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More handpicked essays just for you.
Themes in edgar allan poe short stories
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The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a ‘normal’ life. The public feared Edward in the beginning but after due time began to welcome him into the neighbourhood until rumours spread and things became ugly. Edward Scissorhands has a fairytale fantasy component. The opening of the film is depicted by Kim ‘Grandma’ in her older years telling a child a bedtime story about how snow came to be. Grandma Kim typically begins the story with “once upon a time” a phrase commonly used when telling fairytales. Fantasy and fairytale each reflect the ‘make believe’ fictional themes portrayed in this film. There are gothic horror themes reflected throughout Edward Scissorhands. The setting of this movie depicts a clear gothic theme, from the eerie mansion he was created in to his character costume throughout the movie. His dark makeup and costuming is juxtaposed to the bright suburbia he is living in revealing his isolation and difference to society which becomes his biggest battle throughout the film. Edward’s loneliness is exposed by the setting of... ... middle of paper ... ...nd says “the roof caved in on him, they both killed each other” and then says “you can see for yourself” as Kim holds up a Scissor hand she had found as she ran out the door. Kim did the right thing by leaving Edward in peace and out of the way of chaos. It is evident in many of today’s award winning film’s that themes and genres of fairytale, dark fantasy and the gothic horror are still as popular and have stood the test of time. This film is known among all generations as a ‘classic’ it incorporates different ideals that appeal to a range of audiences. Each of these themes appeal to both genders; fairytale for girls and dark fantasy/gothic horror for boys. Through virtuous directing by Tim Burton an award winning film was created, his manipulation of character development and depiction of different themes through setting, costume design and juxtaposition.
Would you let a man with scissors for hands in your, that you found in a dark evil-looking castle? I know I wouldn’t, but a mom named Peg would. Peg, who is very empathetic, decides to go sell Avon to the evil mansion across the street, but then finds a boy with scissors for hands and decides to take him home. Edward seems to be doing fine in the community, but is soon seen as a monster because he is framed by a bully name Jim. The movie is Edward, the protagonist, trying to recuperate his innocence and he won’t stop until he does. Throughout the movie, director Tim Burton used the stylistic elements of juxtaposition and symbolism to show the character’s personalities and to show how some places in the story are opposites.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
People are constantly being judged and pressured to change to fit society’s standards. In Tim Burton films, there is always one character that does not fit the mold. These outcast characters in the movies Charlie and The Chocolate Factory and Edward Scissorhands are strange and isolated from the world. Despite the outcast’s difficulties, misfit characters like Edward and Wonka go on to be the hero of the story. Therefore, Burton uses many different cinematic techniques to illustrate that one does not need to conform to society in order to have a happy and successful life.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, they are done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas.
Film analysis with a critical eye can give the viewer how animation giant Disney uses literary element to relay key messages to the audience. Walt Disney’s “The Princess and the Frog” is a perfect example how different literary theories like ‘the Marxist theory’ and ‘Archetypal theory’ can be embedded in the simplest of the fairy tales. The different literary elements in the movie, shows a person how characters like ‘the banker’ and the setting of the houses helps to portray the socio-economic differences in New Orleans at that time. Applying ‘the Marxist theory’ and ‘the Archetypal theory’ to the plot, characters and the setting, shows how movies can be a medium to confront social issues and to prove that all fairy tales are of the same base.
Multiple people claimed they “know a doctor that might be able to help” fix his situation (Edward Scissorhands). At one point, Edward said, “I’d like to meet him” (Edward Scissorhands), knowing if he received prosthetic surgery, he would be accepted as normal and not special. Edward accidently cut Kim and Kevin with his scissorhands, though his intentions were to help them. The incidence leaves the neighbors with an evil impression causing them to chase Edward, though he only wanted Kim’s love. The physical features of Edward and the creature led others to conclude that they were malicious and therefore deemed outcasts, though their intentions were only to find
Edward Scissor-hands is a romance/fantasy film featuring the main character, Edward, who has spent his whole life with little to no company. Peg (a door to door makeup sales girl, with a stereotypical family consisting of a husband and two children) goes up to the castle like mansion and meets this peculiar character who literally has scissors for hands. She brings him down to the suburban area and at first the towns people are all intrigued by Edward, but that quickly changes and Edward
Through his portrayal of characters and unorthodox style of writing throughout the fairy tale, Goldman pokes fun at the literary process and ordinary fairy tales. Through his fairy tale, The Princess Bride, Goldman ridicules numerous tropes of fairy tales and simultaneously critiques overdone expositions. Every character represents an archetype of a common fairy tale, but they all have glaring flaws that directly contradict how they are supposed to act. William Goldman sets forth his satirical theme that the literary industry’s rigid rules reflect its inability to adapt in an ever changing society.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
Edward, the android-like being portrayed in Tim Burton’s film Edward Scissorhands, is essentially killed off from society because he falls victim to the malicious lies spread by the community and by the hatred that is cultivated by those lies. Although he never physically dies, Edward’s rejection from society leads to a life-long seclusion away from the outside world. The events that lead Edward into this isolation are brought on by a few misunderstood acts that he commits and the negative reception of those acts by an impressionable community. He is caught committing a break-in (a felony that is not completely his fault yet nobody gives him the benefit of the doubt) and is, from then on, seen as a dangerous criminal. He is also deemed a sexual predator because a townswoman claims that he sexually assaulted her. Also, his attraction to and love for Kim (the Bogg family’s daughter) provokes her jealous and violent boyfriend into harming Edward and trying to turn Kim against him. Edward is never given the chance to explain himself of the accused acts and so he finds himself the target of the town’s hatred; a hatred that is based upon and fueled by jealousy, lies, and rumors. The eventual shunning of Edward by the community is not surprising or shocking because Edward never really fits in with society to begin with. However, what is shocking are the justifications of hatred that are used by the community. Their emotions and attitudes are influenced by the lies and jealousies of a few people and by believing in the religious motivations and accusations of the erratic Christian woman who lives in the neighborhood. By being non-human, Edward is immediately suspected of being guilty of all he is accused of. Hi...
Produced in 2009, The Frog Princess is a Disney animation inspired by the Grimm Brothers’ fairytale, The Frog Prince. Both The Frog Princess and The Frog Prince deal with a multiplicity of issues, all of which contribute to supporting positive messages and morals (Ceaser, 2009). However, though The Frog Princess is based on a classic fairytale, it is far from being the same. The writers at Disney have taken a classic fairytale and created a “Monster” (Prince, 2001). This essay will examine the evolution of the original Grimm Brothers’ fairytale, the messages both main characters represent, and how the adaptation to fit a modern child readership diminishes a classic fairytale. Through discussing these arguments, this paper will prove that Disney’s adaptation into The Princess and The Frog is counter-productive in representing the original story’s messages, morals, and values.
When the word “fairytale” is mentioned, nearly everyone thinks of light-hearted stories with friendly characters and happy endings. However, these are not the ideas that classic fairytales originally sparked. In fact, numerous modern Disney movies were based off stories that were not so sugar coated. In the 19th century, the Brothers Grimm were responsible for multiple of these popular children’s tales. The Disney remakes of classic fairytales such as Cinderella, Tangled, and Snow White exclude the dark, twisted themes that are significant in the Brothers Grimm fairytales, because society tendencies continue to evolve toward sheltering and overprotecting young children.
Since the communist era, the concept of conformity has been tested on humans thinking it would bring a sort of comfort. These regimes rapidly crumbled due to their often authoritarian nature. Following these dictatorships, we often associate conformity with misery. Similarly, in Edward Scissorhands, through the characterization of Peg Boggs, the symbolism of Edward’s castle home and the change in Edward’s behaviour, director Tim Burton rejects conformity since it leads to fakeness, boredom, and corruption and, instead, promotes the benefits of authenticity and old habits.
Alice in wonderland has compelled many artists and writings to adapt, Lewis Carroll 's book into movies. The original animated movie of Alice in Wonderland came out in 1951; which was produced by Disney. There have been many remakes, but for the purpose of this essay the 2010, live action remake by Tim Burton can reveal the most change. Keeping these two versions in mind, it is possible to get a snapshot of some ways American culture has shifted over the 59 year period. There are five main changes of importance from the original and the remake of Alice in Wonderland. Those changes are: the age of Alice, the dynamic of characters in Wonderland, the Gender roles, the violence, and the agency of Alice throughout the movie. These key changes can be linked to many subliminal messages being conveyed about American