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Godfather part ii analysis
The analysis of character in godfather death
Analysis of the godfather film
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An old man is sitting on an leather armchair, dressed in black and very expensive suit, smoking a cigarette and sipping his old whiskey from his goblet glass.He is short, squat, massive-skulled man. He was indeed a man to frighten the devil in hell himself. His presence sent out alarm bells of danger. His face was stamped into a mask of fury, the eyes were brown but with none of the warmth of that color. His mouth was not so much cruel as lifeless; thin and with the color of veal. He did not fear the police, he did not fear society, he did not fear the God or hell, he did not fear or love his fellow man. This old man was sitting all day on his armchair and offering his friendship to everyone who needed it because he is the only one who can help, he is the boss, he is the Godfather.1
Everyone knows the famous quotation from the movie ' The Godfather', in a scene where Marlin Brando's character is considering how to make a wealthy man to do what he wants him to do, he says simply, “I’ll make him an offer he can’t refuse.” The Godfather of Mario Puzo fame is nor mirely fictional. He was his archetype because there were Mafia bosses very much like him, who would sit almost like kings in their armchairs and their suits, welcoming visitors and offering friendship. Everyone needs friends, especially a friend who can help to solve any problems that you cannot solve yourself. Throughout the film, the phrase is used many times and is to show how powerful and influential is Italian mafia, The Cosa Nostra. The Cosa Nostra became successful in the early 1900s because it combined shrewd business, intimidation, and a strict code of loyalty.
Cosa Nostra grew in part because of the shrewd business sense of its leaders to provide bl...
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...was full of ambitions and strong charisma could change from poor citizen into a magnate. Many young people at that time knew that only the strongest can survive in Russia, therefore the clans were created who defended their ideas and in the most cases kill their opponents who tried to stop them from getting rich. Bold heads and leather jackets were the signs of Russian gangs. These clans were racketing all businesses that had big profits, that is why they have started to gain power and money. The Russian criminals are very similar to the Cosa Nostra, they started from nothing and gained famous reputation and power. The Cosa Nostra gave Russians an idea that everyone can have their own rules and set of commands. Nobody is going to stop them if they have power and money, nobody has the right to command them, they are criminals and criminal always get what they want.
The devil's speech asks the people to awaken to the reality that virtue isn't possible, that Evil is man's true nature. By welcoming them to the "communion of your race" he emphasizes that people are unified under the fact that everyone is evil. The devil figure is like a puritan minister trying to tell everyone that they are evil, but he tells them to accept it, that "Evil must be your only happiness." People can live happily if they only realize that evil is the way we are meant to be, trying to fight it is futile. The congregation accepts his welcome "in one cry of despair and triumph.
the character I chose was Rudy. rudy is very persistent in playing baseball. I first saw this character trait when even tho Alfredo said he could not run, Rudy told him that he was a good hitter, Again Alfredo argued against him and said that the team would not agree. he went home and was let down but was still determined to get on the team. He also never let his leg brace get to him. When the team played the leopards, they were very sure that they could beat a boy with a leg brace, but Rudy did not let that stop him from being the hitter. he was then supposed to hit a home run but he didn't hit the ball as hard as expected & Alfredo twisted his ankle trying to run. so the next time Rudy was up to bat he hit 2 strikes then he hit the ball,
Soon after the death of a loved one come many visitors to the bereaved. Some arrive early, bearing gifts of food and speaking words of consolation and comfort. Others appear late in the day, unable to say anything, but still comforting in their very presence. But when the comforters have gone away and we sit through the lonely watches of the night, pondering our loss, the last visitor arrives. He comes invited, though not to bring consolation; his words are empty of that. No, his purpose is to smother any desire we may still have for life, to snuff out the smallest spark of hope that may yet gleam within our soul. He is the black-winged demon of despair, sent to bring us swiftly to the realm of everlasting pain and to bring the pain of Hell to us while we yet live.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
The Russian mafia started from basically nothing and was looked at as a hero in the eyes of the poverty-stricken country of Russia. The speed bumps that the organization went through caused them to adapt and overcome adversity through their brothers and gave them the power and perseverance. In researching about the Russian mafia I learned about their start in the Imperial period, then the challenges they went through during the Soviet era, and how they are structured within the organization.
Although this phenomenon has been diminished in modern political history, it is still actively present in one country: the Russian Federation. Russia has always been seen as an exceptional country with its bizarre history and unfathomable politics, where the oligarchs are believed to possess most of the wealth of the Russian society. Their case is more than intriguing as they exercise enormous influence both on the economy and politics. How did these privileged people come into power? What is their actual impact on the economy and to what extent was their political influence restricted in the past few years in the Russian Federation?
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
The group’s original intentions were to create a sense of loyalty and respect for tradition, culture and family. The Mafia protected its' members interests and promoted protected individuals and businesses in exchange for loyalty and monetary tribute. As time passed, and the Mafia expanded to the Americas, the Mafia became more “criminal”, engaging in provision of illegal services and collection of taxes in defiance of the “legitimate” government.
The premise that show runner Vince Gilligan pitched was simple, “We’re going to turn Mr. Chips into Scarface.” It was a bold claim at the time that most television executives dismissed as a bad idea. You would take the show’s main character and slowly but surely turn him into the antagonist. This was unlike most shows at the time who dealt with antiheroes, they had almost always padded them out with sympathetic qualities or redeeming actions throughout their respective seasons like Tony Soprano or Vic Mackey of The Shield. No show had ever fully committed to the idea that its lead character could truly be a villain. Yet Walter White’s transformation from a down on his luck, cancer ridden teacher to a depraved drug kingpin named Heisenberg has
Spivack, Charlotte. "The Journey to Hell: Satan, The Shadow, and the Self." Centennial Review 9:4 (1965): 420 - 437.
It is the Godfather that demands the family stick with family and never side with any one out side of the family no matter the situation. Vito the Godfather would remind them family is family and no one will miss treat or use any member of the family. He proves this point when his godson comes to him about a problem with a director name Jack Woltz. Because Jonny Fontane is the godson the Godfather Corleone will send his step son who is consigliere to the family to California to advise the director to hand the part over to Fontane.
The old man treated the narrator like he was nothing and, he wouldnt care if he died or lived. The man had a nasty old glossy white and dark blue evil. That watched the narrator like a hawk.They hated each other and it’s allway’s been that way.’The old man was the bigest evil the the house ‘said the narrator.
Cosa Nostra (literally translated means “this thing that is ours”), or the Sicilian Mafia, had the perfect social setting for their concealed rise to power. Between the clannish nature of Sicilians, their almost instinctive dislike for inconsistent law enforcement, and a repressed hereditary aristocracy created a favorable cultural petri dish for the Mafia. “And it’s no secret that the criminal justice system does not function very well in Italy. And where there is no law, there is no sin (www.bestofsicily.com).”
Russian Crime organizations have grown to a high number since the end of the Cold War. The Nuclear Black market is no stranger to the Russian Mafia. Russia may be poised to sell nuclear weapons to the highest bidder as organized crime expands its influence in Russian society (Phinney). Some of the 200 Russian organized crime groups now operate worldwide, including in the United states and gaining the ability to manipulate its banking system and financial markets (Phinney). Roughly two-thirds of Russia’s economy is under sway of crime syndicates, and protection rackets have been the norm since the collapse of communism(Phinney). The Russian Mafia and the antifada