Conformity In Edward Scissorhands

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Since the communist era, the concept of conformity has been tested on humans thinking it would bring a sort of comfort. These regimes rapidly crumbled due to their often authoritarian nature. Following these dictatorships, we often associate conformity with misery. Similarly, in Edward Scissorhands, through the characterization of Peg Boggs, the symbolism of Edward’s castle home and the change in Edward’s behaviour, director Tim Burton rejects conformity since it leads to fakeness, boredom, and corruption and, instead, promotes the benefits of authenticity and old habits.

By depicting Peg Boggs as the typical inhabitant of a conformist society, Burton generalizes her characteristics to the entire city, since everyone is essentially the same, …show more content…

Her career consisting of selling Avon products aptly exemplifies this singular focus. Moreover, while selling these goods, she does not represent herself but the brand: “Avon Calling” (Edward Scissorhands); representing a brand instead of herself as a person proves the extremity of these social orders in an individualistic society. Again, her capitalistic values surface with the name of her husband, Bill, who represents money and the family’s breadwinner. With money, the materialistic members of this representative town buy objects to conform to the norm. Such as Peg whose choice of headwear reflects her compliance. Specifically, Peg frequently wears a pillbox hat to follow the Jackie Kennedy trend to fit in with everyone else. Therefore, she promotes the lack of authenticity and conformity in the town, since it is the only way she knows that brings her comfort as reflected by her desire stated near the end of the film for everything to “go back to normal” (Edward Scissorhands). Conversely, she brings in Edward into the town; …show more content…

For instance, at the start, Edward enjoys helping others, is nice, gullible and very polite. However, he does not fit in the individualistic town. The townspeople, being egotistical, take advantage of the vulnerable Edward. He is therefore forced against his will to do chores around the town. These tasks include garden sculptures, hairstyles, dog hairstyles, and so on; all of which are fake. The town likes fake ways to promote their conformal lifestyles and to try to differentiate themselves from their neighbour. Meanwhile, the town’s values corrupt Edward and his behaviour drastically changes. His authenticity cannot be accepted by the townspeople: “Furthermore, his work - the garden sculptures, hairstyles and so forth - indicate that he's a highly imaginative... uh... character. It seems clear that his awareness of what we call reality is radically underdeveloped” (Edward Scissorhands). He is considered as a mere character and not a person since he is not like the typical town “person”. Additionally, his authentic personality is categorized as “radically underdeveloped”. The categorization shows at what point the town cannot stand authenticity and takes comfort in its conformity. In contrast, while all the townspeople turn against Edward, Kim’s character evolves into loving the authenticity Edward portrays. The white clothes she starts

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