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Renaissance influence on art
Renaissance influence on art
Renaissance influence on art
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Raffaello Sanzio da Urbino also known as Raphael Santi was an Italian painter and architect of the high renaissance. He was orphaned at the age of 12 and became the apprentice to Perugino, with whom he worked. His works is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human appearance. Raphael was also a designer. His father who was also a painter, taught Raphael the principles of technique. The Triumph of Galatea was one of the many works Raphael painted. The inspiration that sparked Raphael to paint the Triumph of Galatea was the painting “Stanze per la giostra” by poet Angelo Poliziano. In the Triumph of Galatea, there are small figures that are portrayed as cupids (putti) aiming with a cupids …show more content…
Galatea rides the waves on a seashell chariot drawn by two dolphins.Galatea is looking at the heavens with an innocent expression that advocates she’s not aware of all the lusty goings on about her. Tritons (attendant ocean spirits) trumpet Galatea’s transformation on their seashell horn. Raphael had accomplished the perfect and harmonious composition of his freely moving figures. Raphael painted this piece celebrating the European embrace of the classical Greek imagination for a wall in the Villa. “In the painting, sea nymph Galatea is surrounded by sea creatures whose forms are inspired by Michelangelo”. The use of bright colors and decorations were inspired by ancient Roman painting. Italian writer said, “Raphael did not mean for Galatea to resemble any one person, but rather to represent ideal beauty. That being said, it appears that Raphael abandoned the old portrayal of nature and instead used an imagined type of regularly beauty demonstrating that the normal human body is beautiful.”There are many things about this painting
Firstly, Birth of Venus is example of the classical Early Renaissance’s composition while Galatea displaying the High Renaissance’s characteristic pyramidal composition. In Birth of Venus, the composition is simple and narrow; all four figures are in the front-ground with a sea-view background. Differently, in Galatea, for example the left bottom of the scene, a cupid in the front-ground and a mermen holding a woman are placed in the middle ground while Galatea and another man who riding a horse are in the background. Secondly, the postures of Galatea are much dramatic and dynamic than the Birth of Venus. Raphael employed figura serpentinata that the postures of figures in Galatea are serpentine and relaxed and more energy.
The painting clearly shows Mars and Venus being tied together by a cupid. So I can see why this is the most popular translation of this painting. My personal response was really strong after seeing the painting for the first time. As soon as I saw this painting I knew that it had a deeper meaning to it; and not just some people being tied together by a cupid. I knew right away that it had to do with Roman mythology just from the names. After looking at this painting for a while there is still something that the artist is trying to portray, that is really tough. It feels like there is more going on than what seems. The painting has such a calm tone to it but it gives a little hint of roughness with the sword and the horse, which I think, helps to balance this painting.
Raphael Sanizo, usually known just by his first name, was born in 1483 in Urbino, Italy. He was an Italian painter and architect of the High Renaissance. He was celebreated for the perfection and grace of his paintings and drawings. He was very productive in his life, but had an early death at the age of thirty-seven years old, letting his rival Michelangelo take the reins on the art world. He is one of the great masters of his time. He died on March 28 of 1483 at the age of thirty-seven years old.
Giotto Di Bondone is a famous painter and architect that is considered one of the first renaissance artist in history. He is credited to be the painter that started the renaissance because of his famous artworks across Florence, Italy. He also was credited for making paintings seen as a window into space which it was very unique thing to do in this time period. His many details in his paintings made him unique to other painters back then. Many of his paintings included many distinguishable human emotions and more physical characteristics than most. These two changes that he did on his paintings were consider revolutionary and made him a bridge between the"Dark Ages" and the Renaissance. His works flourished in the Renaissance period because
That, of course, is a basic description at a quick glance. In examining the painting further, it becomes obvious that this is prime example of Renaissance painting. To begin with, the composition is completely balanced, almost symmetrical. The four angels are placed evenly around the Virgin, with two on each side. On one side an angel plays a harp and is balanced by an angel on the other side, strumming some type of guitar. The two flying above Mary are basically in the same position. Even the church in the background seems to be matched with a mountain in the distance. The columns and archway that border the painting are, in fact, completely symmetrical. And the Virgin and Child are in the center. It is, again, a beautifully balanced composition, typical of the Renaissance. The composition is also completely filled, but not overcrowded. Even with the flying angels, the painting appears rational; ...
Michelangelo di Lodovico Buonarroti Simoni ( March 6, 1475 – February 18, 1564) an Italian Sculptor, painter, architect and a poet was probably the most important artist of the epoch of the Italian Renaissance, a period where arts and science changed from traditional to modern. He was the second of five children, whose parents were Lodovico di Leonardo di Buonarrotti di Simoni and Francesca di Neri del Miniato di Sierra. He was raised in Florence, and after his mother’s death he lived in Settignano. Michelangelo is one of the founders of High Renaissance and an exponent of a big movement called Mannerism. Mannerism “is a period of European paintings, sculpture, architecture, and decorative arts lasting from the later years of the Italian Renaissance around 1520 until the arrival of the baroque around 1600….is notable for its intellectual as well as its artificial (as opposed to naturalistic) qualities” (Wikipedia.com) Michelangelo (as well as Leonardo Da Vinci) was considered to be the Archetypal Renaissance man because of his versatility in his disciplines.
Michelangelo Buonarroti was one of the top three Italian artists. His work are examples of how great the art was in the High Renaissance Era. Michelangelo’s chalk drawing, Study of a Man, was his analysis of the way he saw the body and the way it was shaped and saw the different positions. By using critical thinking as he created his art, he had the ability to study the way a man looks. He was able to process how the way the body moves and sits.
Artemisia Gentileschi (1593 – 1652), daughter of a well-known Roman artist, was one of the first women to become recognized in her time for her work.. She was noted for being a genius in the world of art. But because she was displaying a talent thought to be exclusively for men, she was frowned upon. However by the time she turned seventeen she had created one of her best works. One of her more famous paintings was her stunning interpretation of Susanna and the Elders. This was all because of her father. He was an artist himself and he had trained her and introduced her to working artists of Rome, including Michelangelo Merisi da Caravaggio. 1. In an era when women artists were limited to painting portraits, she was the first to paint major historical and religious scenes. After her death, people seemed to forget about her. Her works of art were often mistaken for those of her fathers. An art historian on Artemisia, Mary D. Garrard notes that Artemisia “has suffered a scholarly neglect that is unthinkable for an artist of her caliber.” Renewed and long overdue interest in Artemisia recently has helped to recognize her as a talented renaissance painter and one of the world’s greatest female artists. She played a very important role in the renaissance.
Raphael was born on April 6, 1483 in Urbino in the Marche region. In 1491 when Raphael was eight, his mother died. Bette Talvacchia, author of Raphael cites that not much is known about Raphael’s personal life because he kept to himself about many things, but many historians believe that his personal life is portrayed through his paintings (8). Richard Cocke, author of The Complete Paintings of Raphael states that at the age of seventeen Raphael began to gain popularity as an artist and was, at that time, first commissioned as an artist (Cocke 83). Raphael was known for his historical paintings, such as The School of Athens, the way he painted the nude, and his amazing ability to make colors look vivid using oil paint (Cocke 5). Historical paintings are a type of painting genera that focuses on the story line rather that one specific moment, as in a portrait. Also, when painting with oil paint, it is difficult to make colors bright, so Raphael excelled at that. One of Raphael’s styles that he used was idealization rather than realism. Richard Cocke notes that “Raphael himself wrote to his friend Castiglione in 1514 about the problem of painting a beautiful woman: “I use a certain idea, which comes into my mind.” (5) Also, many of Raphael’s self-portraits show him dressed up as an elegant man rather than an artist, leading some to believe that he did not want to be viewed as an artist (Talvacchia 8). Raphael has an amazing ability to keep his artwork well balanced and organized (Talvacchia 8). Bette Talvacchia discusses:
Donato di Niccolò di Betto Bardi better known as, Donatello, was an artist during the Renaissance art movement. He
Donatello Donatello’s real name is Donato di Niccolo di Betto Bardi (1386-1466). Donatello was a master of sculpture in bronze and marble and was one of the greatest Italian Renaissance artists of his time. A lot is known about his life and career, but little is known about his character and personality. He never married and seems to be a man of simple tastes. Patrons often found him hard to deal with and he demanded a lot of artistic freedom.
Peter Paul Rubens’ masterpiece, Venus and Adonis, is not only a significant artwork of the baroque-period in Europe during the 17th century, but it also tells the mythological story that begins with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is admired for representing the unique baroque-style of this era, as well as Rubens’ particular use of the medium and how it reaches those who are viewing it. His attention to detail and crafty use of symbolism within the painting assist viewers in deciphering the story, along with the values of the time period in which Rubens was living. In studying the composition of the work and noting the historical context from which it came, one can ultimately understand Rubens’ point-of-view and thus, connect to the painting in a way he or she has never imagined.
Raphael, a product of the Renaissance, presented a different style of art and introduced a new medium for expression. His repertoire included both complex and simplistic work. The variety in his art allowed him to attract attention from both royalty and common people. His artistic ability is neither challenged nor debated. An outstanding support and teaching from his father planted a seed of inextinguishable desire. Later in his life, Raphael watched this seed bloom as opportunities began to wallow at his feet. However, Raphael was no genius compared to his contemporaries and neither did he have a drop of noble blood in his family history. The facts were not stacked in his favor. Nevertheless, Raphael was always known for his work ethic and good manners.
Raphael then started working under the Umbrian master, Pietro Perugino. It was around 1508 that Raphael went to Rome and live there for most of the rest of his life. While in Rome, he was commissioned to do a number of pieces for the Pope. Raphael was supposed to marry a woman by the name of Maria Bibbiena, who he was engaged to, however he never had the chance. There are a few possible reasons as to why the two never married, but nothing is for sure. He did, however, have a mistress that eventually played a role in his death. Raphael passed away at the age of thirty-seven, and oddly enough, he passed away on the exact date of his thirty-seventh birthday (Raphael Sanzio, 2012). There is no doubt that Raphael Sanzio lived a fairly full life, even though it was cut short. His life was full of doing what he loved and loving what he did. He enj...
James Madison High School English Victorian Classism Vs. Social Stratification 2 English Victorian Classism Vs. Social Stratification: New Day, Different Practice or Same Old Same? The Victorian Age was a time of kings, queens, and aristocrats who sat in there high seats and looked down on those below them.