidy, but where our man truly excelled, where he smashed records and grabbed gold, was in the flesh trade. Then, like now, Santo Domingo was to popóla [slang for female genitalia] what Switzerland was to chocolate. And there was something about the binding, selling, and degradation of women that brought out the best in The Gangster; he had an instinct for it, a talent – call him the Caracaracol of Culo [Trickster of Ass]” (Diaz 121) yet Beli still falls for him. Their relationship is complicated to say the least and starts having adverse ramifications on Beli’s life. La Inca isn’t very happy with everything that Beli is doing and sees her lifestyle as disrespectful to her Beli’s parents. After The Gangster gets her pregnant, she is ecstatic, thinking that she can get married to the goon. The Gangster does not reciprocate this same attraction but he continues to play her. Her obsession over The Gangster leads to Beli getting kidnapped and nearly having her baby forcefully aborted. She is
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Trujillo was fixed on having his way with Abelard’s eldest daughter, Jacquelyn. But Abelard went to great lengths to avoid Trujillo and the curse with him as well. This is where the curse first crosses paths with the Cabral and de Leon families. The curse takes the lives of everyone in the Cabral family, except for young Belicia. Abelard’s love for his daughter leads him and his family to tragic and violent deaths, which can only be credited to the fact that the fuku curse goes wherever love is.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
Throughout Junot Díaz's novel, The Brief Wondrous Life of Oscar Wao, the text poses concerns with narrative viewpoints, familial history of the Dominican Republic, and most importantly, specifies characters. Díaz introduces characters who are present throughout the entire novel, and others who appear only briefly. Isis, in particular, holds a special place in the novel. Before Díaz introduces Isis, we are introduced to many of her family members who maintain family traditions in both the United States and the Dominican Republic. The order of the text enhances our understanding of Isis as a character. Isis stands out as the next generation of her family by living in a familiar place, New York. Isis, a minor character in The Brief Wondrous Life
Rafaela is married to an older man and “gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” (79). The narrator Esperanza notes that because Rafaela is locked in the house she gives the passing kids money to run to the store to bring her back juice. Esperanza states that “Rafaela who drinks and drinks coconut and papaya juice on Tuesdays and wishes there were sweeter drinks, not bitter like an empty room, but sweet sweet like the island, like the dance hall down the street where women much older than her throw green eyes easily like dice and open homes with keys. And always there is someone offering sweeter drinks, someone promising to keep them on a silver string” (81). Esperanza is being to notice a common occurrence in the treatment of women on Mango Street. Rafaela is locked away by her husband as he wants to keep her from running off. This mirrors the relationship between Earl and his wife. Rafaela is described in more detail however allowing readers a deeper connection to her experience in her marriage. Esperanza witnesses Rafaela’s confinement in the house each time she passes by with friends and Rafaela sends them down money to buy her a drink from the store since she is unable to go herself. There is also an interesting comparison in which the confined room is compared to being bitter whereas the sweet drink is compared to being the
In the novel, the main character Oscar struggles with self-worth and self-esteem. He is constantly tormented by the women he falls in love with and the fact that nothing seems to go his way. The history of his family plays a big role in his life. His mother, Beli, was supposed to have a lavish life, but her life spiraled out of control when her family died. Beli’s suffering seems to be correlated with the awful dictator at the time. This burden seems to be placed on Oscar from the time he was born. You can see that Oscar tries to discover his family’s history throughout the novel. He looks at photo albums from his grandmother, and learns about what his mother went through. Yet he does not let the history of his family weigh him down.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
“Poverty and exploitation of women in Latin America can never be alleviated because they are rooted in machismo,” meaning that because of the way society was run in Latin American, women can’t advance from the ancient state of mind that they belong in the private sphere and should stay there, because only men are good enough to be out in the public sphere. The reason why society was run in this manner, was because of the machismo feeling engraved in the minds of men and, in some cases, women in society. Alicia, Carolina, and Nancy don’t really have any other choice, than try to survive on their own by doing acts that are not “approved” by the society they live in. Even now, because of their actions, we could even disagree with the way they decided to approach their situation, because even now a day, we could think that selling one’s body or being involved in “off the book”
Before Trujillo became dictator, men usually worked and the wife stayed at home and it was a monogamous relationship. During Trujillo’s reign some ideas stayed the same, on the contrary now it became somewhat of a norm for “t triangle of dramatization”, these are relationships that are often described as a husband-wife-mistress triangle. The changes in the households that Trujillo are part of what aided him in legitimizing his career. The people who actually liked him as a person or as a dictator wanted to be similar to his lifestyle, which is the way that gender relations changed between men and
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Junot Diaz’s The Brief Wondrous Life of Oscar Wao it shows us the Daily life of a Dominican American family and the wonderful ability of people to persevere and fight for a happy life. Oscar is an overweight guy who is trying to find the love of his life, and from a young age is hard for him to find love. Without growing with a father figure, he lacks a lot of those basic “Don Juan” skills that every Dominican guy has. Oscar’s biggest fear is that he will die a virgin. After trying to commit suicide two times Oscar moves to the Dominican Republic and falls in love with Ybon. After seeing each other several times Ybon’s
This text exhibits the events of the 1937 Parsley Massacre. Similar to Junot Diaz’s, The Brief Wondrous Life of Oscar Wao, this text refers back to Trujillo’s dictatorship in the Dominican Republic. Trujillo organized a genocide of Haitians who were in D.R. Danticat allows readers to experience this traumatic event through the perspective of Amabelle Desir, the main character.
In Junot Diaz’s The Brief Wondrous Life of Oscar Wao, he is telling the story of a Dominican family but mainly about the son, Oscar de Leon. The book opens with the story of Oscar as a child and him having two girlfriends at the same time. The older people in town see him as a ladies man and encourage him. The boy and the two girls all break up and his life seemed to be on a steady decline since then. He grows up to become a nerdy, fat, and awkward adolescence with few friends and even less interest from girls. This phase persists throughout his life and he never develops out of the nerdy boy he was as a child. The Dominican Republic was a hostile and poor place during the time of the novel. The dictator Trujillo controls the lives of the people in the country. This influenced the de Leon family’s present and future. Diaz develops the story by using the superstition, the cane field, and male dominance of the Dominican men