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Romeo and juliet baz luhrmann analyse
Romeo and juliet baz luhrmann analyse
Romeo and juliet baz luhrman analysis
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Chloe Fleming investigates Baz Luhrmann’s capability in embodying Shakespeare’s Romeo and Juliet in his own modern film adaptation and praises the hell out of it.
W
ith one of, if not the most popular plays in the world – you want to get it right.
Director and producer Baz Luhrmann knocks it out of the ball park with his contemporary take on renowned poet William Shakespeare’s tear-jerking tragedy.
In the past, Shakespeare was the backbone of the Elizabethan era, captivating his audiences’ hearts with his tissue-box-grabbing performance, and Luhrmann has made him proud with his heartfelt adaptation that keeps modern audiences entertained.
The audience is taken aback when the film begins right off the bat with an anchor woman voicing the prologue of the original script, then
One being young versus old.
Juliet’s parents tell her that they want her to marry Paris, or Dave in the movie. As cute as his is, even before she meets Romeo, Juliet is apprehensive about her suitor as he is as pathetic as Edward Cullen.
Romeo had unrequited love for Rosaline, who is mentioned, but doesn’t appear in the movie or the original script. But those feelings are dead the second he sees Juliet.
Although the young make some pretty irresponsible decisions, the movie deviates from the stereotype that the young being stupid, and the old being wise.
For instance, THE ENTIRE FOUNDATION OF THE STORY – the feud between two families. Instead of choosing to harden up and resolve it, they decide to continue the war started by their own ancestors.
Disappointed.
The integration of ‘90s pop culture references such as Hawaiian shirts, cigarettes, drugs, and Radiohead also make it way more interesting for younger viewers.
The casting of both Leonardo DiCaprio and fresh-faced Claire Danes influence how the film is viewed. Baz Luhrmann is smart in using young, attractive characters to make the adaptation more appealing to a more adolescent
Ethan Hawke and Kenneth Branagh recreated Shakespeare’s Hamlet with an alluring ambiance, however Ethan Hawke’s version was more appealing to an audience due to the stimulation of intelligent reflection. The setting and the mood in each of these versions played with the audience’s emotions, but Ethan Hawke’s version brought on stronger ones. Secondly, Ethan Hawke and Kenneth Branagh used different choices of music and visuals that were equally effective in creating the ambiance the directors wished to obtain. As well, both movie versions created characters that tried to influence an audience; but, Ethan Hawke’s version introduced its main character so effectively that an audience was captivated by him. These two movie versions had some similarities, but Ethan Hawke’s different style produced a more appealing film. In the end, it was interesting to view the ways in which a director can try to make an old story more appealing to a modern day audience.
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
“The most filmed of all plays, ‘Romeo and Juliet’, with its universal themes… remains uniquely adaptable for any time period,” (Botnick, 2002). Directors Franco Zeffirelli (1968) and Baz Luhrman (1996) provide examples of the plays adaption to suit the teenage generation of their time. Identifying the key elements of each version: the directors intentions, time/place, pace, symbols, language and human context is one way to clearly show how each director clearly reaches their target audience. Overall however Luhrman’s adaptation would be more effective for capturing the teenage audience.
One of the characteristics of Elizabethan and also Jacobean drama is the low number of stage directions and the lack of details they contain. As a logical consequence theatrical representations or film versions of these ages may allow an important quantity of freedom in the performance. In other instances stage directions and other important theatrical elements are consciously left aside in order to create totally different visions of the original idea. That is not the case of Baz Luhrman´s version of Romeo and Juliet filmed in 1996, which despite the numerous alterations of the original play still retains Shakespeare's initial conception.
Baz Luhrmann's Success of Making Romeo & Juliet Accessible to a Modern Audience. In this essay I am going to write about how successfully Baz Luhrmann made his film Romeo and Juliet accessible to a modern audience. Baz Luhrmann uses Shakespeare's authentic text, combining it with a modern setting. This combination attracts the off spring of the modern.
Baz Luhrmann’s Romeo and Juliet is a film that converts Shakespeare’s famous play into a present-day setting. The film transforms the original texts into modern notions, whilst still employing Shakespearean language. Compared to Franco Zeffirelli’s adaptation of Romeo and Juliet, Luhrmann’s picture is easier for a teenage audience to understand and relate to because of his modernisations. Despite the passing of four centuries Shakespeare’s themes of love, hate, violence, family and mortality remain the same regardless of the setting.
November 1998, written for FILM 220: Aspects of Criticism. This is a 24-week course for second-year students, examining methods of critical analysis, interpretation and evaluation. The final assignment was simply to write a 1000-word critical essay on a film seen in class during the final six-weeks of the course. Students were expected to draw on concepts they had studied over the length of the course.
In the play. Romeo is just getting over Rosaline "rejecting" him (Act I, Scene 1, Line 155). This means that he could have just been very upset. Resulting in him just grabbing the first thing he could find which just happened to be Juliet. If he had never even met Rosaline. He probably would have never met Juliet either. Although in the movie version of this part, all that the viewer knows is that
Baz Luhrmann has done this film in a unique and brilliant way, with help of the above, and of course a great loved story as a base.
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love.
William Shakespeare once told us, "All the World’s a Stage" —and now his quote can be applied to his own life as it is portrayed in the recent film, Shakespeare In Love. This 1998 motion picture prospered with the creative scripting of Tom Stoppard and Marc Norman and direction of John Madden. The combined effort of these men, on top of many other elements, produced a film that can equally be enjoyed by the Shakespeare lover for its literary brilliance, or for the romantic viewer who wants to experience a passionate love story.
William Shakespeare and the new millennium seem to be diametrically opposed, yet his works are having a renaissance of their own after 400 years in the public domain. Why have some major film producers revisited his works when their language and staging would seem to be hopelessly outdated in our society?Perhaps because unlike modern writers, who struggle with political correctness, Shakespeare speaks his mind with an uncompromising directness that has kept its relevance in this otherwise jaded world.
Tim Blake Nelson’s O takes Shakespeare’s Othello and shifts the action from 16th-century Venice and Cyprus to a very current day Charleston, South Carolina. The issue with updating a film adaptation of Shakespeare to present-day is that often, the essence of Shakespeare is lost. Some modernized film versions of his works utilize the original text, like Baz Luhrmann’s Romeo + Juliet. But O chooses to update everything about the play, leading viewers to wonder whether or not it fully captures Shakespeare’s mastery of character, dialogue and intense thematic elements. Tim Blake Nelson’s O is, to some extent, a successful film adaptation in that the nature and spirit of Othello are still the basis of the film.