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Analysis of the theme of 'Charlie St. Cloud
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“Charlie St. Cloud” Movies with horror, romance, and joy all in the same film are the ones to watch. Having a mixture of themes in a movie makes it more interesting, catching the eye of more than one selective group of watchers. “Charlie St. Cloud” is a great example of this, having the joy of a small town family, the loss of a brother and the romance between two yachting competitors. Not only does the theme of this movie catch the eye of the watchers, but the scenery of this movie is breathtaking. The choice of actors also helped this movie get even more views. The critics enjoyed watching this movie because it appeals to more than one selective groups eyes. Movies, which are all about the visuals, have a time-honored way of representing virtue- by casting someone beautiful (LaSalle par 1). The casting of a beautiful cast as critics agree help with views for the movies because you have people who watch and crush on the cast members. …show more content…
In this movie Charlie is a normal teenager, graduating from high school, having a loving family, and then everything is flipped upside down when one night he loses his brother in a car wreck. Now his daily routine is waking up, going to work in the town graveyard and then at sunset when the canon’s go, off he has to go to a special place to play catch with his deceased brother. The critics loved the story behind “Charlie St. Cloud” because the mixtures of feelings. This movie should be a horror movie (Scott par 1), but also has a convincingly romantic look and mood to it (Scott par 6). The movie toys with your emotions. Having a movie that switches from family fun, to horror, to romance, back to horror and finally ending with romance keeps the attention of the audience. They never know what's going to happen or what to expect, therefore they are now wanting to watch to the
Growing up, Charlie faced two difficult loses that changed his life by getting him admitted in the hospital. As a young boy, he lost his aunt in a car accident, and in middle school, he lost his best friend who shot himself. That Fall, Charlie walks through the doors his first day of highschool, and he sees how all the people he used to talk to and hang out with treat him like he’s not there. While in English class, Mr. Anderson, Charlie’s English teacher, notices that Charlie knew the correct answer, but he did not want to speak up and let his voice be heard. As his first day went on, Charlie met two people that would change named Sam and Patrick who took Charlie in and helped him find himself. When his friends were leaving for college, they took one last ride together in the tunnel and played their favorite song. The movie ends with Charlie reading aloud his final letter to his friend, “This one moment when you know you’re not a sad story, you are alive. And you stand up and see the lights on buildings and everything that makes you wonder, when you were listening to that song” (Chbosky). Ever since the first day, Charlie realized that his old friends and classmates conformed into the average high schooler and paid no attention to him. Sam and Patrick along with Mr. Anderson, changed his views on life and helped him come out of his shell. Charlie found a
Children fool around every day with parental supervision always there to catch the youth when they are at risk of vulnerability. Without parental supervision, they need to be self-conscious of their own well-being. Once a child becomes an adult, they learn to take their own path through life with no safety net and to take responsibility for their own actions, unlike Chris McCandless. The novel, Into the Wild, by Jon Krakauer, exposes a cocky and arrogant, Chris McCandless, who is to blame for his own death, because he lives a life of taking risks, and depends on those that care for him to save him from the edge of disaster.
The casting of both Leonardo DiCaprio and fresh-faced Claire Danes influence how the film is viewed. Baz Luhrmann is smart in using young, attractive characters to make the adaptation more appealing to a more adolescent
Audiences love to be scared. Horror films attempt to find some sort of trigger in the audiences mind, and develop it to create horror. Preceded by the great horror novels such as Dracula, and developed in the early nineteen twenties and nineteen thirties in Germany. From slash movies, to the post-modern psychological thrillers, horror films have evolved into an art form. This genre relies heavily on the basic horror conventions.
...is that isn’t always the case. Often, we either became the prey or the predator. Another reason is that we need to reassure ourselves our lives could be worse. We have this idea that what happens in movies only happens in movies and therefore we watch these films to guarantee our worst fears will never become our reality, regardless of how realistic it may seem. Lastly, we watch the genre of film that best matches our current mood or events that previously took place that day. Our emotions are key; if we’re depressed, we may be more likely to watch a horror film.
The genre of horror when associated to film, it reflects on a vast variety of issues but when examined for the cultural significance it is narrower to what the aim is. This review surveys multiple scholarly sources from different aspects of the purpose of horror films. This literature review justifies that horror is derived from the fear and guilt within our psychological minds. I will argue that the cultural significance of this genre relates back to the emotional appeals that are conjured up when viewing these films.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
In this case, horror movies makes us feel secure and we have the ability to have control over what is happening. In reality, no one can control the time, or weather, or whether we live or die, but, “we want to experience these frightening things in a way that we still have some control over it,” stated Andrew Weaver. This also creates a the “cuddle effect” because males like to be in control and give security during a horror movie to a female. This will make a female get closer to the male when they don’t want to see a certain suspenseful
...situations in this movie are very serious like death and prison, the audience finds its way to relate.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
People can feel better about themselves after watching these types of movies. Using these elements together, it makes the movie better, but not only that, but each element helps each other out in the scene to make it a very good movie
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
Stephen Chbosky, the main character, Charlie goes through the death of the person dearest to
I’ve seen a lot of films, and with a lot of different genres. But I don’t think that romantic films are pretty good. They are too boring. The good films are action or comedy films, but the best films are action and com-edy films mixed together. That’s why I’ve chosen the film Taxi 2. It’s a French produced film, with a lot of action and comedy. It’s a pretty new film, and I saw it in the cinema last month. I’ve looked very much forward to see that film, because Taxi was very good too. It took only 5 weeks to get 10 mil-lion Frenchmen into the cinema. Just for watching Taxi 2.